【2025衛武營小時光】萬作之會《野村裕基的狂言入門》

誕生於14世紀的狂言，擁有六百多年的歷史，與能劇、歌舞伎、文樂並稱日本四大傳統藝術，但相較於文學色彩濃厚的能劇，描繪江戶時代人情義理悲喜劇的歌舞伎與文樂，狂言以機智詼諧的語言，誇張又充滿趣味的肢體動作建立了獨樹一格的喜劇風格，影響了日本當代戲劇與搞笑表演。

野村裕基誕生於狂言世家，祖父野村万作為人間國寶，父親野村萬齋熱衷於跨界創作，活躍於影視圈，2001年以電影《陰陽師》中安倍晴明一角紅遍亞洲，也曾擔任東京世田谷公共劇場的藝術總監。面對擁有偉大藝術成就的祖父與才華洋溢的父親，身為狂言世家的獨子，野村裕基從小就備受矚目，3歲以《靱猿》初登舞台後，野村裕基也踏上了狂言師的習藝之路，18歲時演出相當於狂言師畢業考的《三番叟》，在23歲演出《釣狐》後，便完成了野村家「始於猿，終於狐」的狂言師修業。此後他開始將觸角伸向其他領域，嘗試演電視劇，主演舞台劇，還為動漫電影的配音，透過不同形式的表演展現自我風格，猶如一顆新星，冉冉升起。

這次野村裕基與萬作之會的年輕一代將以「小老師」的身份帶來狂言作品《蝸牛》，因為「誤解」引發的荒謬情節，喚起人性中熟悉的情感，反而趣味橫生，產生共鳴。為了不讓人聽到「歷史悠久的傳統藝術」便覺得嚴肅與沉重，這次的表演將以簡便輕裝的方式進行，以和服搭配部分傳統服飾進行表演，呈現輕鬆趣味的氛圍，並進行狂言基本動作的示範表演。

就讓我們一起放輕鬆，跟著狂言師抱著肚子，哈哈大笑吧！

Originated during the 14^th century, Kyogen has a history of over 600 years. It is one of the four forms of traditional Japanese theater arts alongside noh, kabuki, and bunraku. While noh plays drew from traditional literature and kabuki and bunraku portrayed the dramas of Edo period life, kyogen developed its own niche with witty dialogue and exaggerated, humorous movements. This unique comedic style has influenced contemporary Japanese dramas and comedic performances.

Yuki NOMURA was born into an illustrious kyogen family. His grandfather Mansaku NOMURA II has been named as a living national treasure. His father Mansai NOMURA is an interdisciplinary artist active in both film and television. He became known to audiences across Asia after portraying Abe no Seimei in the 2001 film Onmyoji. He also served as the artistic director of Setagaya Public Theatre. As the heir of an influential kyogen family, with an accomplished grandfather and multitalented father, Yuki NOMURA has faced public scrutiny since childhood. His stage debut came at the age of three in The Monkey Skin Quiver. He then embarked on the path to becoming a kyogen master. At the age of 18, he performed Sanbaso, which is considered a graduation exam for kyogen masters. After performing Trapping of the Fox at 23, he completed the NOMURA family kyogen master training that “begins with the monkey and ends with the fox.” Afterwards, Yuji NOMURA expanded his reach to other fields, trying his hand at acting in television series, starring in stage plays, and even dubbing animated films. Through these different forms of performing arts, he developed his own style and became a rising star.

This time, Yuki NOMURA will guide Mansaku-No-Kai Kyogen Company's new generation of performers as a "little teacher" in presenting the kyogen play The Snail. With its humorous plot driven by "misunderstandings," the performance promises to be both engaging and resonant. To ensure that people won't be put off upon hearing "time-honored traditional art," the play will be performed in a simple and lighthearted manner, with performers in kimonos and traditional costumes to create a relaxed and enjoyable while showcasing the essence of kyogen.

Let's relax together, hold our bellies, and laugh heartily alongside the kyogen masters!

劇目簡介

《蝸牛》

聽說將蝸牛獻給祖父的話，就會延年益壽，所以主人命令僕人太郎冠者去抓蝸牛。太郎冠者完全不知道蝸牛為何物，主人便教他：「頭是黑色，腰上有殼，有時會伸出角，生活在樹叢裡」。太郎冠者來到樹林中尋找蝸牛，發現因為旅途勞累而沉睡的山伏（修行者），因為山伏的頭是黑色的，太郎冠者便叫醒他問他是不是蝸牛。山伏察覺太郎冠者會錯意，便決定捉弄他，假裝自己是蝸牛。太郎冠者信以為真，便拜託山伏跟他一起去見主人。山伏說如果能又唱又跳就去，於是太郎冠者開始唱起「既沒有落雨，也沒有颳風…」，山伏一邊說著：「蝸牛，蝸牛」，一邊跳舞，兩人開心不已。主人雖然因為太郎冠者晚歸而生氣斥責，最後也被捲入其中，三人邊唱邊跳，隨著音樂退場。

