【2025衛武營馬戲平台】克萊蒙．達贊＆魔人神手製造所《勞動狂想》

《勞動狂想》以慢馬戲（slow circus）的美學，創造了一種舞蹈劇場的視覺風格，轉移一般觀看劇場的視角並重新定義表演空間。此作品試圖揭露經常被隱藏及日常中遠離公眾視野的事物。卸貨碼頭和劇場儲貨空間相結合，表演者在演出的同時，劇場人員持續進行他們的工作，彼此彷彿融為一景。

2022衛武營馬戲平台，法國馬戲團隊魔人神手製造所的《人類狂想曲》為觀眾留下深刻印象。三年後，主創克萊蒙．達贊遴選臺灣在地的馬戲及現代舞藝術家共同創作，將成為衛武營首度以卸貨碼頭作為完整表演空間的演出。

《勞動狂想》探討人與人之間的權力、宰制與服從的複雜關係，試圖為工作世界創造一個寓言——關於身體的付出如何透過舞蹈和馬戲被提升轉化，以一個幽默和詩意的方式去探問我們與勞動的關係，並強調勞動者在不斷重複的動作中所體現的荒謬與美感。

BRUT adopts slow circus to create a visual style of dance theater. It shifts perspectives, redefines performance spaces, and offers spectators a new way of seeing the stage by revealing everything that is usually hidden or ordinarily kept away from the public eye. Loading docks and theater storage hangars become blended performance spaces, where artists perform while technical staff continue their work, seamlessly integrated into the scene. 

BRUT explores the intricate relations of power, dominance, and submission among people. It attempts to create an allegorical representation of the working world—how physical effort can be elevated through dance and circus, in order to question our relationship with labor in a humorous and poetic way, all while highlighting both the absurdity and beauty of the repetitive gestures performed by workers across our world.

演出暨製作人員名單

概念暨編導｜克萊蒙．達贊

編導暨創作助理｜奧蘿拉．迪尼

共同創作暨表演者｜王弈樺、王筑樺、林睿謙、唐筠雯、曹宥廉、郭建宏、陳品霓、蔡宏義

音樂設計｜黃尉育

翻譯暨創作陪伴｜劉姿蘭

行政、製作及行銷｜安妮・赫爾曼、維克多・勒克萊爾、奧坦斯．于格－德斯普昂特、黛博拉．勞弗、瑪歌．莫魯

製作人｜魔人神手製造所

Conception and Direction｜Clément DAZIN

Direction and Creation Assistant｜Aurora DINI 

Co-creation and Performers｜WANG I-hua, WANG Chu-hua, LIN Jui-chien, TANG Yun-wen, TSAO You-lian, KUO Chien-hung, CHEN Pin-ni, TSAI Hung-yi

Music Design｜HUANG Wei-yu

Interpretation and Creation Support｜LIU Tzu-lan

Administration, Production and Distribution｜La Magnanerie–Anne HERRMANN, Victor LECLÈRE, Hortense HUYGHUES-DESPOINTES, Debora LAUFER, Margot MOROUX

Producer｜La Main de l'Homme 

共製單位：衛武營國家藝術文化中心、魔人神手製造所及法國藝文推廣總署支持

Co-production: National Kaohsiung Center for the Arts (Weiwuying) and La Main de l'Homme with the support of the French Institute – IF Export

魔人神手製造所獲斯特拉斯堡市與法國文化部（大東部文化事務局）支持，並定期獲法國文化部（藝術創作總署）資助。克萊蒙．達贊現為法國凡爾登跨界藝術中心駐館藝術家

La Main de l'Homme is supported by the City of Strasbourg and the Ministry of Culture – DRAC Grand Est. It receives regular support from the Ministry of Culture－DGCA. Clément DAZIN is an associate artist at Transversales – Scène conventionnée cirque de Verdun.

