蒂摩爾古薪舞集 巴魯．瑪迪霖 《排彎動物園》

當文化不再是靜態的展示，當已知的秩序開始轉彎。我們在你熟悉的蕭邦中跳起排灣圍舞，用一曲送葬哀悼那些被忽視的聲音，以離別曲向迷失的自我道別。我們還是我們，唱起古調跳著碧昂絲，踩著四步舞配圓舞曲，沒有誰不配位，只有一二三再來一遍！

舞者在象徵制度的鞦韆擺盪中召喚內心真我，隨著蕭邦的樂音響起，台上發出邀請的魅音，這不是你期待的傳統排灣舞蹈劇場，而是一場排灣撞上當代奇幻的超現實夢境。拿掉框架，打破規則，在傳統與當代間摸索平衡，在綿延往復的拋接中尋找新秩序。而我們還是我們，帶著承繼百年的自由與流動姿態，邀請每個入園的觀眾一起野放靈魂，共譜一曲狂野幻夢！

When culture is no longer a static display and all the known rules are bent, we begin to dance traditional Paiwan dances to CHOPIN's music, mourning for those ignored sounds with "Funeral March" and bidding farewell to our lost souls with "Tristesse." This is going to be a contemporary fantasy of surrealistic dreams, where frameworks are removed and all the rules are broken. Audiences are thus invited to let go of their souls and have some fun playing with realities!

演出暨製作人員名單 

藝術總監暨演出者：路之．瑪迪霖／舞蹈總監暨編舞：巴魯．瑪迪霖／排練指導暨演出者 ：楊淨皓、舞祖．達卜拉旮茲／演出者：江聖祥、蒙慈恩、日柏樂．旮扎伊嵐／燈光設計：李意舜／音樂設計：許德彰／影像設計：王鴻駿／服裝設計暨製作：PROJECTbyH.／服裝配件製作：沙滔舞琉璃藝術空間／主視覺設計：58kg／主視覺拍攝：巴卅席／技術統籌暨舞台監督：陸秀儀／音訊視訊技術統籌：黃尉育／創作陪伴暨國際連結：張欣怡／手語翻譯：洪筱涵／節目單文字編輯：廖昀靖／團務經理：邱書婷

Artistic Director & Performer: Ljuzem MADILJIN / Choreography Director & Choreographer: Baru MADILJIN / Directors & Performers: YANG Ching-hao, Ljaucu TAPURAKAC / Performers: CHIANG Sheng-hsiang, MENG Tzu-en, Zepulj KAZANGILAN / Lighting Designer: LEE I-shun / Composer: HUI Tak-cheung / Video Director: WANG Hung-chun / Costume Designer & Maker: PROJECTbyH. / Costume Accessories Design and Construction: ShaTao Lazurite Art / Main Visual Designer: 58kg / Main Visual Photographer: BA Sa-xi / Technical Coordinator & Stage Manager: LU Hsiu-i / Audio-Visual Technical Coordinator: HUANG Wei-yu / Dramaturgical Support and International Liaison: Gwen Hsin-yi CHANG /Sign Language Interpreter: HUNG Hsiao-han / Playbill Managing Editor: LIAO Yun-jing / Company Manager: CHIU Shu-ting

駐村支持｜葡萄牙時光劇院 O Espaço do Tempo

特別感謝｜地磨兒部落、劉庭、楊秀英

委託製作｜國家兩廳院

Residency Support  |  O Espaço do Tempo

Special Thanks｜Tjimur Village, LIU Ting,  YANG Hsiu-ying

Commissioned by National Theater and Concert Hall (NTCH)

