【2026衛武營國際音樂節】衛武營當代樂團《新與舊》

開場將由木笛獨奏曲拉開序幕，普羅大眾耳中「古樸」的木笛聲響，在當代音樂的語境中將展現出何種全新面貌，令人期待。臺灣作曲家林佳瑩也將帶來量身訂做之全新創作，在其管絃樂法扎實的作品中，常見細膩的聲部層次與豐富的音色，總能激發人們對聲音的無限想像。

本次駐節作曲家迪特．阿曼的《碎片化的頑固音型》是為紀念贊助人保羅．薩赫百歲冥誕而作，標題巧妙地隱藏了其姓名縮寫。將客觀手法與主觀直覺交織，在理性結構與情感直覺間展開一場辯證，創造出充滿分歧與融合的聲響網絡。樂曲在極短的時間內，從朦朧的噪音轉變為充滿能量的脈動。這種精煉且集中的戲劇性變化，讓作品在嚴謹的架構下，展現出強烈的張力，也讓聽眾能直接體驗到聲響的豐富層次與多樣面貌。

芬蘭作曲家尤卡．田蘇為獨奏木笛與室內樂團而作的協奏曲《聲流》，木笛家族音色與室內樂團的聲響融合，呈現夢幻聲簾，木笛獨奏奇異的旋律線條與樂團展開一場奇妙的對話，其另類的演奏技巧與走位也增添了新鮮感。音樂會將以美國作曲家泰瑞．萊利作品《C大調》劃下句點。這部極簡主義的經典作品由多個音樂片段組成，樂手可自行選擇進入與結束的時機，創造出充滿機遇與變化的迷人聲景。

The program begins with a contemporary work for solo recorder. Though often associated with a traditional, ancient sound, its new expressive capabilities are set to be fully showcased—an opportunity to discover the instrument's unique potential in a modern context.

Following this is a specially commissioned piece by Taiwanese composer LIN Chia-ying. Her music, known for its solid orchestration, often features nuanced textural layers and a rich palette of timbres that inspire limitless imagination.

This festival's composer-in-residence, Dieter AMMANN's, work pRESTO sOSTINATO  was dedicated to the centenary of patron Paul SACHER, whose initials are cleverly concealed in the title. AMMANN masterfully weaves together objective techniques and subjective intuition, creating a sonic network filled with both divergence and fusion. In a very short span, the music shifts from a hazy, noise-like state to an energetic pulse. This dramatic change lends the work its intense tension, allowing the audience to directly experience the rich, layered, and diverse nature of sound.

Finnish composer Jukka TIENSUU's concerto, Appo for Solo Recorder and Orchestra creates a fantastical soundscape by blending the recorder family's distinct timbres with the ensemble's expansive palette. The recorder soloist engages in a vibrant dialogue with the ensemble, and the use of unconventional playing techniques and stage positioning adds a fresh, new dimension to the performance.

The concert concludes with American minimalist composer Terry RILEY's classic, In C. This groundbreaking work consists of 53 short melodic phrases, which performers can repeat and vary at will. The performers are free to choose when to enter and exit, creating a compelling, ever-changing soundscape of chance and possibility.

演出人員名單

指揮：尚－菲利普．弗爾茲／木笛：邱聖芳／衛武營當代樂團

Conductor: Jean-Philippe WURTZ / Recorder: CHIU Sheng-fang / Weiwuying Contemporary Music Ensemble

曲目Program

雅各布．范．艾克：〈前奏曲〉、〈聖母頌〉、〈天使夜鶯〉選自《長笛的樂園》

Jacob van EYCK: Preludium of Voorspel, d'Lof-zangh Marie, Engels Nachtegaeltje from Der Fluyten Lust-Hof

