2025種子舞團「境•形視系列9」

種子舞團「境·形視」系列自創辦以來，透過公開評選機制，挑選優秀新銳作品，提供年輕創作者專業舞台與空間發表機會，至今已培育逾 20 位新銳藝術家。2025 年系列邀請特邀作品《圓圓的光》以及編舞家薛詒云、簡智偉&羅益財共同創作演出，突破傳統劇場形式，將舞蹈與不同空間結合。觀眾將以多重視角進入演出場域，感受身體、空間與故事交織的對話，體驗舞作在空間中的多元呈現與編舞者所傳達的情感意象。此系列不僅是表演平台，更是新銳藝術家創作實驗與觀眾互動的橋梁。

【作品介紹】

特邀作品Featured Work | 嚐劇場《圓圓的光》Bon Appétit Theatre: The Shape of Glow

共同創作暨演出Co-creation and Performance｜洪信惠Hsin-Huei Hung、卓士堯Shr-Yao Juo

戲偶設計Puppet Design | 孫立之Sara Sun

在一顆小光點塑形成軀殼之前，它飛過許多地方、穿越無數個圓，這顆小小圓圓的光，在成為一個小小孩之前，它早已探索過那些異想不到的黑暗角落、觸碰過比它還要巨大更多的光體，最後，它選擇在一片寧靜中，投入另一個圓圓的發光體，成為生命。

圓，是起點也是終點，是世界最初的輪廓、萬物不斷回歸的原點，也是人類潛意識裡，從洞穴深處探索到溫暖圓融的生命循環。本作品融合物件、光影、戲偶和現場音樂，描繪一顆疏離的光體，在經歷一段靜謐航行、抵達地球後逐漸成形，進而開啟對「圓」物的細膩感知。

Before a tiny light particle formed into a physical body, it traveled across many places and traversed countless circles. This small, round light, even before becoming a young child, had already explored unexpected dark corners and touched light sources much larger than itself. Finally, in a moment of tranquility, it chose to merge with another luminous, round entity, thus beginning a life.

The circle is both the beginning and the end—it is the original outline of the world, the constant return point of all things, and, in the human subconscious, the warm and complete cycle of life, explored from the depths of a cave. This work blends objects, light and shadow, puppetry, and live music to depict a solitary light entity that, after a silent voyage, arrives on Earth, gradually takes shape, and begins to perceive the delicate nature of "round" things.

編舞家Choreographer | 薛詒云《憑依之身》Yi Yun HSUEH - Through This Flesh

演出Performance  | 薛詒云 Yi Yun HSUEH、吳凱文 Kai Wen WU

憑依之身——靈入其體，形化其義。

對照過往的表演經驗與浸染於宮廟文化的童年，溯洄身體成為能量出口的途徑，當肉身成為神明的媒介/表演的載體，所盛裝的是為何？作品在戶外場域展開回到更貼近群眾、充滿偶然性的場景。透過戶外空間的開放性，作品希望模糊界線：使用身體與他者觀看的方式、祭儀與表演之間的連結，在日常中感受演出的生成與變化。

Through this flesh, when spirit comes, consciousness takes form.

Reflecting on past performances and a childhood immersed in temple and ji-tong culture, one traces the path where the body becomes an embodiment of energy. When the flesh is a vessel for the deity or a medium for performance, what is it that it contains? Through the fluidity of the outdoor space, the work aims to blur boundaries: how we use our bodies and how we see others,  and the connections between ritual and performance, letting the audience perceive how the work evolves and changes.

編舞家Choreographer | 簡智偉&羅益財共創《缺與失的對話》James Kan & Low Yee Choy Co-creation《缺與失的對話》

演出Performance | 簡智偉James Kan

《缺與失的對話》以 907 劇場入口區域作為主要場景。作品聚焦於生命中的「缺」與「失」：累積與錯過經常並存，未說出口的話、再也無法重來的選擇，都在記憶與身體中留下形狀。

作品選擇「介於其間」的空間呈現，正是為了凸顯人們在生活中經常處於的過渡狀態——在下一個選擇尚未到來之前的等待。作品讓過去與現在得以在同一空間中共存，邀請觀眾在這個介於內外之間的門縫位置，聆聽屬於自身的缺與失。

《缺與失的對話》 is a contemporary dance site-specific new work that takes the 907 theatre lobby and turns it into a space of memory and choice. Everyone has doors they once closed and cannot reopen. 

By placing the performance in the lobby, is to highlight the “in-between” of life itself. The lobby becomes a metaphor for existence: always waiting for the next door to open or close.

【境•形視系列創作平台介紹】

演出全長：約 60 分鐘

到場注意事項：1/31場次 演出中同步錄影