2025臺南藝術節: 燕麥小姐《K歌天后》

★曼谷最猛跨性別藝術家首度來台

★連唱5小時海海人生大歌廳

這是一場長達五小時的獨角演出，也是一場邀請觀眾共處的親密儀式。

在這裡，個人記憶與國族歷史交錯碰撞，卡拉OK不只是娛樂工具，更成為政治反思與集體療癒的途徑。

隨著年歲增長，燕麥小姐回望三十年來橫越酷兒身分、失落與抵抗的生命軌跡；

時序錯置，情緒翻湧，流行歌曲化為通道，展開被遺忘的片段、被壓抑的故事，以及泰國政治景觀的迴聲。

演出場景設在卡拉OK包廂，歌唱與分享這些熟悉的儀式成為一種生存與顛覆的方式。

這不只是單人演出，而是一場開放的邀請──觀眾可以唱歌、哭泣、大笑、回憶。每一首歌都是對過去的觸碰，一種拒絕遺忘的姿態，也是一場對仍存在事物的慶祝。

在這裡，時間不以分鐘計算，而是以旋律、記憶與情感為單位，被酷兒化並去穩定化。

悲傷與喜悅共舞，個人與歷史不可分割，曾被噤聲的聲音透過麥克風被放大。

我們共同發問：在混亂中成長意味著什麼？在廢墟中歌唱是什麼感覺？

我們能否透過一首又一首副歌，奪回屬於自己的歷史？

【關於燕麥小姐】

來自曼谷的燕麥小姐曾獲選為柏林戲劇盛會獎助金青年藝術家。

身為一名剛滿30歲的跨性別藝術家，燕麥小姐致力於推廣泰國表演藝術酷兒族群的能見度、轉型正義以及性別平權。

她也是曼谷唯一Queer Festival的創辦人；近期受曼谷當代藝術文化中心之邀，擔任酷兒實驗室的主持人，孵育下一代的酷兒文化及藝術創作。

在她的最新作品《K歌天后》裡，她將自己30年來的生命歷程唱成一場5小時的K歌表演，

並細數在她成長的30年來泰國的社會文化變遷，將私人歷史與國家歷史交織成一首首動人的黑色情歌。

【演出暨製作人員名單】

概念、導演與演出｜燕麥小姐（Pathipon／Miss Oat）

製作人｜通蔡・皮馬蓬斯里（Thongchai Pimapunsri）

技術總監｜Populight

燈光設計｜帕莉塔・薩庫猜瓦尼（Palita Sakulchaivanich）

技術支援｜克朗猜・米旺（Kronchai Meevong）

服裝設計｜妮查・普拉納薩姆瑞迪（Nicha Puranasamriddhi）

指導單位｜文化部、臺南市政府

主辦單位｜臺南市政府文化局、財團法人台南市文化基金會

協辦單位｜臺南市公共運輸處

執行單位｜大作坊創作有限公司、俠客行文創顧問有限公司

行銷執行｜立時創藝有限公司

贊助單位｜財團法人台積電文教基金會、京城銀行、洺遠開發股份有限公司

【About the Performance】

30th: If I Can't Sing, I Don't Want To Be Part Of Your Revolution

A durational solo performance lasting five hours, 30th invites audiences into an intimate space where personal memory collides with national history, and karaoke becomes a tool for political reflection and collective healing. In the wake of growing older, Miss Oat revisits thirty years of life lived across shifting terrains of queerness, loss, and resistance. As timelines blur and emotions resurface, pop songs become portals—unfolding forgotten fragments, suppressed stories, and the echoes of Thai political landscapes.

Set in a karaoke room, the performance embraces the familiar rituals of singing and sharing as forms of survival and subversion. This is not just a solo show—it is an open invitation. Participants are welcome to sing, to cry, to laugh, to remember. Each song becomes a gesture toward the past, a refusal to forget, a celebration of what endures.

Time itself—measured not by minutes, but by melody, memory, and mood—is queered and destabilized. In this space, grief dances with joy, the personal becomes inseparable from the historical, and voices once silenced are amplified through the microphone. Together, we ask: What does it mean to grow older amidst chaos? To sing in the ruins? To reclaim history one chorus at a time?

30th is not a nostalgic journey, but a living archive—singing not to entertain, but to survive, to resist, and to remember.

【Artist Profile】

Pathipon (Miss Oat) is a theatre artist based in Bangkok. She is the founder of Miss Theatre, which creates performative art pieces that tackle issues of queerness, individuality, politics, and humanity through experimental forms.

Miss Oat's work combines personal stories, history, and political matters, with a specific emphasis on exploring the queerness of gender and humanity as a race in various political contexts. Her performance "In the Queer" highlights

how artists' personal experiences can connect with the audience to criticize authoritarianism in Thailand, exploring self and society from a queer perspective.

Miss Oat is currently investigating the personal and political boundaries of gender and gender diversity in multiculturalism, with a post-humanist approach that disrupts traditional performing arts forms and challenges the patriarchal norms of both the Thai and international performing art scenes.

Pathipon (Miss Oat) founded H0M0HAUS, a festival for diversity. Her work explores queerness, individuality, and politics, challenging norms in Thai performing arts. H0M0HAUS launched successfully in 2024 and will continue its second iteration in 2025.

【Creative and Production Team】

Concept , Direction and Performance: Pathipon (Miss Oat)

Producer: Thongchai Pimapunsri

Technical Director: Populight

Lighting Design: Palita Sakulchaivanich

Technical Support: Kronchai Meevong

Costume Design: Nicha Puranasamriddhi

◎節目全長約330分鐘，無中場休息。演出中持票觀眾可自由且多次進出，入場須依照工作人員指引。 ◎演出語言：泰語發音，字幕：中文及英文。 ◎建議12歲以上觀眾欣賞。 ◎遲到及中途離席的觀眾，須依工作人員引導等候入場。