【2026衛武營國際音樂節】張玹《眾人協奏曲》

張玹 作曲 × 馬圓媛 空間設計 × 劉奕伶 編舞 × 李俐錦 笙演奏 × 比利時強音當代古典樂團 現場演出

演出暨製作人員名單 

Production: Shiuan & Yuan Co. Ltd. /Concept & Composer: CHANG Shiuan / Recording and Live Musician: Ictus Ensemble｜Sheng: LI Li-chin / Choreographer: LIU I-ling / Installation Designer: MA Yuan-yuan / Creative Consultant: HUNG Wei-yao / Recording: Neue Vocalsolisten Stuttgart / Sound Design & Audio Engineer: SUN Shao-ting / Lighting Designer: Ray TSENG / Costume Designer: CHEN Shao-yen / Technical Director: Nick HUNG / Producer: Emma LIAO

團隊介紹

張玹｜藝術總監、作曲

法國著名音樂評論雜誌《Classic Agenda》寫道「充滿靈性」的旅美作曲家張玹，為美國作曲家論壇（ACF）、亞洲文化協會 (ACC)、Djerassi Artist Residency、Helene Wurlitzer Foundation受獎人。

其作品曾受邀於紐約卡內基音樂廳、林肯中心、芝加哥交響中心、東京三得利音樂廳、莫斯科愛樂廳、法國 Royaumont、柏林愛樂室內樂廳、日內瓦 Archipel Festival、威瑪國際藝術節、臺灣國家音樂廳等演出。近年合作以及受委託邀約的樂團，包括維也納音樂家樂團、印第安納波里斯交響樂團、臺灣的國家交響樂團、臺北市立交響樂團、美國The Orchestra Now、芝加哥市民管絃樂團、普林斯頓室內合唱團、斯圖加特當代人聲團、莫斯科現代室內樂團等。於2020年雲門舞集《定光》擔任聲音暨人聲創作，帶領表演者用身體尋找聲音的共鳴；2021TIFA 《千年舞台，我卻沒怎麼活過》以及 2021TIFA《我庄三部曲》擔任作曲。2022年創作改編自龍應台第一本小說《大武山下》之80分鐘當代清唱劇《緣那麼深，愛那麼淺》。

2016 年創辦音元 Innuan，活躍於紐約，結合空間、藝術、音樂、科技舉辦策展演出。演出策展場地包含紐約哥倫比亞大學祖克曼中心，康乃爾大學強森美術館，紐約普瑞特藝術學院畫廊，義大利現代藝術中心，Fotografiska攝影博物館，紐約百老匯大道等。2024年初受敦仁精神專科醫院委託創作，發行第一張專輯《安土》於2025年入圍傳藝金曲獎四項大獎。

CHANG Shiuan｜Concept & Composer

Described as "spiritual, light, and comforting" by Classic Agenda (FR), Shiuan is the winner of the 2018 Chicago Civic Symphony Composer Prize and the 2021 Asian Cultural Council Award. He is the recipient of the 2021 Djerassi Artist Residency and the 2022 Helene Wurlitzer Foundation Residency Grant. 

He was recently invited to work on major productions, including Sounding Light (2020) collaborating with the Cloud Gate Dance Theatre of Taiwan, two flagship productions of the Taiwan International Festival of Arts: I-Village (2021) collaborating with the Sheng-Xiang & Band and the Taiwan Philharmonic, and A thousand stages, Yet I have never quite lived (2021) collaborating with the Beijing Opera artist WEI Hai-min and Taiwan Philharmonic, directed by ONG Keng-sen. A Fate So Fleeting, A Love So Deep, a modern oratorio for Taiwan Philharmonic, Taipei Chamber Singers, and three singers. He has worked with the Cloudgate Contemporary Dance Company, Tonkunstler Orchestra, Indianapolis Symphony Orchestra, Taiwan Philharmonic, Taipei Symphony Orchestra, The Orchestra Now, Chicago Civic Symphony Orchestra, Albany Symphony Orchestra, Moscow Contemporary Music Ensemble, Asasello Quartett, TANA Quartet, Mivos Quartet, Atlas Ensemble, Ensemble Multilaterale, Ensemble Musicatreize, Earplay Ensemble, Ensemble Signale, Neue Vocalsolisten Stuttgart, Ekmeles Ensemble, Les Métaboles, Princeton Singers, and Orkest de Ereprijs. His first album Earthing commissioned by the Dun Ren Psychiatric Hospital, was released in February 2024.