The Snail

Servant Taro Kaja is ordered by his master to catch a snail for the master's grandfather, as eating snails is believed to prolong one's life. Taro Kaja has no idea what a snail is, so his master tells him that a snail has a "black head and a shell on its back," and it "sometimes has horns, and lives inside thickets." Taro Kaja goes to a thicket in search of snails and comes across a yamabushi (a practitioner) who fell asleep after an exhausting journey. Seeing that the yamabushi's head is black, Taro Kaja wakes him up and asks him if he's a snail. The yamabushi realizes that Taro Kaja has the wrong idea, and decides to tease him by pretending to be a snail. Taro Kaja believes the yamabushi, and requests that he goes with him to see his master. The yamabushi says he'll go only if singing and dancing is allowed. Taro Kaja then starts singing, "there's no rain, there's no wind…" while the yamabushi chants "snail, snail" and dances. The two make merry. The master is angry and reprimands Taro Kaja for returning home late, but ulti mately ends up joining the merrymakers. The three of them sing and dance as they exit to the music.

演出人員名單

狂言師｜野村裕基、中村 修一

Performers｜ Yuki NOMURA, Shuichi NAKAMURA

藝術家介紹

野村裕基

生於1999年，野村萬齋的長男，師從祖父野村万作及父親。畢業於慶應大學法學院；能樂協會會員。2003年3歲時以《靱猿》初次登台，從排練到正式登場，由NHK的紀錄片節目記錄整個過程（收錄於DVD《小小狂言師的誕生—野村萬齋父子三代初次同登舞台》）。2017年首次演出《三番叟》，2018年在巴黎演出的「野村万作・萬齋・裕基×杉本博司《Divine Dance三番叟》」（Japonismes 2018的表演節目），裕基與祖父及父親每日輪流主演三番叟。2020年主演《奈須與市語》。2021年初次演出WOWWOW電視台開播30週年紀念的連續劇《所羅門的偽證》，在Netflix製作的動畫電影《光靈：武士之魂》擔任主角伊藏的配音。2022年主演《釣狐》。2023年3月，首次參與現代戲劇的演出，在舞台劇《哈姆雷特》飾演哈姆雷特一角（導演野村萬齋，世田谷公共劇場（Setagaya Public Theatre））。

Born in 1999, he is the eldest son of Mansai NOMURA, and was trained by his grandfather Mansaku NOMURA and his father. He graduated from Keio University's Faculty of Law and is a member of the Nohgaku Performers' Association. He made his stage debut at the age of three inTsurigitsune, an event documented by NHK in a program that was later released on DVD titledThe Birth of a Little Kyogen Theatre Master—Mansai Nomura's First Performance for Three Generations. In 2017, he performed Sanbaso for the first time, and in 2018, he participated in Divine Dance Sanbaso (as part of theJaponismes 2018 program) in Paris, where he alternated daily with his grandfather and father as the lead in Sanbaso. In 2020, he starred inThe Tale of NASU no Yoichi. In 2021, he made his television acting debut in WOWOW's 30th-anniversary drama The Solomon's Perjury and voiced the lead character Izou in the Netflix animated film Bright: Samurai Soul. In 2022, he starred inTsurikitsune. In March 2023, he took on the role of Hamlet in his first modern theater performance in the play Hamlet, directed by Mansai NOMURA, at the Setagaya Public Theatre.

中村 修一

生於1989年，師從野村万作，能劇協會會員。1998年拜入師門，2000年以《業平餅》中的幼兒角色初次登台演出，畢業於慶應大學法學院。9歲入門後，陸續演出《魚說法》、《太鼓負》等作品。2016年主演《三番叟》、《奈須與市語》、《釣狐》。在松尾塾傳統藝能、庄內能樂館教授狂言，也擔任早稻田大學、共立女子大學、東京女子大學狂言的社團指導老師。

Born in 1989, Shuichi NAKAMURA learned Kyogen from Mansaku NOMURA and is currently a member of the Nohgaku Performers' Association. He began his Kyogen training at the age of 9 and made his stage debut in 2000 as a child actor in the play Narihira mochi. After graduating from Keio University's Faculty of Law, he performed in various notable works such as Uo no Sōhō andTaiko Mochi. In 2016, he took on leading roles inSanbaso, The Tale of Nasuno Yoichi, and Tsurikitsune. In addition to performing, he teaches Kyogen at Matsuo Juku Traditional Performing Arts School and serves as an advisor to Kyogen clubs at Waseda University, Tokyo Woman's Christian University, and Kyoritsu Women's University.

到場注意事項｜

＊演出全長約60分鐘，無中場休息。

＊日語演出，中、英文字幕。

＊建議7歲以上觀眾觀賞。

＊遲到、中途離席觀眾請依循現場工作人員指示入場。

＊主辦單位保留所有活動異動權與解釋權。