2026北藝嚴選：晃晃跨幅町《海妲．蓋柏樂》

 誕生19世紀筆下的經典文本，卻藏著21世紀的情感煩惱
「李英愛與凱特布蘭琪都要演的《海妲·蓋柏樂》」── 耿一偉

當舊愛重回生命，是束縛、還是重生的序曲



海妲‧蓋柏樂，將軍之女，因家道中落而選擇與學者泰斯曼成婚，渴望名利與保障。然而新婚生活枯燥乏味，讓她感到壓抑與窒息。當舊情人艾略特帶著改過自新的姿態與一名真誠可親的女子重返她的生活，海妲內心的嫉妒、焦躁與矛盾被徹底挑動。

她一方面渴望掌控他人命運，另一方面卻被情感與現實的拉扯推向失序。 海妲的美麗與智慧，既是武器，也是枷鎖。她渴望掌控一切，卻在慾望的漩渦中迷失。當舊愛重回她的生命，她能否掙脫束縛，追尋真正的自我？



藏在臺詞之下的細節：心底追求的渴望、操控他人的慾望

被譽為「現代戲劇之父」的易卜生經典劇作《海妲．蓋柏樂》，自1891年首演以來，始終是世界各地最受歡迎的劇目之一，也是易卜生最具挑戰性的作品。在易卜生的筆下，這並非單純的婚姻悲劇，而是對當代社會價值的深刻映照。劇中每個角色都帶著理想、慾望與脆弱，彼此糾纏，既獨立鮮明，又讓人產生共鳴。海妲的掙扎與反抗，最終導向不可挽回的結局，也成就了這齣震撼世人的現代悲劇。

本次演出以經典文本為基礎，做為當代思辨的回望。透過精湛的劇本、深刻的角色描繪，以及演員精準的表演，引領觀眾探討愛、慾望和人性的複雜性。

用當代視角回應：他人眼光下的幻象與孤獨

《海妲．蓋柏樂》誕生於19世紀末，晃晃跨幅町在今日重新演出這部作品，意圖不只是重譯經典，而是用當代的視角去回應那份「他人眼光下的幻象與孤獨」。在這個網路發達，社群媒體氾濫的現代，每個人都有能力塑造、展示自我，但同時也更容易被他人定義。當外在形象成為壓倒內在真實的洪流，海妲的掙扎便成了現代人的鏡像。我們在社群中展現自我，同時也在他人的目光下失去自己；我們追求成功與體面，卻也在獨自一人時被無名的空虛吞噬。

晃晃跨幅町

成立宗旨為「捕捉靈光、超越邊界的當代劇場美學實驗所」。

始終追求劇場性。創作不受時空、媒材、形式和議題侷限，突破消耗性或制式的創作類型，開拓新的美學表達及創作模式；期許開放地保持活性探索與實踐，在劇場脈絡中開展文化對話，也不斷重新評估自己及生活態度。

晃晃跨幅町是以技藝跨越時空、耕耘想像的超幅度之地，在無盡的時間中細究，用技藝探勘記憶的洞窟。在不斷位移的時間和空間中搖晃既有的、鬆動固有的、鑿刻存有的，捕捉一瞬即永恆。

在晃晃跨幅町的創作中，常挑戰經典作品，展現了其對經典文本的深刻理解與創新的詮釋能力。在創作理念上，並不單純的復刻經典，而是關注「翻譯」與「再詮釋」的過程。「翻譯」是與文本、與歷史的對話，「再詮釋」是利用文本的內在議題與現代社會對話。這種不斷挑戰和翻新的創作態度，不僅再現經典文本的精髓，也讓經典作品與今日社會連結，創造出不同的劇場體驗。

晃晃跨幅劇團近期演出作品：2024音樂劇場作品《明Dawn to Dawn》、2023《慾望街車》。

導演｜陳侑汝

劇場人與藝術家，她的實驗室空間集成員，擅長劇場導演與空間構成，個人創作關心當地環境、人文現象，剖析萬物聲響並切入自我觀點，透過生活經驗觀察，提出人與空間、身體、聲音之關係，創作領域不設限於劇場、視覺裝置、聲響錄像等多元思考，近年作品也與影像、新媒體、舞蹈、音樂等其他領域之藝術家合作。

劇場導演作品包括2025樂劇創製股份有限公司戰爭紀實文學音樂劇《熱帶天使》星聲登場、2023-2024瘋戲樂工作室《搖滾芭比》、2023晃晃跨幅町《慾望街車》、許哲珮沈浸音樂劇場《失物之城》、2022臺北藝術節《黑洞春光》、2022臺北兒童藝術節《我的黑夜獸》、2022中國信託新舞臺藝術節《Re_l_ _y》、2020《分手快樂》原創音樂劇、2020NTT-TIFA《無光風景》（臺中國家歌劇院中劇院）、2019《Trade Trade Love 愛-換-換》（北藝大春季公演）、2018《媽媽歌星》（水源劇場）、《奠》（市長官邸藝文沙龍）等。

