2024臺北藝術節：《一路到底》

※請留意，本檔演出有節目異動，請詳見最下方公告

「一部吵鬧，荒謬，又極具娛樂性的作品！」——《紐約時報》

★只要我們擁有同一首歌，就永遠不孤單

★跑吧！一起狂歌縱舞到生命的盡頭

★入選《紐約時報》2022 年歐洲最佳劇場

《一路到底》以一場激動癲狂的開場揭開序幕，12位表演者走進競技場

小提琴手躍上平衡木邊拉邊讓自己不掉下來

低音提琴手躺在地上以仰臥起坐的方式彈奏

鍵盤手要持續向上跳躍才能彈奏高處上的琴鍵

鼓手在不同的節奏樂器間折返跑

歌手踏上跑步機後整整跑完60分鐘

啦啦隊員和隊長在場內不停加油狂舞

還有一位個性奇妙的體育播報員在場邊透過擴音器大聲講話，評論樂團和觀眾所做的一切

20年前，年輕的米耶親身經歷了親兄弟過世的悲傷。她與好友共譜了一首安魂曲弔慰亡魂，然而悲傷沒有被治癒，只隨著這首歌在她的人生裡封箱，從此再也無法談論這段往事，更無法聆聽這首歌。2022年，米耶回應瑞士劇場導演米洛・勞（Milo Rau）的「歷史劇場」系列（Histoire(s) du théâtre），回望了自己過往20年的創作歷史，也從塵封的箱底拿出這首歌。

親身經歷過人生的無常，哀弔逝去，過去的米耶總認為一個人有多努力處理悲傷，就有多麼的孤單。直到面對這一次創作，逼著她按下重新開始鍵。

透過梳理過往的作品，她看見一路以來的自我投射，以及過程中來來去去的陪伴。

因此儘管《一路到底》源自一場失去，米耶卻沒打算用作品談論悲傷，而是讓創作如一席流動的水，將不同背景、才華的人們聚在一起，讓藝術成為引水人，將深埋在血管裡的脆弱，將每個悲傷的人帶到彼此身邊。

節錄自：歡笑也好，悲傷也罷 在極致的荒謬裡將情緒安放 ——專訪《一路到底》導演米耶・沃洛普

回應根特劇院「劇場史」的主題，擅長在作品中夾雜荒謬與趣味的比利時跨界才女米耶・沃洛普（Miet Warlop）透過一首歌回應劇場創作者的歷史。

當劇場隨時間更迭，成為一個週而復始的圓，生命有限的人類卻總是不顧身體反對。

與時間角力、與體能拔河，看似脆弱又悲劇，卻又能在這首聲音、畫面與汗水、氧氣交織的四重奏裡，挑戰極限、狂歌縱舞到生命的盡頭。

表演者邀請我們見證這場令人興奮的身體試煉，探討生與死、希望與重生的主題，以及汗水、痛苦和疲憊的身體現實。

“為了人生盡情奔跑吧！

直到你死，直到我亡，

直到我們都來到生命的盡頭。”

★悲劇又風趣、慷慨又美麗，還加上偉大戲劇的魅力，以上種種成就了劇場史的精髓—文化資訊網（Toute La Culture）

★如此神奇的魔力，以無比療癒又深刻動人的出神狀態，這就是集體的力量-劇場雜誌(Theatral Magazine)

★幾近癲狂的動人場景…在亞維儂藝術節掀起如雷掌聲—衛報(The Guradian)

★喧鬧、怪誕又極為有趣 —紐約時報(The New York Times)

★延伸閱讀：

周伶芝 / 《一路到底》，荒謬的運動，歌唱的意志

[ 2024 TAF｜北藝筆記 系列講座 ]