佚名：〈三泉舞曲〉，選自《倫敦手稿》

Anonymous: Tre Fontane from London Manuscript

林佳瑩：委託創作

LIN Chia-ying: Commissioned Work

迪特．阿曼：《碎片化的頑固音型》，為室內樂團而作

Dieter AMMANN: pRESTO sOSTINATO for Ensemble

尤卡．田蘇：《聲流》，為獨奏木笛與室內樂團

Jukka TIENSUU: Appo  for Solo Recorder and Orchestra

泰瑞．萊利：《C大調》

Terry RILEY: In C

藝術家介紹

指揮：尚－菲利普．弗爾茲

生於1968年，尚－菲利普．弗爾茲畢業於史特拉斯堡音樂院，主修鋼琴、室內樂與音樂分析，並以最高榮譽畢業。隨後於卡爾斯魯厄音樂院學習指揮，並在作曲家暨指揮家于特福許創立的國際于特福許音樂學院進修，亦曾在史特拉斯堡受指揮家布爾的指點。2001年，他創立「LINEA合奏團」，致力演出當代音樂作品。1997年至1999年間，弗爾茲擔任法國蒙佩利葉國立管絃歌劇院的音樂研究總監，自此展開其國際化的職業生涯。

弗爾茲經常受邀各大國際音樂節及表演活動，包括史特拉斯堡「Musica 音樂節」、蒙彼利埃「法國電台音樂節」、布達佩斯「秋季音樂節」、布魯塞爾「阿爾斯音樂節」、哈德斯菲爾德當代音樂節、馬德里、布加勒斯特、維多利亞、達姆施塔特國際當代音樂夏季課程、美國「六月的水牛城音樂節」、紐約林肯中心、法國華幽夢修道院及基金會，以及首爾「亞洲作曲家聯盟」等。他亦與許多國際知名樂團合作，包括現代合奏團、音樂工坊樂團、紐約塔利亞合奏團、法國阿爾泰南斯合奏團、巴黎國立高等音樂院桂冠樂團、法國波爾多國立管絃樂團、羅亞爾國家管絃樂團、魯昂歌劇院管絃樂團、英國愛樂管絃樂團及西班牙畢爾包交響樂團等。

作為一位風格多元的指揮家，弗爾茲以他對當代作品及世界首演的精準詮釋而備受推崇。他的曲目涵蓋超過三百部首演作品，合作作曲家包括胡伯、于特福許、費尼豪、賈雷爾、里姆、朴泳姬、參鐸、菲利戴、波沙達斯、安德烈、杜尤與馬努里等。

弗爾茲目前任教於萊茵藝術高等學院並擔任指揮，自2015年起擔任華幽夢基金會節目總監，曾策劃著名的「新聲學院」計畫。

木笛：邱聖芳

臺中出生的木笛演奏家邱聖芳，以深刻獨有的演奏與教學風格聞名國際樂壇，更是第一位同時於多所歐洲音樂大學擔任木笛主修教職的臺灣音樂家。旅歐多年累積了豐富的演出經驗，以獨奏家身份曾受邀於歐亞各地演出，包括擔任塔替尼音樂節開幕式獨奏家，以及布拉格巴赫音樂節開幕音樂會獨奏家。以重奏及室內樂音樂家身份她曾分別受木笛與古樂界先驅─華特・凡豪瓦與喬凡尼・安東尼尼 ─ 邀請，組成二重奏合作演出。於2016年創立的古樂團 Vivid Consort，也以新穎多元的音樂視角獲得廣大迴響，巡迴演出歐亞各地外，也頻繁於維也納音樂廳與維也納音樂之友協會音樂廳策劃呈現多樣音樂類型節目。與歐洲各地室內樂團及管弦樂團的合作也帶領她於眾多知名音樂節演出，包括薩爾茨堡音樂節、伊斯坦堡音樂節以及北德石荷州音樂節等。

熱衷於教學與交流，邱聖芳曾於臺灣、奧地利、德國、捷克、韓國、波蘭、伊朗及匈牙利等地教授大師課，包括於2017年受邀至華沙蕭邦音樂院指導木笛及古樂課程，以及於2018與2021年受邀至布拉格音樂院教授木笛。自2014年起，她受聘於市立維也納音樂大學擔任木笛主修專任講師，自2016年起兼任古樂系室內樂演奏講師。2017年至2021年間，亦擔任德國萊比錫音樂與戲劇大學木笛主修專任講師。

