【2024臺北藝穗節】翼手龍摩天劇院
【2024臺北藝穗節】翼手龍摩天劇院
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演出全長
50分鐘
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場次時間
2024.09.07 (六) 20:00、2024.09.08 (日) 19:30
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演出單位
明白實驗所
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演出團隊
演出者李明潔、導演李明潔、演出者李欣穎、演出者陳臨霜、演出者吳承儒、演出者蔡浩天
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內容簡介
*****關於消失的兒童樂園******
四、五年級生的兒童樂園? A:中山育樂中心、圓山動物園
六、七年級生的兒童樂園?中影文化城 、舊兒童樂園
千禧年寶寶的兒童樂園?A:兒童新樂園
其他人的兒童樂園?xxxx旁的已經變成廢墟的兒童樂園?
*****關於恐龍的記憶*****
受訪者A:「我喜歡恐龍~每個小孩都喜歡恐龍」
受訪者B:「我一點都不喜歡恐龍~」
受訪者C: 「大家都喜歡恐龍?我們用恐龍拍一部電影?」
*****關於回憶那座冰山*****
2024 明白實驗所全新製作
**遠赴地球南端阿根廷取景尋找滅絕的恐龍痕跡,追憶消失的家庭遊樂記憶**
**以全實拍紀錄式影像結合AI生成影像,以紀實劇場手法與多位受訪者共同追憶心中的遊樂園記憶**
如果回憶與你、我都能化作翼手龍飛行,這回讓我們穿越陸海空,遇見療癒人心的絕美境地。
翼手龍摩天劇院The Archaeology of Wonderland
如果記憶是間劇院,待在舞台被聚光燈映照的是快樂或是悲傷?如果回憶可以考古,我們願意探尋的是前世今生或是無數光年前的殘骸痕跡,該拾起或是漠視不理?
此節目透過兒時記憶裡的中影文化城與台北舊兒童樂園追朔「人類為何渴望飛行?」「父親為何離去?」跨領域結合紀錄影像與穿戴式聲音裝置,將Chat GPT視為科技樹洞,透過跨地域的身體行動,在《翼手龍摩天劇院》裡展開一場科學與感性的思辨飛行。If memory were a theater, would the stage be lit up by happiness or sorrow? If memories could be excavated like archaeology, would we be willing to explore the past and present or the remnants from countless light-years ago? Should we pick them up or ignore them?
This program traces back to childhood memories of the Movie Center and Children's Amusement Park in Taipei. "Why do humans desire to fly?" … "Why did father leave?" It combines interdisciplinary documentary footage and wearable sound devices, treating Chat GPT as a technological confessional. Through cross-regional physical actions, it embarks on a flight of scientific and emotional contemplation in the "Pterodactyl Skyscraper Theater" with the journey towards “The Archaeology of Wonderland”.
明白實驗所Ming Baï Lab
李明潔 Ming-Chieh LEE 與李欣穎 Baï LEE 為一組編舞家與影像藝術家的雙人組。兩人透過田調移動,探尋自我生命遺憾與歷史場域之間的巧妙疊合,將其共創為“身體⇄影像”文本,以多元形式展演,視修補記憶傷口為初衷。於 2021 年開始共創《轉,看看有沒有什麼好地方?》影像編舞概念展(2021) 與《吐司機與夏日》(2022)分別獲第 20 屆與第 21 屆台新藝術獎提名。2023年成立明白實驗所,以《淼淼之路》自主策展兼展演篇章劇場空間小說式作品,三週演出四檔不同類型表演,評審以“實驗台灣當代藝術跨領域展演的可能性、開啟微型策展的嶄新視野“評語,特頒2023年台北藝穗節特別獎殊榮。
2024年將在臺灣科學教育館小黑盒沈浸式劇場延續《淼淼之路》創作脈絡,推出新篇章作品《翼手龍摩天劇院》以自然、考古、遊樂回憶探索歷史記憶裡的斷裂與修復痕跡。Ming-Chieh LEE and Baï LEE are a duo of choreographers and video artists. The duo has been co-creating with a “body⇄image” text, in which they seek to explore the ingenious overlap between their life regrets and the historical field through moving in fieldwork.
Their collaborative art projects "Hey! Where to Stop Along the Way?“ - Image Choreography Exhibition (2021) and "Summer Toaster" (2022) were nominated for the 20th and 21st Taishin Arts Awards respectively. In 2023, the establishment of Ming Baï Lab presented the self-curated and performance and space based theatrical series of work "Over the Trouble Waters," featuring four different types of performances over a three-week period. The judges commented on the "possibility of interdisciplinary exhibition of contemporary art in Taiwan and the opening of a new perspective on micro-curation," awarding them the Special Prize of the Taipei Fringe Festival in 2023. In 2024, at the Small Black Box Immersive Theater of the National Taiwan Science Education Center, they will continue their creative context, presenting a new chapter titled "Archaeology of Wonderland," exploring the fractures and traces of repair in historical memory through nature, archaeology, and nostalgic amusement.
製作團隊:
製作:明白實驗所
概念/編舞/表演:李明潔
概念/文本/影像:李欣穎Baï LEE
聲音與穿戴裝置設計/演出:陳臨霜
技術統籌暨執行/AI影像設計:吳承儒( P B )
服裝設計:蔡浩天
Production: Ming Baï Lab
Concept/Choreography/Performer: Ming-Chieh LEE
Concept/Text/Visual: Baï LEE
Sound and Sound Installation Design/Performer: Lin-Shuang CHEN
Technical Director/AI Image Design: Cheng-Ru WU ( P B )
Costume Design: Tsai Hao Tien
*此計畫獲得113年文化部扶植青年藝術表演藝術類別補助
*此節目建議6歲以上觀賞,需脱鞋入場。
*演出含部分閃光、巨大聲響,請留意並斟酌入場。
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注意事項
★ 開放時間:演出前15分鐘開放入場
★ 演出全長:50分鐘
★ 字幕語言: 中文、英文