2024臺北兒童藝術節:《等一下下再回家》
2024.4.13(六)-2024.5.20(一)免費註冊預約88折
2024臺北兒童藝術節:《等一下下再回家》
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演出全長
60分鐘
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場次時間
2024.07.06 (六) 15:00、2024.07.07 (日) 11:00
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演出單位
臺北表演藝術中心
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演出團隊
梳化木漏日美學設計有限公司、編劇陳弘洋、導演吳子敬、演出者馬雅、演出者吳靜依、演出者楊宇政、製作人魏聆琄、舞台監督陳思涵、燈光設計吳峽寧、音樂設計楊世暄、服裝設計陳則妤、演出者胖球
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內容簡介
小寶今天不想回家
今天是她的生日
可是她不想回家她的媽媽在她生日那一天,離開了這個世界,所以她爸爸從來不和她說「生日快樂」,而且在這天還會特別不開心。在那個同樣看不見爸爸笑容的早晨、在爸爸以為她要去上課的那個早晨,她選擇了和學校相反的道路,踏上了那趟屬於自己的冒險之旅⋯⋯
在這趟如夢似幻、或真或假的旅行裡,小寶遇見了好多人,她好像因此逐漸理解了一些問題的答案,關於自己存在的意義、關於單親,關於失去,關於遺憾⋯⋯種種的種種,在這趟旅程裡,好像都得到了一些提醒。
只是,她是否真的能夠因著這些提醒,再次獲得勇氣,踏上回家的路?
《等一下下再回家》獲得2023年臺北兒童藝術節「兒童戲劇劇本創作」第三名。此次特別邀請兒童演員「胖球」參與演出,以真實孩童的視角、感受,打造更貼近孩子的兒童劇場作品,並且帶領觀眾一同經歷這趟旅程。
在這個資訊膨脹的大環境中,孩童愈發早熟,當孩子面對諸多的煩惱、悲傷與孤獨,甚至無法確認自己存在價值的時刻,大人們該如何陪伴他們?期待透過本作品能替父母說出他們放在心裡卻說不出口的話,與小寶一同經歷如夢境般的冒險,帶領著孩子們參與這場成長之旅。邀您攜手親愛的孩子,面對沈重卻不可迴避的重要議題,在吟唱和演員的輕輕述說中,談不一樣的故事。
這將是一趟(大人也可以參與的)屬於孩子的公路之旅。
🎵演出歌曲【躲貓貓】MV搶先看
【演出團隊介紹】
僻室 House Peace
創立於2018年,由一群擁有劇場各領域專業的成員組成,範疇包含導演、表演、舞台、燈光、服裝等劇場展演及各類視覺設計。僻室 House Peace以多元創意為主導,從劇場出發,嘗試與各式創作媒材結合,目標成為共融劇場表演、空間景觀及原創文本的計畫實驗室。
認識更多:www.house-peace.com
臉書搜尋:僻室 House Peace
IG搜尋:僻室 House Peace【主創者介紹】
編劇│陳弘洋
國立臺北藝術大學劇場藝術研究所畢業,劇本創作組。曾以編劇身分前往利澤國際偶戲藝術村、日本翼宿駐村,在學期間亦獲獎學金赴丹麥歐丁劇場進修研習。包含劇場與影視,都有亮眼成績。
導演│吳子敬
國立臺北藝術大學劇場設計系畢業,主修舞台設計。目前就讀國立臺北藝術大學劇場藝術創作研究所,主修導演。2018年組成僻室 House Peace,以空間及裝置發展創作。多次參與劇場舞監及設計工作。
【演員介紹】
胖球|飾演 小寶 (週六場)
嗨大家好,我是陳胖球!
喜歡唱歌跳舞跟上台表演的我,從四歲第一次參與人力飛行劇團的幾米音樂劇「時光電影院」演出後,就喜歡上舞台劇演出。也曾參與全民大劇團的「你好,我是接體員」、「情人哏裡出西施」、「大畫昭君觀落雁」等音樂劇演出。
今年8月即將在公視播出的兒少影集「什麼都沒有雜貨店」中飾演主角之一的「大可」。
我也常在臉書粉絲專頁跟IG上分享跟爸爸一起翻唱歌曲的影片,歡迎大家一起來聽我唱歌!
