2025臺東藝術節《寶島一村》

2025.10.25 (六)
早鳥優惠

7/1(二)-7/20(日)早鳥8折

2025臺東藝術節《寶島一村》

  • 演出全長

    210分鐘

  • 演出單位

    臺東縣政府

  • 演出團隊

    主辦表演工作坊文化創意股份有限公司、演出表演工作坊文化創意股份有限公司、共同主辦表演工作坊、聯合製作新加坡濱海藝術中心、導演賴聲川、編劇賴聲川、藝術總監賴聲川、編劇王偉忠、演出者馮翊綱、演出者屈中恆、演出者宋少卿、演出者朱德剛、演出者那維勳、演出者蕭艾、演出者徐堰鈴、演出者范瑞君、演出者林麗卿

  • 內容簡介

    《寶島一村》

    The Village


     

    「《寶島一村》是我們這個年代話劇舞臺上的巔峰之作!」—《新京報》

    《寶島一村》處處感動,世界巡迴超過300場!

     

    世界巡演累計超過40萬觀眾人次!

    被評為「這個年代話劇舞臺上巔峰之作」的《寶島一村》是賴聲川根據來自嘉義眷村的著名電視節目製作人王偉忠童年故事編導的作品。《寶島一村》2008年首演至今已十七週年,世界巡迴超過300場,超過40萬觀眾痛笑飆淚,永誌難忘。因應觀眾熱烈要求,【表演工作坊】今年將再度重現這一段是生命、更是歷史,既快樂又動人的眷村故事。

     

    各界好評熱烈推薦:

    「看得我如醉如痴,時而感傷時而欣慰,有時大笑,有時哭得抽泣;淚還沒乾又破涕而笑;還沒笑完又哭將起來。」

    —林青霞

     

    「《寶島一村》是我們這個年代話劇舞臺上的巔峰之作!」

    —《新京報》

     

    「這齣戲對目前關於保護臺灣共同回憶的省思有相當的貢獻,也為海峽兩岸緊張的關係所帶來的影響給予了一個人性的詮釋。」

    —《The International Herald Tribune 國際先鋒論壇報》

     

    「大師級的、慈悲的製作,搬演出台灣動人而真實的歷史。」

    —《阿德雷德評論》(9/30/2019)

     

    演出長度:約210分鐘,有一次中場休息20分鐘

    觀賞年齡限制:本節目建議七歲以上觀眾觀賞

     

    【製作團隊】

    編劇、導演⊙賴聲川、王偉忠

     

    藝術總監☉賴聲川
    監製☉丁乃竺


    領銜主演☉馮翊綱、屈中恆、宋少卿、 朱德剛、那維勳
                      蕭艾、徐堰鈴、范瑞君、 林麗卿

     

    演出、主辦:☉表演工作坊文化創意股份有限公司 02-26982323


    共同主辦☉表演工作坊


    聯合製作:新加坡濱海藝術中心

     

    The Village

    "Emotions are so real in this stunning epic that people are left crying and laughing at the same time." –The Straits Times

    "The pinnacle of our era of theatre." -- Beijing News

     

    In 1949, the Nationalist government moved to Taiwan in defeat. Within a few years, hundreds of temporary "Dependent Villages" were built all over the island to house the hundreds of thousands of military dependents who had come from China. Construction was cheap, even telephone poles had numbers on them, the plan being to ship them back to the China once the mainland was recovered. Everything was temporary, each family had roughly 30 square meters of space. All thought they would be going home soon.

    But year after year passed, and they stayed on, raising their families within these "bamboo fences," as these villages were come to be known. Inside the village gates, one would think one was in a miniature China. Dialects from north, south, east and west rang through the air; scents of cooking from Szechuan hot noodles to Shandong dumplings were everywhere. Outside the gates was the native Taiwanese population. Soon the complex population within the gates began to assimilate with the people outside, and those who once dreamt of going home discovered that this was their home.

    In these villages, an important generation of Taiwanese were born and bred. Today this generation features well-known leaders in government, entertainment, education, and business sectors. It also features famous gang members and criminals. To come from a "Village" means one is tough, one knows how to survive. To come from a "Village" means one knows a kind of chivalric code, a code of bonding, a code of survival.

    Today, most of the "Villages" have been torn down, and what is left of the occupant community has been relocated to high rise housing. Little remains of this remarkable passage of history.

    The Village is based partially on childhood stories of Taiwan’s most prominent television producer, Wang Weizhong, and is written and directed by Stan Lai, the most celebrated playwright-director of his generation. Since its premiere in 2008, the play has electrified audiences throughout the Chinese speaking world, becoming one of the milestone productions of recent years.

    The Village is a theatrical record of a special piece of history. It is an epic and radiant celebration of life in all its tragic and comic splendor.

     

  • 注意事項

    演出全長:210分鐘,中場休息20分鐘。

    到場注意事項:本節目建議七歲以上觀眾觀賞。

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