比利時強音當代古典樂團｜錄音暨演出

比利時強音當代古典樂團成立於 1994 年，總部設於比利時布魯塞爾，起初為羅莎舞團的現場演出樂團；至今，比利時強音當代古典樂團已成為由創意音樂家組成的當代音樂團體，致力於最廣義的實驗音樂探索，包含記譜音樂、聲音藝術、即興創作與電子音樂等多元形式。

在當代音樂團體多被視為由高超獨奏家組成的「迷你管絃樂團」時期，比利時強音當代古典樂團以藝術家自主的集體姿態脫穎而出。如今，樂團聚集了橫跨三個世代、約三十位音樂家，共同以開放與探索的精神推展創作。

樂團長期與策展人、編舞家及大型樂團合作，包括布魯塞爾愛樂（Brussels Philharmonic）與根特聲樂合唱團（Collegium Vocale Gent），同時亦持續發展多樣的計畫，其近三百項演出與計畫均可於官方網站（ictus.be）及 YouTube 頻道上瀏覽。

Ictus｜Recording and live musician

Ictus is a contemporary music ensemble based in Brussels, born in 1994 as the live band for Rosas dance company. Founded at a time when ensembles were considered mini-orchestras made up of virtuoso soloists, Ictus emerges today as a collective of creative musicians dedicated to experimental music in its broadest sense: written music, sound art, improvisation and electronics. Ictus is an artist-driven structure consisting of some 30 people spread over three generations. It has become a regular partner of numerous curators, choreographers and large-scale groups, such as Brussels Philharmonic and Collegium Vocale Gent, while developing its own projects in a variety of formats. Its work is available on a Youtube channel as well as a rich web archive (ictus.be), with almost 300 documented projects.

李俐錦｜笙

李俐錦是臺灣笙獨奏家、作曲家、即興音樂家與表演者，近年往返於臺灣與歐洲之間工作。她具備扎實的古典與現代國樂訓練，並擅長將笙融入各種藝術形式之中，包括不同音樂風格、身體動作及就地創作。曾任卡到音即興樂團成員，參與該團專輯《慢》製作，獲第25屆傳藝金曲獎「最佳跨界音樂專輯」。她的創作也多次獲得台新藝術獎提名，包括個人製作與演出作品《看得見的音樂表演-從合奏到合作》、個人全創作音樂會《玩樂女笙》。近年以獨奏家身份合作的指揮包括呂紹嘉、莊東杰與楊書涵，合作樂團則涵蓋巴黎Ensemble Cairn、史特拉斯堡 Ensemble LINEA、芬蘭 Lapland Chamber Orchestra、柏林 Trickster Orchestra，以及臺北市立國樂團等。

她參與由法國當代音樂推廣機構 TPMC（Tout Pour la Musique Contemporaine）主導的國際笙研究與創作計畫 「sheng! l’orgue à bouche」（2019–2026）。該計畫獲得法國法蘭西島文化局（DRAC Île-de-France）、法國音樂與音樂學研究所（IReMus，CNRS–索邦大學）、法國文化部、國家圖書館（BnF）及現代音樂中心（MMC）等單位的支持。

CHIN LI-li｜Sheng

CHIN LI-li is a Taiwanese sheng musician, who strives to express her musical creativity beyond auditory stimuli. In her performance, she wants the audience to enter a world to experience the unknown. She was awarded the Best Fusion Album at the Golden Melody Awards for Traditional Arts and Music in 2014 for the album Slow. Her creative contributions have also earned multiple nominations at the prestigious Taishin Arts Award in Taiwan, including her music theater work From Musical Collaboration to Interpersonal Collaboration (2022), and the recital Taiwan Sheng Girl (2014). 

Her work has garnered international attention through interviews and features in global media. Recent highlights include a feature on La Symphonie de Ségrìes, Musiques du monde by Radio France Internationale (2024). She has also been featured in Mapping Our Popular Music, Taiwan (2020). Notably, her reinterpretation of music from Super Mario Bros. drew international media coverage from BBC (UK), The Verge (US), 20minutes (France), Feber (Sweden), and Rocket News24 (Japan) in 2014.