團長暨音樂｜王榆鈞

音樂藝術家、電影配樂、劇場音樂及歌者，橫跨音樂、電影、劇場及表演等領域。近年關注實驗聲響與文學而延展的「實驗詩性」、對話影像所擴延出的「多維聲像」空間、音樂聲響與歷史人文的「複聲關係」，及採集環境與人聲融合的「共振聲響」。

音樂作品：已出版音樂作品有《凹》EP、《沙灘上的腳印》概念專輯、王榆鈞與時間樂隊《頹圮花園》、王榆鈞與時間樂隊《原始的嚮往》專輯、《不朽的青春》北師美術館同名展覽音樂專輯等。三度榮獲金音獎，分別為《等待自己成為自己》沙灘上的腳印獲第三屆金音獎最佳民謠單曲獎。創立王榆鈞與時間樂隊，分別以《頹圮花園》獲第五屆金音獎最佳民謠專輯獎、《原始的嚮往》獲第十屆金音獎最佳民謠專輯獎。發表《明 Dawn to Dawn 》個人音樂劇場作品於倫敦 Coronet Theatre （2024），獲得外媒The Reviews Hub 4顆星評價，進而於2024年邀請萬芳合作，回台於臺北表演藝術中心擴大搬演。並於2024年發表個人全新專輯《靜寂寂》。

藝術總監暨演員｜蔡佾玲



倫敦大學金匠學院表演創作碩士。現職晃晃跨幅町藝術總監、演員、表演藝術創作、國立臺灣藝術大學戲劇學系助理教授。屢獲國家獎助出國進修與發表作品，表演作品風格涵蓋古典與當代，多次受國際重量級導演邀請合作演出；現持續與臺灣各表演團隊及跨領域藝術家合作，作品可見於國家級場館製作、國際劇場藝術節、台北藝術節等，為當代臺灣劇場指標性的演員。

延伸閱讀

演前導聆：每場開演前40分鐘於@東南角舉行
演後座談：5/9（六）結束後於球劇場觀眾席舉行

演出暨製作人員名單

製作單位｜ 晃晃跨幅町

編劇｜亨利克．易卜生
劇本翻譯｜​​白斐嵐
導演｜陳侑汝
演員｜蔡佾玲、林子恆、買黛兒・丹希羅倫、王宏元、賴澔哲

製作人｜鄭涵文
舞台監督｜黃詠芝

舞台設計｜鄭烜勛
燈光設計｜王芳寧
服裝設計｜蔡浩天
音樂設計｜王榆鈞
音場設計｜劉詩偉

音響統籌｜陳宇謙（牙籤）
舞台技術指導｜周冠志
導演助理｜潘品丰
執行製作｜宋語婕

主視覺設計暨拍攝｜58kg
前導視覺影片拍攝｜莊知耕、林燁
宣傳影片拍攝剪輯｜黃泳翔

共同製作 ｜  臺北表演藝術中心、衛武營國家藝術文化中心

A timeless script of love and hate, imprisoned within the confines of a woman's body and moral expectations.

A Soul's Struggle Between Confinement and Freedom, Love and Desire.

Hedda Gabler, the daughter of a general, marries the scholar Tesman after her family's decline, seeking both security and social prestige. However, her married life soon proves dull and suffocating, leaving her restless and constrained. When her former lover Eilert reenters her world—reformed and accompanied by a sincere, warmhearted woman—Hedda's jealousy, anxiety, and inner conflict are violently stirred. Torn between her desire to control the destinies of others and the emotional as well as practical pressures surrounding her, she spirals toward disorder and destruction.

Hedda, a celebrated socialite, finds herself trapped in a loveless marriage. She yearns for passion, but is bound by the shackles of morality. This enigmatic woman is about to unleash a storm on stage.

A classic masterpiece by Henrik IBSEN, "the father of modern drama," Hedda Gabler has been one of the most beloved plays worldwide since its premiere in 1891. It remains one of IBSEN's most challenging and enduring works. In Ibsen’s writing, this is not merely a tale of marital tragedy, but a profound reflection on the values of contemporary society. Each character carries their own ideals, desires, and vulnerabilities, intertwining in ways that are both distinct and deeply resonant. Hedda's struggle and defiance ultimately lead to an irreversible end, shaping a modern tragedy that continues to shock and move audiences.

Hedda's beauty and intelligence are both her weapons and her chains. She longs to control everything, yet becomes lost in a whirlpool of desires. When a former love re-enters her life, can she break free from her constraints and pursue her true self?

