(LA)HORDE

介紹

2013年成立的狂徒 ((LA)HORDE)，由瑪琳．布魯蒂 (Marine Brutti)、喬納森．德布爾 (Jonathan Debrouwer) 與亞瑟．哈瑞爾 (Arthur Harel) 發起，揉合性別流動、集體創作與數位文化。

他們關注後網路時代的身體處境，從《To Da Bone》探索網路舞蹈的躁動，到《Age of Content》剖析虛實交錯中的慾望與認同。2019年起接任馬賽國立芭蕾舞團藝術總監，以《崩世光景》(Room With A View) 打造末日景觀，結合電音與政治憤怒，將舞蹈化為對當代巨獸的激進對抗與自由吶喊。

馬賽國立芭蕾舞團｜Ballet national de Marseille

1972年在馬賽市長邀請下，由編舞家羅蘭・比堤 (Roland Petit) 創立，奠定了70-80年代的當代編舞風格，1984年更進一步列為國家編舞中心。現有來自16國22位舞者，2019年起由跨領域藝術團隊狂徒 ((LA)HORDE) 擔任藝術總監。

(LA)HORDE

In 2013, choreographers and visual artists Marine Brutti, Jonathan Debrouwer, and Arthur Harel formed this collective, which took on the direction of the Ballet national de Marseille (BNM) in 2019.

Through films and performances (Novaciéries, 2015; The Master’s Tools, 2017; Cultes, 2019; Ghosts, 2021), as well as choreographic pieces (Night Owl, 2016; To Da Bone, 2017; Marry Me in Bassiani, 2019; Room With A View, 2020), (LA)HORDE interrogates the political component of dance, while mapping diverse choreographic forms of popular uprising, transitioning from raves to traditional dances and jumpstyle. Their exploration of the new dynamics of circulation and representation of dance and body that have developed online led them to explore the concept of “post-internet dances”. 

Created with artist Rone in 2020, Room With A View was their first choreographic piece with the BNM. In 2022, they presented Roommates, a program of six short pieces connecting hyperrealism and minimalism by Lucinda Childs, Claude Brumachon, Benjamin Lamarche, Peeping Tom, Cecilia Bengolea, and François Chaignaud, as well as a large-scale dance exhibition, entitled We Should Have Never Walked on the Moon, in which musicals and live-action films were mixed with avant-garde choreography.