劉奕伶｜編舞

劉奕伶，臺灣當代舞蹈藝術家。曾擔任美國 Bill T. Jones / Arnie Zane Company 專職舞者，於世界各地累積豐厚的表演與教學經驗。2019年起與錄像藝術家蘇匯宇合作劇場創作《The White Waters》擔任編舞與表演，於美國紐約Performa雙年展、臺灣當代文化實驗場C-LAB以及澳洲 RISING 藝術節演出。2020年起於紐約大都會藝術博物館及倫敦泰特現代藝術館參與藝術家李明維之作品《如實曲徑》，其身影登上紐約時報以及英國金融時報版面。

雙人舞作品《而且或者...》於 2022 年獲得日本橫濱舞蹈大賽評審團獎。2022年參與法國編舞家 Xavier Le ROY 及余美華作品《Still (Life) in Taipei》。2024年於兩廳院新點子實驗場發表個人首支長篇作品《Turn Out》，獲得當年度台新藝術獎入圍。

LIU I-ling｜Chreographer

LIU I-ling, a contemporary dance artist from Taiwan, was a longtime member of Bill T. Jones/Arnie Zane Company (USA) from 2008~2019. LIU has been creating her choreographies which focus on reminiscence, trauma, social observation and re-definition of body "technique". In 2022, her duet work ... and, or... won the Jury Prize of the Yokohama Dance Collection Competition I (Japan) and has been touring in France and USA. She received the support of the Cloud Gate Art Makers Project in 2021 and showcased the solo work Normal Life in da:ns festival 2022. In 2024 Liu made her first evening-length solo Turn Out with the support of the National Theater and Concert Hall (Taiwan) and was nominated by the Taishin Arts Award. The same year, she was a recipient of the The Place X Weiwuying Artist Residency.

馬圓媛｜空間暨裝置設計

馬圓媛為居住於紐約的室內設計師，畢業於紐約室內設計學院。曾任職於 Architectural Digest (AD) 前100 名人堂設計事務所，包括Tony Chi Studio 與 Studio Sofield。2024 年受 Djerassi Foundation 邀請駐村，與張 玹共同創作大型打擊樂裝置《谷神》，作品獲國藝會及紐約 Queens Art Council 贊助支持。 

MA Yuan-yuan｜Installation Designer

MA Yuan-yuan is a New York-based interior designer. She earned her BFA in Interior Design from the New York School of Interior Design and has worked at AD100 Hall of Fame design studios, including Tony Chi Studio and Studio Sofield. In 2024, she was awarded an artist-in-residence at the Djerassi Foundation and collaborated with CHANG Shiuan on GuShen, a large-scale percussion installation supported by the National Culture and Arts Foundation and the Queens Art Council in New York. 

洪唯堯｜創作顧問

國立臺北藝術大學戲劇系畢業，曾創立「進港浪製作所」，「風狗浪」主理人、藝術總監、導演。在2025參與亞維儂藝術家「Transmission Impossible 計畫」，2024海外藝遊赴英國研究沉浸式。近年創作有《FAMILY TRIANGLE：二三生，三生萬物》、馬戲節《落地前六釐米》以及臺中歌劇院《Sucks in the Middle》，曾與國家兩廳院共製《神不在的小鎮》，同時與驚喜製造合作許多沉浸式劇場作品，包括《微醺大飯店》、《愛情城市》及《落日月台》等。

HUNG Wei-yao｜Creative Consultant

Graduated from the Department of Theatre Arts, Taipei National University of the Arts. He is the founder of KINGKONGWAVE, and the curator, artistic director, and director of Rogue Wave. In 2025, he participated in the "Transmission Impossible" Project which is hosted by Festival d'Avignon, and in 2024, he conducted research on immersive theatre in the United Kingdom with the support of the National Culture and Arts Foundation.

Recent works include Family Triangle, Six Centimeters Before Landing presented at the 2024 TPAC Circus Festival, and Sucks in the Middle presented by the National Taichung Theater. He co-produced Lunatic Town with the National Theater & Concert Hall, and collaborated with Surprise Lab on several immersive theater productions, including The Great Tipsy, Love and the City, and Mind the Gap.

