都靈之馬

貝拉．塔爾 Béla TARR｜匈牙利 Hungary｜2011｜DCP｜B&W｜155min

※數位修復 Restored

1889年哲學家尼采於都靈街頭看見一匹不願前行，而被馬夫狠狠鞭打的老馬，他嚎叫阻止馬夫，精神狀態自此後陷入瘋狂。畫外音以說書人之姿道出尼采瘋癲謎團，電影敘事則從此展開。第一天，馬夫與女兒起床、更衣、吃飯、提水、工作；第二天，起床、更衣、煮飯、工作……第三天、第四天，日復一日，父女的生活皆然。老馬拒絕飲食，井水乾涸見底，疾風暴雨襲來，他們的生活是否將有所改變？

敘事與配樂的輪迴和重複性，以及貝拉．塔爾標誌性的長鏡頭彷彿凝鍊了時空，荒原小屋裡的父女生活樣態形成寓言，而景框中人物的命運也被預言。當人活著的勞動性被影像時間標誌，死亡的絕望感同時蔓延，人存在的意義為何？塔爾最後一部作品，自此他不再拍攝，其早期對社會的批判，和後期哲學思辨於焉融合。

In Turin on 3rd January, 1889, Friedrich Nietzsche steps out and sees the driver of a hansom cab having trouble with a stubborn horse. Despite his urging, the horse refuses to move, and the driver takes his whip to it. Nietzsche comes up and puts an end to the brutal scene, throwing his arms around the horse's neck, sobbing.

His landlord takes him home; he lies motionless and silent for two days until he mutters his last words, and lives for another 10 years, silent and demented, cared for by his mother and sisters.

⟢ 𝟐𝟎𝟐𝟒 第𝟐𝟔屆台北電影節 ⟣
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​ 影展：𝟔.𝟐𝟏 — 𝟕.𝟎𝟐
​ 頒獎典禮：𝟕.𝟎𝟔
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