藝術家介紹

編舞｜巴魯・瑪迪霖

排灣族人，來自屏東縣三地門鄉地磨兒部落，畢業於國立臺北藝術大學舞蹈系，現為蒂摩爾古薪舞集舞蹈總監與主要創作者。2006年與路之・瑪迪霖共同創立舞團，長期致力於排灣文化的當代轉譯，透過身體語彙連結記憶與情感。他的創作風格內斂深刻，關注族群歷史、文化認同與身體經驗。代表作《bulabulay mun?》探討排灣族的歷史傷痕，2023年入圍台新藝術獎，並受邀於德國威瑪藝術節與葡萄牙吉馬雷斯舞蹈節演出；《varhung～心事誰人知》則於愛丁堡藝穗節入圍Total Theatre Awards，展現其作品的文化厚度與國際視野。作品《bulabulay mun?》亦被改編為舞蹈電影，於德國TANZAHOi、荷蘭舞蹈影展等國際平台放映。至今累積13部長篇作品，創作步伐穩健，風格質樸而深沉。2023年獲《表演藝術雜誌》評選為年度人物，持續以創作回應文化與時代。

蒂摩爾古薪舞集

以排灣之身，舞出世界震撼之聲

蒂摩爾古薪舞集創立於2006年，源自屏東地磨兒部落，是臺灣首支以排灣族文化為核心的全職當代舞團，連續15年獲選為Taiwan Top表演藝術團隊。由團長路之．瑪迪霖與舞蹈總監巴魯．瑪迪霖領航，發展出獨特的「蒂摩爾身體技巧」，透過身體打開文化記憶，讓排灣精神於舞台綻放。

19年來，舞團足跡遍及歐、亞、美洲，累積逾150場國際演出，作品登上塞萬提斯國際藝術節、葡萄牙GUIDANCE舞蹈節、德國慕尼黑當代舞蹈節等平台，2025年將前進倫敦巡演。曾獲Total Theatre Awards、台新藝術獎入圍肯定。2018年創辦《TJIMUR藝術生活節》，策劃「地磨兒部落深度之旅」，推動藝術與文化共生。蒂摩爾的舞蹈，是文化的延續，是土地的記憶，更是排灣族靈魂的當代表述。

音樂設計｜許德彰

許德彰，作曲家，其作品涵蓋管絃樂團、電子音樂以及聲音裝置，並涉足多項跨領域創作。作品多以音樂科技結合人聲、樂器，探索聲音與歷史記憶的關係。許氏獲多項國際比賽作曲首獎，其近期作品於香港藝術節、威尼斯建築雙年展、山口藝術媒體中心等展出。也曾於Huddersfield當代音樂節、統營國際音樂節等演出，並獲不同專業團體委託創作。

燈光設計｜李意舜

劇場燈光設計師，倫敦皇家中央戲劇與演講學院劇場美學（Scenography）藝術碩士。現任

國立臺北藝術大學劇場設計學系兼任講師。曾旅居國外多年，作品關注藝術呈現的總體性，同時梳理燈光獨有的敘事語𢑥，與舞團曾合作於2015愛丁堡藝穗節臺灣季《Kavaluan的凝視》、2016臺北藝術節：蒂摩爾古薪舞集Ｘ紐西蘭黑色優雅舞團《在一起2 gather》、2019《哎～撒撒》、2022《bulabulay mun?》、2024臺南藝術節《最微小的聲音》，並多次參與舞團國際藝術節巡演，擔任燈光設計暨技術統籌。

影像設計｜王鴻駿

倫敦時尚學院時尚攝影碩士，影像製作、攝影指導、短片導演、視覺統籌。

擅長捕捉情緒與感官經驗間的連結，觸發觀者共鳴和記憶節點，相信經由時間感的重塑，能擴展感知的疆界。

主要作品集中於時尚與商業攝影，影像作品《The Seven Voices in Amber》入圍Aesthetica Short Film Festival、倫敦短片電影節；《Obsession Extracting Practice》受邀2017設計上海環形螢幕放映、參展2021「青島國際藝術年展」；其攝影作品於英國Victoria House、Print House Gallery展出。

服裝設計｜PROJECTbyH.

PROJECTbyH.由設計師Henry Lee和Naomi Zhao於2013年在紐約創立。其核心概念——「有意識地選擇，並在選擇中探索本質」——打破年齡、性別、種族等標籤的既定觀念，追求並創造一系列能完全被自然回收的製作技法與工藝，藉由反思服裝與人的關係，探索人與生命的關係。

Baru MADILJIN

Choreographer and Dance Director

Baru MADILJIN graduated from the School of Dance of Taipei National University of the Arts and has lived in Taipei for 12 years. In 2009, Baru MADILJIN returned to his hometown, Sandimen in Pingtung, to join his sister in the work of passing on the indigenous culture and arts. He became the Choreographer and Dance Director of Tjimur Dance Theatre

Looking back at his fifteen years since returning to the tribe, seeking harmony between modern dance training and tribal culture, Baru practiced opening his ears, humbly receiving the songs and languages ​​of the elderly, and truly returned home. 