斯圖加特當代人聲團｜錄音

由7位聲樂家組成的斯圖加特當代人聲團，是當代人聲藝術領域中極具代表性與創造力的樂團。團員自視為聲音的探索者與發現者，致力於突破人聲的表現疆界，藉由與世界各地作曲家及跨領域藝術家的合作，不斷開發新的聲音語彙與演出形式。

他們的創作橫跨音樂劇場、表演藝術、裝置與音樂會等多種領域，經常融合數位媒介與現場感知，打破空間與類型的界線，呈現出多層次且具實驗性的聲音體驗。樂團每年首演超過30部新作，長年活躍於歐洲各大音樂節、歌劇院及新音樂平台，並以其獨特的藝術視野享譽國際。該團曾榮獲 2021 年威尼斯雙年展銀獅獎 與 2022 年義大利樂評人獎 Premio Abbiati。威尼斯雙年展評審團認為該團「與一些最偉大的當代作曲家的創意合作，極大地推動了當代無伴奏合唱曲目的發展」。

Neue Vocalsolisten Stuttgart｜Recording

The seven singers of the Neue Vocalsolisten see themselves as explorers and discoverers: in exchange with composers, they are constantly searching for new forms of vocal expression. One focus is on collaboration with artists who virtuously exploit the possibilities of digital media, with an interest in networking, in playing with genres, in dissolving space, perspectives and functions. Thus, idiosyncratic interdisciplinary formats between music theater, performance, installation and concert staging characterise the projects of the ensemble, whose work, with more than 30 premieres annually, is considered worldwide to be leading and unique in the field of contemporary vocal music.

The Neue Vocalsolisten have been honoured with numerous awards for their contributions to contemporary vocal music, including the Silver Lion of the Venice Biennale 2021 and the Italian critics' prize Premio Abbiati 2022.The jury of the Venice Biennale stated that the Neue Vocalsolisten Stuttgart is an ensemble whose "creative collaboration with some of the greatest living composers has decisively advanced the development of the contemporary a cappella repertoire".

孫紹庭｜音響設計與工程

孫紹廷是一位活躍於紐約與臺北兩地的錄音製作人及聲音藝術家，專長於古典及當代音樂製作、沉浸式音訊及音響技術。他畢業於紐約大學音樂科技碩士，並獲得極具聲譽的 Tonmeister 錄音製作人進階榮譽資格。他曾與許多頂尖樂團、藝術家及國際知名公司合作，包括Netflix、Google X、Ubisoft、雷亞遊戲、Auro-3D、杜比。

他參與製作和工程的作品曾獲得或提名多項國際大獎，例如葛萊美獎、艾美獎、金馬獎、金鐘獎，以及兩屆金曲獎和四屆金曲獎。代表作包括舒伯特的《冬之旅》（葛萊美獎提名）、《奧術》（艾美獎獲獎）茱麗亞．沃爾夫和《無煙煤田》（普立茲獎獲獎）。

SUN Shao-ting｜Audio & Sound Engineer

SUN Shao-ting is a Taipei- and New York–based recording producer and sound artist specializing in classical and contemporary music production, immersive audio, and sound technology. A graduate of New York University's Music Technology program and a Tonmeister Advanced Honored Certification recipient, he has collaborated with leading orchestras, artists, and global companies including Netflix, Google X, Ubisoft, Rayark Games, and Auro-3D, and Dolby, and Wavv.

His participation, production and engineering works have received or been nominated for major international awards such as the Grammy Awards, Emmy Awards, Golden Horse Awards, Golden Bell Awards, and 2 times Golden Melody Awards (equivalent to Taiwanese Grammy) winnings and 4 times nominations. Notable credits include Schubert: Winterreise (Grammy-nominated), Arcane (Emmy-winning), and Anthracite Fields (Pulitzer Prize-winning).