2024-08-24 (六) 13:00 米耶．沃洛普《我們就只分享一首歌ONE SONG》

團隊介紹

米耶．沃洛普（Miet Warlop）

1978年生，比利時視覺藝術家，畢業於比利時皇家藝術學院視覺藝術碩士。其2004年的畢業創作《Huilend Hert, Aangeschoten Wild》頗受好評，並獲得獎項肯定。2012年作品《Mystery Magnet》於柏林藝術節（Berliner Festspiele）獲劇本市集（Theatertreffen Stückemarkt）獎。2014年創立「MietWarlop / Irene Wool」團隊，2016年首次推出大型舞台作品《Fruits of Labor》於布魯塞爾國際藝術節（Kunstenfestivaldesarts）首演，以「深夜一場加上舞蹈編排的演唱會」作為給這世界的止痛藥，作品並巡演至今。除了在劇院的演出外， 米耶．沃洛普也持續創作並輪番發表視覺藝術展演、介入行動（interventions）與活體裝置（live installations）等作品。Covid-19疫情封城期間， 米耶．沃洛普開啟一系列線上作品《Slamming Doors》，以情境喜劇形式為藝術家的創作實踐、合作、資源提供與開放對話提供一個趣味性質的平台。2022年於根特市劇院創作《ONE SONG : Histoire(s) du Théâtre IV》，同時也是接下劇院委製的第四名導演。《ONE SONG》同年七月首演於亞維儂藝術節。

演出暨製作人員名單

表演者｜Simon Beeckaert, Rint Dens †, Elisabeth Klinck, Marius Lefever, Willem Lenaerts, Milan Schudel, Melvin Slabbinck, Joppe Tanghe, Karin Tanghe, Wietse Tanghe, 王甯, 莊秉衡, 喻敏婷

概念、導演及舞台設計｜Miet Warlop

文本內容｜Miet Warlop （由Jeroen Olyslaegers提供協助）

音樂｜Maarten Van Cauwenberghe與所有人一起

服裝設計｜Carol Piron及"Filles à Papa"

燈光設計｜Dennis Diels

劇場｜Giacomo Bisordi

助理劇場｜Kaatje De Geest

製作管理｜Greet Prové

技術製作和舞台經理｜Oliver Houttekiet、Patrick Vanderhaegen

巡迴經理｜Carla Beeckmans

技術｜Flup Beys, Dietrich Lerooij, Gilles Roosen, Bart Van Hoydonck, Raf Willems, Laurent Ysebaert, Pieter Kinoli, Bart Vincent, John Hellinx, Jurgen Techel, Laura Vayssier

道具與服裝製作｜ Ateliers NTGent Thanks to Kris Auman, Imran Alam, Barbara Vackier, Jasper Houttekiet, de familie Warlop, Rossana Miele, Lotte Van Craeynest, Christel Simons, Patrick Vanderhaegen, Diana Campbell Betancourt 製作｜ NTGent, Miet Warlop / Irene Wool vzw

共同製作｜Festival d’Avignon, DE SINGEL (Antwerp), Tandem Scène Nationale (Arras-Douai), Théâtre Dijon Bourgogne Centre dramatique national, HAU Hebbel am Ufer Berlin, La Comédie de Valence - Centre dramatique national Drôme - Ardèche, Teatre Lliure (Barcelona)

特別感謝｜Flemish Government, Stad Gent, Tax Shelter of the Belgian Federal Government, , 臺中國家歌劇院, 新北市三重區厚德國民小學, 四把椅子劇團製作總監蘇志鵬, 伍壹文化有限公司 支持

Contact and bookings Frans Brood Productions

With 'ONE SONG', the Belgian visual artist Miet Warlop is creating the 4th part in the series 'Histoire(s) du Théâtre', at the invitation of the Belgian city theatre NTGent.

What is your history as a theatre maker? At the invitation of the Belgian city theatre NTGent, Miet Warlop formulates an answer as only she can. In the long running series Histoire(s) du Théâtre she is the fourth director to accept the challenge of a creation in which present, past and future meet each other in an inspiring way – after Milo Rau, Faustin Linyekula and Angélica Liddell. ONE SONG - Histoire(s) du Théâtre IV is set in the unique universe of Warlop. A group of performers enters the arena for a mesmerizing ritual about farewell, life and death, hope and resurrection. Together they go through extremes: through sung text, images and objects, oxygen and sweat, they evoke our‘condition humaine’. Again and again, someone stands up to push their boundaries. They defy time and give expression to a deep human need: the moment when we can transcend our thinking body. In ONE SONG, a co-production of NTGent and Miet Warlop / Irene Wool vzw, a history resonates that has both artistic and personal significance for Miet Warlop. Her reflection on theatre as an art form leads to a physical concept in which we recognize elements from previous productions. The ritual concert with a choreographic pattern was the basis for GHOST WRITER AND THE BROKEN HAND BREAK (2018). The invitation to breathe together to exorcise our fears and demons, is as we saw it in FRUITS OF LABOR (2016), using the performance as ‘a painkiller for the world’. It typifies Warlop’s artistic signature that such themes and motifs sometimes resurface years later: in her oeuvre, everything is connected, implicitly or explicitly. It is circular, like life itself, in many ways. The physical effort as metaphor is another element of the research that Warlop started in SPORTBAND / AFGETRAINDE KLANKEN (2005), made at the time as a requiem and tribute to her deceased brother Jasper. Through the metaphor of a live competition/concert, including a commentator and a cheerleader, Miet Warlop invites us in ONE SONG to form a community and lift each other up, as in a celebration. The temporary thus becomes the universal, and the personal becomes something of the collective. That is the subtext of ONE SONG: how one song can give meaning to a whole society. Unity in diversity.