Baru attempts to reconstruct the public’s impression of dance forms and music aesthetics. His works fully showcase his creative energy and innovations through integrating and interweaving various art forms; he also interprets indigenous arts with different perspectives and diverse concepts.

TJIMUR DANCE THEATRE

Tjimur Dance Theatre is Taiwan's first professional dance troupe that focuses on the contemporary Paiwan people. Founded by artistic director Ljuzem MADILJIN in 2006 with Baru MADILJIN as the dance director and choreographer, the troupe is devoted to interpreting contemporary experiences through ancient ballads. The troupe integrates song with dance and uses song as a guide for dance moves to display the exceptional bodily expressions of Paiwan culture, exhibiting a unique style among the contemporary dance troupes of Taiwan. 

Throughout the 19 years since its establishment, Tjimur Dance Theatre has continued to organize annual residencies, guided tours of their community, performances at schools, and theater performances, exploring the different ways of promoting art in Taiwan. The troupe also puts on the Tjimur Arts Festival, an initiative to introduce international artists to the Indigenous community in Taiwan. For Tjimur, the performing arts are not limited to the stage but also exist in Indigenous communities and everyday life. Tjimur Dance Theatre aims to be a gateway to Paiwan culture.

Composer: HUI Tak-cheung

HUI Tak-cheung has a diverse portfolio that spans orchestral to multi-disciplinary pieces, and sound installations. His collaborative approach often involves working with artists and scholars from various disciplines. 

He has been recognized with numerous international prizes, and his compositions have been showcased at various International music festivals. including the Huddersfield Contemporary Music Festival, Gaudeamus Muziekweek, ManiFeste Festival, ISCM Taipei New Music Festival, EstOvest Festival, and Goethe Institut Asian Composers' Showcase.

Lighting Designer: LEE I-shun

LEE I-Shun trained at the Royal Central School of Speech and Drama, University of London, with a Master's degree in Scenography. She also had solid training as a stage lighting designer at Taipei National University of the Arts. She has done various lighting design projects across different countries and cities such as the UK, Taiwan, China, Japan, Prague, Spain, and Denmark. Some of her lighting works had been selected and exhibited in the international scenographic events, such as PQ 2011 in Prague and World Stage Design 2013 in Cardiff, UK.

Video Director: WANG Hung-chun

Video Director/ Photographer/ Visual Coordinator

WANG Hung-chun graduated from London College of Fashion with a Master's degree in Fashion Photography and mainly works on fashion and commercial production. His video work The Seven Voices in Amber was shortlisted at the Aesthetica Short Film Festival and the London Short Film Festival. His work 'Obsession Extracting Practice' was screened in 'Design Shanghai' in 2017 as well as participated in the Qingdao International Art Biennial in 2021. His photographic works were exhibited at Victoria House and Print House Gallery in the UK.

Costume Designer & Maker: PROJECTbyH.

PROJECTbyH. was founded in 2013 in New York by designers Henry LEE and Naomi ZHAO. Its core philosophy—"mindful discernment and in-depth inquiry of its intrinsic nature" —challenges preconceived notions of age, gender, and race. It pursues and creates a range of fully recyclable techniques and craftsmanship. By reflecting on the relationship between clothing and people, it explores the connection between humanity and life.

※因應演出形式需求，以下座位：2樓16排29,30、17排29,30、18排29,31,30,32、19排31,33,32,34、20排31,33,32,34、21排35,36 會有部份視野受限，購買上述座位時敬請留意。

到場注意事項｜

＊演出全長約75分鐘，無中場休息。

＊建議7歲以上觀眾觀賞。

＊遲到、中途離席觀眾請依循現場工作人員指示入場。

＊主辦單位保留所有活動異動權與解釋權。