This production, based on the classic text, offers a contemporary reflection. Through a brilliant script, profound character portrayals, and precise performances, it leads the audience to explore the complexities of love, desire, and human nature.

Rock Rock Crafting Collective

Founded with the mission to become "a contemporary theatrical aesthetics laboratory that captures fleeting brilliance and transcends boundaries."  

The mission of "Rock Rock Crafting Collective" is to be a laboratory of contemporary theatrical aesthetics that captures inspiration and transcends boundaries. It always pursues theatricality. The creative process is not restricted by time, medium, form, or subject matter. It breaks free from consumptive or standardized creative types and explores new modes of aesthetic expression and creation. The collective aims to remain open to active exploration and practice, engaging in cultural dialogues within the context of theater, while constantly reevaluating itself and its attitude towards life. "Rock Rock Crafting Collective" is a space where skills transcend time and imagination is cultivated on an extraordinary scale. It delves into the depths of endless time, using skills to explore the caverns of memory. Amidst the continuous shifts of time and space, it rocks the established, loosens the inherent, and carves the existing, capturing a moment that is eternal.

Established in 2023 by Artistic Director Yujun Wang and Creative Director Yiling Tsai,Rock Rock Crafting Collective builds upon a shared foundation of theatrical exploration from their student years. With roots in music and performance, their collaboration spans traditional theatre, unconventional performances, poetic recitals, and spatial and installation art. Over the years, each has amassed extensive experience and insight within their respective fields. The collective realization of the need to carve out new creative spaces and forge a shared path culminated in the founding of Rock Rock Crafting Collective.

Rock Rock Crafting Collective aims to establish two opposing conceptual paths as its trajectories: text and non-text, narrative and de-narrative, classic and experimental. By navigating and oscillating between these two trajectories, it seeks to generate a spatial field for multidimensional thinking in contemporary art.

In today's digital world, the value of live performance becomes even more significant. Each journey in life is a magnificent and unique story, and this belief forms the foundation of our creative narrative. In 2023, Rock Rock Crafting Collective debuted its first production, “A Streetcar Named Desire”, at the Tainan Arts Festival. This production represents the first pathway we are building—a creative method that uses classic texts as a solid foundation while reaffirming theatre as our core medium, continually drawing sustenance from it. The enduring questions and eternal echoes found within classic works serve as an endless source of inspiration, guidance, and reflection. Through these timeless stories, we aim to preserve the mysteries and questions surrounding life and the world, opening them up for exploration with our audience. Together, we seek to create new viewing experiences and expand the possibilities of "the art of the moment," unveiling more facets of its beauty and potential.  

In contrast to the first path that begins with text, the troupe launched "明 Dawn to Dawn" in 2024 as the second project of the Rock Rock Crafting Collective series. This attempt explores a reverse

concept, starting from de-textualization and narrative deconstruction to establish a second creative path. With an experimental spirit as its core value, the work integrates sound, lighting, visuals, unconventional materials, and spatial concepts. It facilitates the interpenetration of heterogeneous elements in theater, posing inquiries and reflections on contemporary issues and conditions. This approach summons the differences between theatrical aesthetics and contemporary art.

Rock Rock Crafting Collective aims to continue and deepen the tradition of collective theatre-making by inviting artists from diverse disciplines to explore and establish unique creative methodologies. Our creative process prioritizes fostering intimate and trusting relationships between the team and the audience within shared spaces. With an open-minded approach to themes and forms, we focus on uncovering channels for dialogue between creation and the audience, sharing perspectives and stories.  

Producer｜Rock Rock Crafting Collective

Playwright｜Henrik IBSEN

Script Translation｜Siraya PAI 

Director｜CHEN Yow-ruu

Performers｜TSAI Yi-ling, LIN Zi-heng, Maital. dakiludun, WANG Hung-yuan, LAI Hao-zhe

Producer｜CHENG Han-wen

Stage Manager｜HUANG Yung-chih

Set Designer｜CHENG Hsuan-hsun

Lighting Designer｜WANG Fang-ning

Costume Designer｜Eric TSAI  

Music Designer｜WANG Yu-jun

Sound Designer｜LIU Shih-wei

Sound Coordinator｜To CHEN

Assistant Director｜PAN Pin-feng  

Executive Producer｜Karen SUNG 

Technical Director｜CHOU Kuan-chih

Key Visual Design and Photography｜58 kg

Teaser Video｜CHUANG Chih-keng, LIN Ye

Promotional Video Shooting and Editing｜HUANG Yung-hsiang

Co-production ｜  Taipei Performing Arts Center, National Kaohsiung Center for the Arts (Weiwuying)