Miet Warlop

Miet Warlop is a Belgian visual artist born in 1978 and holds a master’s degree in Visual Arts from KASK, Ghent.She gained acclaim for her graduation project Huilend Hert, Aangeschoten Wild, winning awards in 2004. Notable performances include Mystery Magnet, which won the Stuckemarkt Theatertreffen Prize at the Berliner Festspiele in 2012. In 2014, she founded Miet Warlop / Irene Wool and premiered Dragging the Bone. Her work, like "Fruits of Labor" (2016) and "Ghost Writer and the Broken Hand Break" (2018), blends visual art and performance. During the Covid lockdown, she launched Slamming Doors, an online series. Warlop's performances have toured Europe and beyond, exploring the tension between static images and live action, often incorporating props and time. Musicians and actors interchange roles, as seen in her award-winning performance "One Song," which has toured globally since 2022. 

Cast:Simon Beeckaert, Rint Dens †, Elisabeth Klinck, Marius Lefever, Willem Lenaerts, Milan Schudel, Melvin Slabbinck, Joppe Tanghe, Karin Tanghe, Wietse Tanghe, Chuang Ping-Heng, Wang Ning, Yu Min-Ting

Text Miet Warlop assisted by Jeroen Olyslaegers

Music: Maarten Van Cauwenberghe together with everyone

Costume design: Carol Piron & Filles à Papa

Light design: Dennis Diels

Dramaturgy: Giacomo Bisordi

Assistent dramaturgy: Kaatje De Geest

Production management: Greet Prové

Technical production & stage manager: Oliver Houttekiet, Patrick Vanderhaegen

Tour manager: Dana Tucker

Technical team: Flup Beys, Dietrich Lerooij, Gilles Roosen, Bart Van Hoydonck, Raf Willems, Laurent Ysebaert, Pieter Kinoli, Bart Vincent, John Hellinx, Jurgen Techel, Laura Vayssier

Realisation, props & costumes: Ateliers NTGent Thanks to Kris Auman, Imran Alam, Barbara Vackier, Jasper Houttekiet, de familie Warlop, Rossana Miele, Lotte Van Craeynest, Christel

Simons, Patrick Vanderhaegen, Diana Campbell Betancourt

Production: NTGent, Miet Warlop / Irene Wool vzw

Co-production: Festival d’Avignon, DE SINGEL (Antwerp), Tandem Scène Nationale (Arras-Douai), Théâtre Dijon Bourgogne Centre dramatique national, HAU Hebbel am Ufer Berlin, La

Comédie de Valence - Centre dramatique national Drôme - Ardèche, Teatre Lliure (Barcelona)

With the support of the Flemish Government, Stad Gent, Tax Shelter of the Belgian Federal Government

Contact and bookings Frans Brood Productions

演出全長：節目全長約60分鐘，無中場休息。

字幕語言：英文發音

到場注意事項：

◎演出部分含巨大聲響，請留意並斟酌入場

◎遲到或中途離席的觀眾，須依工作人員引導等候入場。

◎ 60 mins, no intermission

◎ In English

◎ Suggested Age 12+ Years Old.

◎ Latecomers and re-entry subject to discretion.

◎ Contains loud sound.

◎ Due to the format of the performance, the audience may be photographed or filmed. The ticket purchasers legally agree to have their portraits photographed, retouched, used, and publicly displayed by the production team, as well as to be used for archival and promotion for future events.