2024臺北藝術節：四把椅子劇團《太陽》
2024.6.3-2024.7.1早鳥82折
2024臺北藝術節：四把椅子劇團《太陽》
-
演出全長
110分鐘
-
場次時間
2024.08.10 (六) 14:30、2024.08.10 (六) 19:30、2024.08.11 (日) 14:30
-
演出單位
臺北表演藝術中心
-
演出地點
臺北表演藝術中心-球劇場 臺北市士林區劍潭路1號
-
演出團隊
行銷統籌燃點娛樂BPE、演出紀實陳大大國際影業有限公司、四把椅子劇團、導演許哲彬、劇作家前川知大、助理導演陳煜典、劇本翻譯詹慕如、劇本改編陳以恩、演出者陳以恩、演出者林子恆、演出者林家麒、演出者竺定誼、演出者崔台鎬、演出者楊迦恩、演出者蔡佾玲、演出者李尉慈、演出者魏子慕、舞台設計廖音喬、燈光設計陳冠霖、影像設計王正源、聲音設計洪伊俊、服裝設計范玉霖、造型范玉霖、導演助理毛思語、導演助理林瑞恩、舞台監督鄧名佑、舞監助理邱姸菡、舞台技術指導劉柏言、燈光技術指導曾擇弘、音響技術統籌陳宇謙、妝髮執行鄭泰忠、妝髮執行吳曉芳、服裝管理吳定盛、服裝管理廖昀薈、製作總監蘇志鵬、製作人吳可雲、執行製作盧琳、劇團行政陳怡陵、創意總監顏伯駿、藝術指導哈其昌、視覺設計周邑勳、專案管理陳安、攝影陳藝堂、燈光蔡秉孝、攝影助理陳國達、攝影助理王映涵、梳化鍾其甫、梳化林紹宸、宣傳片許家愷、視覺統籌三頁文
-
內容簡介
理解彼此之前，我們注定互相殘殺。
分裂的立場，分歧的信念，
象徵光明的太陽成為種族的分界線，
也成為死亡與希望的一體兩面。
★前川知大Ｘ許哲彬 日本當代經典重新演繹
★誕生於疫情前的反烏托邦劇場預言神作
★見證虛構成為現實的哲學科幻寓言
21世紀末，不知名的病毒蔓延，架空的未來世界裡只剩兩種人類：染疫後擁有健康肉體的新人類「諾克斯」，理性、聰明、統治全世界，卻只能隱身在黑夜行動；以及未受感染的舊人類「克里奧」，雖然能在陽光下自由活動，卻只能窩在頹圮的自治區裡，面對貧窮與混亂。一對青梅竹馬克里奧少年少女，在能夠取得成為新人類資格之際，對於未來有了不同的想法。被派來看守村民的諾克斯少年，逐漸成為兩人以及整個村子的引爆點⋯⋯分裂的立場，分歧的信念，分化的現況，所有人唯一的共識僅只是活下去。
前川知大創作的《太陽》於2011年初登場即震撼日本，2014年知名導演蜷川幸雄重新改編《太陽2068》，華麗卡司重新演繹，寫下劇史經典；2016年更改編同名電影版，由神木隆之介主演。彼時人們還不知道，這部想像中的科幻會如預言般降臨不久的將來，逼著現實中的人類親身體驗生存的考驗。2024年，臺灣四把椅子劇團再次重現前川知大經典作品，由藝術總監許哲彬執導並集結劇場中、新生代優秀演員，由「後疫情時代」的眼光直視《太陽》，叩問親身經歷COVID-19的眾人類，如今的我們是否能更坦然面對，從個人到世界的各種分歧與抉擇？
團隊介紹
臺灣｜四把椅子劇團
四把椅子劇團，以「集體編創」為創作宗旨、「原創文本」為美學主軸，實驗「在地轉譯」的改寫詮釋，在發展及深化戲劇文本時、於集體共創的製作過程中，聚焦當地（Here）、連結當時（Now），映照人們所身處的當前生活、當代社會與當下生命經驗。自2007年成立至今，作品曾多次獲台新藝術獎提名，並受邀於國家兩廳院、臺中國家歌劇院、臺北表演藝術中心等場館製作演出，亦獲國家藝術文化基金會遴選為「TAIWAN TOP 演藝團隊」，已成為臺灣劇場中兼具穩定的製作水準、美學風格、票房基礎與觀眾口碑的重要團隊。
臺灣｜許哲彬
四把椅子劇團藝術總監，英國皇家中央演講戲劇學院劇場創作碩士。現為國立臺北藝術大學戲劇學系專任講師，曾獲選為PAR表演藝術雜誌2021戲劇類年度人物、雲門創計畫受獎助者，以「集體性」為創作宗旨，聚焦於文本為核心的「新寫實」美學，多部作品曾提名入圍台新藝術獎。
日本｜前川知大
1974年出生的劇作家和導演。他的風格具有科幻和哲學的世界觀，製作手法獨特，讓時間和空間顯得無縫連接。而且他在日本贏得了許多戲劇獎項，從事影視劇本、小說和漫畫原作的創作。 他的代表作《BEFORE WE VANISH》由黑澤清執導改編成電影。在巴黎和南韓的演出廣受好評，近年來各種語言的翻譯版本相繼出版。 2023年，他的最新作品《To Deliver a Soul》獲得了讀賣戲劇獎最佳作品獎。