特別感謝：法國在台協會

With the support of Bureau français de Taipei

藝術家介紹

克萊蒙．達贊自幼便對身體動作充滿興趣，六歲起開始學習體操。十六歲時，他迷上馬戲藝術，尤其熱衷於雜耍藝術，並加入業餘團體Point Bar，在此發現創作與編舞的樂趣。在成為職業馬戲表演者之前，達贊曾於電信客服中心工作了兩年，及後於歐洲直升機公司（Eurocopter）擔任管理總監儲備幹部。他擁有管理學碩士學位，於畢業論文中探討「職場關係中的心理情感維度」。

其後，他進入里昂馬戲學校，並於法國國家馬戲藝術中心深造，持續探索當代舞蹈、肢體劇場、嘻哈舞蹈與雜耍之間的連結，逐步發展他的藝術世界。

直到2017年為止，達贊以「編舞式雜耍」作為舞團的創作重心。此後，他開始探索「文字與口語」在表演中的角色：

-《將盡》（Bruit de couloir, 2013）– 編舞式雜耍獨舞 

-《R2JE》（2014）– 舞蹈／雜耍雙人作品 

-《人類狂想曲》（Humanoptère, 2017）– 七位表演者的編舞式雜耍作品 

-《軌道》（Trajectoires, 2021）– 為教室空間創作的獨角戲 

-《宇宙》（Cosmos, 2021）– 與阿詩塔・繆阿萊姆合作的劇場／馬戲獨角戲 

-《伊諾普斯》（Inops, 2021）– 六位表演者的劇場／馬戲作品 

-《裝飾的另一面》（L'Envers de nos décors, 2022）– 與湯瑪斯．史考托合作的親子劇場／馬戲

-《恐懼症》（A.N.G.S.T, 2023）– 與盧卡斯．柏甘迪共同演出的雜耍／鋼索雙人作 

-《馬哈馬特》（Mahamat, 預計2026）– 與馬哈馬特．佛法納合作的特技舞蹈作品

Clément DAZIN was interested in movement at a very young age and started gymnastics at the age of six. At 16, he became interested in circus arts, particularly juggling, and worked with an amateur company, Point Bar, where he discovered the joy of creation and choreography. Before becoming a professional in the circus arts, DAZIN spent two years working for a call center and later became a management control apprentice at Eurocopter. He holds a Master's degree in Management and explored in his final thesis the psycho-emotional dimension of workplace relationships. He then joined the Lyon Circus School before continuing his training at the Centre National des Arts du Cirque (CNAC), where he further explored the connections between contemporary dance, physical theater, hip-hop dance, and juggling to develop his artistic universe.

Until 2017, DAZIN focused his company's creative work on choreographic juggling. Since then, he has been exploring the role of text and speech in his performances:

• Bruit de couloir (2013) – choreographic juggling solo
• R2JE (2014) – dance/juggling duo
• Humanoptère (2017) – choreographic juggling piece for 7 performers
• Trajectoires (2021) – solo performance for classrooms
• Cosmos (2021) – theater/circus solo with Ashtar Muallem
• Inops (2021) – theater/circus piece for 6 performers
• L'Envers de nos décors (2022) – young audience theater/circus piece with Thomas Scotto
• A.N.G.S.T (2023) – juggling/wire-walking duo with Lucas Bergandi

• Mahamat (2026) – acrobatic dance with Mahamat Fofana

演出地點

演後座談 Post-talk｜

12.5 Fri. 演後於西卸貨碼頭

12.6 Sat. 演後於西卸貨碼頭

12.5  Fri.  After the performance at West Loading Area

12.6  Sat. After the performance at West Loading Area

到場注意事項｜

＊請由西卸貨碼頭（衛武營捷運站6號出口右側）集合驗票入場。

＊演出全長約55分鐘，無中場休息。

＊建議7歲以上觀眾觀賞。

＊演出含閃光效果，請斟酌入場。

＊遲到、中途離席觀眾請依循現場工作人員指示入場。

＊主辦單位保留所有活動異動權與解釋權。