曾睿琁｜燈光設計 

經常擔任燈光設計及國際巡演技術統籌。作品著重由概念性探討出發，將光與材質之觀察、時間之相對性，予以拼貼、再現。 2025年與洪千涵、洪唯堯，共同創作、表演作品《 FAMILY TRIANGLE：二三生，三生萬物》於臺北藝術節首演。近年多與音樂劇場合作，使用光創造視覺與感官上之空間，作品有 2024 臺灣劇場藝術節公聲藝術《共振計畫：拍頻》。

空間／燈光設計作品 皮歇．克朗淳《 NO.60 》2020 年於 TPAM KAAT 神奈川芸術劇場首演。概念性肢體作品徐家輝《Yishun is Burning》於柏林Tanz Plattform 2022 演出、古佳妮《 遷徙 》於上海國際舞蹈中心演出。於 2020 年獲亞洲文化協會紐約獎助金。 

Ray TSENG｜Lighting Designer

A theater artist frequently working as a lighting designer and international touring technical coordinator. Her works originate from conceptual exploration, focusing on the relationship between light, material, space, and the relativity of time—reconstructed through collage and re-presentation. In 2025, she co-created and performed Family Triangle with HUNG Chien-han and HUNG Wei-yao, premiering at the Taipei Arts Festival 2025. In recent years, she has collaborated extensively with music-theater projects, using light to create spatial and sensory experiences. Her works include Resonance Project: Beat Frequency  (2024 Taiwan Theater Arts Festival). 

Space and light design for Pichet KlunchunNO.60 premiered at TPAM – KAAT Kanagawa Arts Theater in 2020. Conceptual movement works CHOY Ka Fai's Yishun is Burning (performed at Tanzplattform 2022, Berlin) and GU Jiani's Transition (performed at Shanghai International Dance Center). She was awarded the Asian Cultural Council New York Fellowship in 2020. 

陳劭彥｜服裝設計

畢業於倫敦藝術大學中央聖馬汀藝術與設計學院研究所。2009年榮獲比利時布魯塞爾時裝週時裝大賽新銳設計師首獎，擅長運用異材質並挑戰服裝結構的可能性。作品多次於倫敦、巴黎時裝週發表，並參與荷蘭鹿特丹博伊曼斯．布尼根博物館「The Future of Fashion is Now」展覽、法國加萊蕾絲暨時尚博物館「Mode in Taiwan」特展、國立故宮博物院展演計畫等國際展覽。他於2016至2021年間參與藝術家董陽孜發起的《讀衣》五屆展演，並為多位藝人設計造型，包括冰島歌手碧玉與蔡依林等。2018年起與雲門舞集合作，設計雲門2《春鬥》，並陸續參與《毛月亮》、《定光》、《關不掉的耳朵》等作品。2024年獲選為亞洲文化協會（ACC）受獎人。

CHEN Shao-yen｜Costume Designer

A graduate of Central Saint Martins, CHEN Shao-yen is known for his inventive use of unconventional materials and structural experimentation. His designs have been regularly presented at London and Paris fashion weeks, and featured in exhibitions at Museum Boijmans Van Beuningen (Rotterdam), the Calais Lace Museum (France), the National Palace Museum (Taiwan), and other international venues. From 2016 to 2021, he participated in all five editions of From Ink to Apparel, an interdisciplinary fashion-art project initiated by renowned calligrapher TONG Yang-tze. He has also created custom designs for high-profile artists, including Björk and Jolin TSAI. In 2018, he began collaborating with Cloud Gate Dance Theatre of Taiwan, designing costumes for Spring Riot, followed by Lunar Halo (2019), Sounding Light and All Ears. In 2024, he was selected as a grantee of the Asian Cultural Council (ACC).

到場注意事項｜

＊演出全長約60分鐘，無中場休息。

＊建議年齡7歲以上。

＊本演出為參與式的漸進體驗，觀眾將隨演出段落進入舞台裝置區域，透過互動感測器成為表演的一部分。由於演出進程持續推進，遲到或中途離席的觀眾將僅能從當前進度開始體驗。敬請準時入場，並建議輕裝前來，以便自在參與。

＊部分演出段落無安排固定座席，若有特殊需求請提前與主辦單位聯繫。因演出形式需求，演出場地不提供輪椅與陪同席，敬請留意。

＊每場演出前30分鐘開放驗票。

＊4/11、4/12 為演出中同步錄影場次。

＊演出部分段落含煙霧效果，請留意並斟酌入場。

＊遲到、中途離席觀眾請依循現場工作人員指示入場。

＊主辦單位保留所有活動異動權與解釋權。