劇作家｜前川知大
導演｜許哲彬
助理導演｜陳煜典
劇本翻譯｜詹慕如
劇本改編｜陳以恩
演 員｜林子恆、林家麒、竺定誼、崔台鎬、陳以恩、楊迦恩、蔡佾玲、李尉慈、魏子慕
舞台設計｜廖音喬
燈光設計｜陳冠霖
影像設計｜王正源
聲音設計｜洪伊俊
服裝設計｜范玉霖
導演助理｜毛思語、林瑞恩
舞台監督｜鄧名佑
舞監助理｜邱姸菡
舞台技術指導｜劉柏言
燈光技術指導｜曾擇弘
音響技術統籌｜陳宇謙
妝髮執行｜鄭泰忠、吳曉芳
服裝管理｜吳定盛、廖昀薈
製作總監｜蘇志鵬
製作人｜吳可雲
執行製作｜盧琳
劇團行政｜陳怡陵
行銷統籌｜燃點娛樂BPE
主視覺
視覺統籌｜三頁文
創意總監｜顏伯駿
藝術指導｜哈其昌
視覺設計｜周邑勳
專案管理｜陳安
攝影｜陳藝堂
燈光｜蔡秉孝
攝影助理｜陳國達、王映涵
造型｜范玉霖
梳化｜鍾其甫、林紹宸
宣傳片｜許家愷
演出紀實｜陳大大國際影業有限公司
Before understanding each other, we are destined to kill one another.
Premiered in 2011, The Sun by the Japanese playwriter/director Tomohiro Maekawa sets the scene on a post-apocalyptic Earth in the early 21st century. The world’s population has significantly decreased and is divided into two groups: the mutated new breed, Nokusu, and the old humans, Kyurio. The former are intolerant to sunlight but outsmart the latter, thus controlling resources and oppressing the Kyurios in poverty.
Long before the COVID-19 outbreak, the sci-fi philosophical fable imagines a dystopian future brought about by bioterror attacks. Not only are characters distinguished by intelligence or physical capacity, but also by their own beliefs and faith in ways of coexisting, which can be contradictory even within the same “species”.
The smash hit has received great praise and has been adapted into a movie, a novel, and multiple stage versions, making it recognized internationally. This year, continuing his pursuit of naturalistic aesthetics, Tora Hsu, a theater prodigy and the artistic director of 4 CHAIRS THEATRE, leads a phenomenal Taiwanese cast in reinterpreting the piece within a post-pandemic context. After what we have collectively been through, this new staging reinvestigates how we confront divided and extreme positions in a still-fragmented world.