馬雅|飾演 小寶 (週日場)
馬雅是本名,畢業於中國文化大學中國戲劇學系, 1996年生,台中人,十五歲搬家到台北。喜歡在不同的作品裡面觀察自己被使用的方式,找到自己駕馭自己的方法。
表演之餘做一些畫畫的工作、一些肢體設計的工作,沖咖啡給家人喝是目前最喜歡的工作。
吳靜依|飾演 媽媽、女神、垃圾、烏龜、青蛙王子
來自嘉義。現為演員、歌手、僻室成員,演出及創作涵蓋劇場、影視、音樂等領域。曾獲金鐘獎迷你劇集/電視電影最具潛力新人獎提名、臺灣原創流行音樂大獎河洛語組貳獎、牯嶺街小劇場年度特別獎等肯定。
楊宇政|飾演 爸爸、小翔
畢業於臺北藝術大學戲劇學系,表演組。現職劇場表演者、影像表演。曾跨界舞蹈以及與樂團大象體操、椅子樂團、歌手伍佰合作。
近年合作劇團:僻室、明日和合製作所、人力飛行劇團,風狗浪製作、軟硬倍事、勾勾手合作社、驚喜製造等。
【演職人員名單】
導演|吳子敬
編劇|陳弘洋
演員|胖球、馬雅、吳靜依、楊宇政
製作人|魏聆琄
舞台監督|陳思涵
燈光設計|吳峽寧
音樂設計|楊世暄
服裝設計|陳則妤
梳化|木漏日美學設計有限公司
主辦單位|臺北市政府
承辦單位|臺北表演藝術中心
【About the Performance】
Xiao Bao’s mother passed away on her birthday, leaving a shadow over the celebration. Since then, her father has never wished her a "Happy Birthday" and becomes notably sad on this day. On one such morning, when she can't see her father's smile and he thinks she is off to school, Xiao Bao chooses a different path and sets off on a journey of her own...
During this surreal and mysterious trip, Xiao Bao encounters many people, and it seems as though she slowly starts to understand the answers to several questions: the meaning of her existence, the experience of being raised by a single parent, the nature of loss, and the feeling of regret... Throughout this journey, it seems that everything starts to make a bit more sense.
But the question remains, with these new insights, can she find the courage to make her way back home?
Not Home Yet won third place in the Children’s Drama Scriptwriting category at the 2023 Taipei Children’s Arts Festival. This production features the child actor Pon Chiu, in the hope to create a children’s theater piece that resonates closely with the real perspectives and feelings of children. It invites the audience on an immersive journey to experience this adventure together.
In the world filled with an overwhelming amount of information today, children are growing up faster, often dealing with worries, sadness, and loneliness, and sometimes struggling to see their own value. How can we be there for them in these moments? This piece hopes to voice the thoughts and feelings parents hold deep within, inviting them to join Xiao Bao on a dream-like adventure and assisting in guiding their children through a journey of growth. We invite you to join hands with your child and tackle these significant yet unavoidable issues together, exploring unique stories through the actors’ chants and gentle narratives.
It is a road trip designed for children, in which adults are also welcomed to be a part of.
【Performing Group】
House Peace
Established In 2018, House Peace was founded by a group of professional theatre workers with their specialties including directing,acting,set design, lighting design, costume design, and different kinds of visual arts.
We are an art laboratory combining theatre and various elements for exhibitions and productions.
Focusing on the possibilities between theatre and space, we believe that our creative ideas will lead to multiple productions.
More Info: www.house-peace.com
Facebook: House Peace
Instagram: house_peace_
【Artist Profile】
Playwright: Chen Hung-Yang
Chen Hung-Yang is a graduate of the Graduate Institute of Theatre Arts and Playwriting at the National Taipei University of the Arts (TNUA), majoring in Playwriting. He joined the Lize Puppet Art Colony in Taiwan as a playwright and engaged in an artistic residency in Tsubasa, Japan. During his academic journey, he also received a scholarship to further his studies at the Odin Teatret in Denmark. He has gained impressive accomplishments in both theater and film.
Director: Wu Zi-Jing
Wu Zi-Jing graduated from the Department of Theatrical Design & Technology at the National Taipei University of the Arts (TNUA), specializing in stage design. Currently, he is pursuing a master’s degree in directing at the Graduate Institute of Theatre Arts and Playwriting, TNUA. In 2018, he co-founded House Peace, developing artistic creation through spatial design and installations. He has been actively involved in various theatrical choreography and design projects.
【Cast & Creative】
Director: Wu Zi-Jing
Playwrights: Chen Hung-Yang
Performer: Elena, Ma Ya, Jing Wu, Gabriel Yang
Producer: Ada Wei
Stage Manager: Ssu Han Chen
Lighting Design: Wu Hsia-Ning
Music Composer: Sam Yang
Costume Design: Zeze Chen
Organizer: Taipei City Government
Implemeter: Taipei Performing Arts Center
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注意事項
◎ 演出全長約60分鐘,無中場休息。
◎ 中文發音,無字幕。
◎ 建議6歲以上觀眾欣賞。
◎ 遲到及中途離席的觀眾,須依工作人員引導等候入場。本場演出最後遲進點後亦無再入場機會,無法因此退換票,請您特別留意。
◎ 演出中會有攝錄影之需求,購票欣賞演出即代表同意個人肖像權可作為主辦單位拍攝、修飾、使用、公開展示,並用於存檔與相關活動宣傳。
◎ 60 mins, no intermission.
◎ In Mandarin, no surtitles.
◎ Suggested Age 6+ Years Old.
◎ Latecomers and re-entry subject to discretion.
◎ Due to the format of the performance, the audience may be photographed or filmed. The ticket purchasers legally agree to have their portraits photographed, retouched, used, and publicly displayed by the production team, as well as to be used for archival and promotion for future events.