Conductor: Jean-Philippe WURTZ

Born in 1968, Jean-Philippe WURTZ studied at the Strasbourg Conservatory, where he obtained first prizes in piano, chamber music, and analysis. He continued his conducting studies at the Karlsruhe Musikhochschule and with Peter EÖTVÖS at the International EÖTVÖS Institute, and received guidance from Ernest BOUR whom he met in Strasbourg. In 2001, he founded the LINEA ensemble devoted to contemporary music. From 1997-99, he served as Director of Musical Studies at the Opéra de Montpellier, from which he launched his international career.

WURTZ has been a regular invitee at major festivals - Strasbourg(Musica), Montpellier(Radio-France), Budapest(Autumn Festival), Bruxelles(Ars Musica), Huddersfield(HCMF), Madrid, Bucharest, Vitoria, Darmstadt(Ferienkursen), Buffalo(June in Buffalo), New York(Lincoln Center), France(Fondation Royaumont), Seoul(ACL)…, and conducted for Ensembles Modern, Musikfabrik, Talea, Alternance, Orchestre des Lauréats du Conservatoire National Supérieur de Musique de Paris, Orchestre National de Bordeaux Aquitaine, Orchestre National des Pays de Loire, Orchestre de l'Opéra de Rouen, Philharmonia Orchestra, and Bilbao Symphonic Orchestra, among others.

Jean-Philippe WURTZ is a very versatile performer, particularly appreciated in contemporary works and first performances. His repertoire includes more than 300 premieres, among them new works by Klaus HUBER, Peter EÖTVÖS, Brian FERNEYHOUGH, Michael JARRELL, Wolfgang RIHM, Younghi PAGH-PAAN, Raphaël CENDO, Francesco FILIDEI, Alberto POSADAS, Mark ANDRÉ, Frédéric DURIEUX, and Philippe MANOURY.

Jean-Philippe WURTZ is a regular teacher and conductor at the Haute école des arts du Rhin. Since 2015, he is Program Director at the Royaumont Foundation, where he curates the well known "Voix Nouvelles Academy" program.

Recorder: CHIU Sheng-fang

With a blend of vibrancy and depth, Taiwanese recorder player CHIU Sheng-fang brings her distinct artistic voice to every facet of her musical endeavors. As a soloist, orchestral, and chamber musician, she delves into the recorder's vast possibilities, expressing her artistry with a personal and original approach. She has collaborated with ensembles and orchestras across Europe and Asia, and co-founded the ensemble Vivid Consortin 2016. Her activities have taken her to prominent stages and renowned festivals including the Salzburg Festival, Istanbul Music Festival, and Schleswig-Holstein Music Festival.

Her musical journey has been blessed by teachers and mentors, including Michael POSCH, Anna JANUJ, CHANG Bie-zong, Walter van HAUWE, and Giovanni ANTONINI, who have fueled her passion for the instrument profoundly and inspired her enthusiasm for teaching. She has led masterclasses in Austria, Germany, Taiwan, South Korea, the Czech Republic, Iran, Poland, and Hungary.

Her academic roles include teaching recorder as a main subject, recorder consort and chamber music at the University of Music and Theatre "Felix Mendelssohn Bartholdy" Leipzig (2017–2021) and the MUK Music and Arts University of the City of Vienna (from 2014).

演後座談 Post-talk ｜

4.18 Sat. 演出結束後於表演廳 After the performances at Recital Hall

到場注意事項｜

＊演出全長約105分鐘，含中場休息15分鐘。

＊建議7歲以上觀眾觀賞。

＊遲到、中途離席觀眾請依循現場工作人員指示入場。

＊主辦單位保留所有活動異動權與解釋權。