4 CHAIRS THEATRE, Taiwan
4 CHAIRS THEATRE is a Taiwan-based theatre company that devotes itself to devising theatre pieces and staging original or localized plays. Whether a production takes off from devising, playwriting, or translating, the company keeps in mind that the work in hand, along with the body of work, should focus on the here and now and reflect the everyday life of its audience. Since its establishment in 2007, 4 CHAIRS has not only been a multiple-time finalist of Taishin Arts Awards, but also a frequent invitee to prominent houses like the National Theatre, the National Taichung Theatre, and Taipei Performing Arts Center. And, from 2019 on, the National Culture and Arts Foundation has annually placed the company under the label "TAIWAN TOP" in recognition of its dedication to the performing arts industry. At present, 4 CHAIRS has made itself a company with the ability to find balance among artistic pursuits, work quality, ticket sales, and audience reception, one not to be missed in the landscape of contemporary Taiwanese theatre.
Tora Hsu, Taiwan
Artistic Director of the 4 CHAIRS THEATRE, he holds a MA in Advanced Theatre Practice from the Royal Central School of Speech and Drama. Currently serving as a lecturer in the Department of Drama at Taipei National University of the Arts, Tora Hsu was honored as “People of the Year” by PAR Performing Arts Magazine in 2021, and selected for Cloud Gate's “Art Makers Project”. With a focus on collectivity as a creative principle, he centers on a "new realism" aesthetic with the text at its core. Several of his works have been nominated for the Taishin Arts Award.
Tomohiro Maekawa, Japan
Playwright and director born in 1974. His style has a science fiction and philosophical worldview, and his production is unique, making time and space appear seamless. He has won many theatre awards in Japan. He also works on video scripts, novels, and manga originals. His masterpiece, BEFORE WE VANISH, was made into a film by Kiyoshi Kurosawa. Performances in Paris and South Korea have been well-received, and translated versions in various languages have been published in recent years. In 2023, his latest work To Deliver a Soul won the Yomiuri Theater Award for Best Work.
Playwright: Tomohiro Maekawa
Director: Tora Hsu
Assistant Director: Chen Yu-Dien
Script Translation: Tsan Mu-ju
Script Adaptation: Chen Yi-En
Cast: Lin Zi-Heng, Gaki Lin, David Chu, Tsuei Tai-Hao, Chen Yi-En, Yang Chia-En, Tsai Yi-Ling, Li Wei-Cih, Rico Wei
Set Design: Liao Yin-Chiao
Light Design: Chen Guan-Lin
Video Design: Wang Cheng-Yuan
Sound Design: Iggy Hung
Costume Design: Yulin Fann
Director Assistant: Mao Ssu-Yu, Ryan Lin
Stage Manager: Teng, Ming-Yu
Assistant Stage Manager: Chiu Yen-Han
Technical Director: Liou Bor-Yan
Master Electrician: Zeng Ze-Hong
Audio Technical Director: Chen Yu-Chien
Make-up & Hair: Teddy Cheng, Sarah Wu
Wardrobe: Sen Wu, Liao Yun-Hui
Production Director: Su Chih-Peng
Producer: Ann Wu
Executive Producer: Lu Lin
Administration: Chen Yi-Ling
Marketing: BPE
Main Vision
Visual Coordination: Yen Design
Creative Director: Yen Po Chun
Art Director: Dizzy Ha
Graphic Designer: Zhou Yi-Xun
Project Manager: Chen An
Photography: Etang Chen
Lighting: Tsai Ping-Hsiao
Photography Assistant: Chen Kuo-Ta, Wang Ying-Han
Stylist: Yulin Fann
Make-up & Hair: Chung Chi-Fu, Lin Shao-Chen
Trailer: Eric Hsu
Documentation Photographer: BiG BiG CHEN International Film Co., Ltd.
-
注意事項
◎ 演出全長約110分鐘，無中場休息。
◎ 中文發音，無字幕。
◎ 演出內容含炫光、巨大聲響、暴力，請留意並斟酌入場。
◎ 遲到及中途離席的觀眾無法入場，亦無法退換票，請您特別留意。
◎ 演後座談：8/11 (日) 演出結束後於 2F太陽廳舉辦。
◎ Duration: approx. 110 minutes without intermission.
◎ In Mandarin without surtitles.
◎ The performance contains flashing lights, loud sound and violence. Audience discretion is advised.
◎ Latecomers or audiences who leave during the performance are not admitted to entry.
◎ Post-show talk: 8.11 (SUN.) at the Sun Hall.
