【高雄雄厲害】二律悖反協作體《乘上未知漂流去》
11/29(五)-12/6(五)早鳥8折
【高雄雄厲害】二律悖反協作體《乘上未知漂流去》
-
演出全長
75分鐘
-
演出單位
國家表演藝術中心衛武營國家藝術文化中心
-
演出地點
衛武營國家藝術文化中心-表演廳 高雄市鳳山區三多一路1號
-
演出團隊
實驗團隊二律悖反協作體、導演李勻、聲音與音樂設計李勻、演出者姸青、製作人楊悅、執行製作朱曼寧、舞台設計林昭安、燈光設計簡芳瑜、舞台監督黃詠芝、音響工程温承翰
-
內容簡介
航向未知的船舶中,尋找自己的微光。
獻給每位勇敢迎向未知的女性——
六十多年前,為了生存和開啟新生活的可能,她登上了一艘船,以旅行的名義漂向未知的世界。到達目的地後,她立刻被帶去一場預先安排好的婚禮,毫無選擇地嫁給了一位她從未見過的男人。之後,她再也沒有回到離開時的港口,就像她從未下船一樣。坐在椅子上,她用鬆動的記憶和失真的文字講述著自己的故事。她不想忘記,但還是忘了,就像她不想留下,但發現自己被留下了。
這是一部通過聲景編作的單人演出作品,包含了紀實、歷史、去殖民化和多元文化。通過真實人物與事件的再次演繹,描繪一位女性的旅行史如何演變為一部家族史,同時,甚至也反映了該時代的移民史及殖民史。在演出過程中,觀眾彷彿也將一同進入船艙,尋找遠方的微光,眺望著海岸告別,以及航向未知的時刻。
For every brave woman.
Embarking on a drift to the unknown, seeking the light of life.
Over sixty years ago, in the pursuit of survival and new opportunities, she boarded a ship and drifted off into the unknown. When she arrived at her destination, she was immediately taken to a pre-arranged wedding and married to a man she had never met. Sitting on a chair, she tells her story with distorted memories and lost words. She did not want to forget, and yet she did. She did not want to stay, but found herself left behind.
This is a solo performance crafted through soundscapes and documentation, incorporating themes of history, decolonization, and multiculturalism. The interpretation of real stories evolves from the travel history of one woman into a family history, and the history of immigration and colonialism in Asia.
演出暨製作人員名單
導演&概念&聲音與音樂設計:李勻/原型素材&演員:姸青/製作人:楊悅/執行製作:朱曼寧/舞台設計:林昭安/燈光設計:簡芳瑜/舞台監督:黃詠芝/音響工程:温承翰
Director, Concept, Sound and Music:LI Yun / Documentary Material and Actress:LAU Genn / Producer:YANG Yue / Executive Producer:CHU Man-ning / Stage Designer:LIN Jhao-an / Lighting Designer:CHIEN Fang-yu / Stage Manager:HUANG Yung-chih / Sound Engineer:WEN Cheng-han
「本作品受衛武營高雄雄厲害演出創意計畫挹注,由衛武營國家藝術文化中心委託製作」
Creation research supported and commissioned by National Kaohsiung Center for the Arts (Weiwuying)
藝術家介紹
李勻
導演、聲音/音樂設計、裝置及展演策劃,創作組合「二律悖反協作體」負責人。作品形式來往於劇場、聲音、文字、影像與裝置。以獨特的劇場美學和敘事手法,延伸至其關心之主題、人群和面向,持續發展與臺灣歷史、非職業表演者和特定場域的創作計畫。近期持續發展聲音與劇場之聽覺探索,使用聲景錄音、電子噪訊作為對世界的反思。藉由聲音創造具視覺、觸覺和空間感的體驗。近期作品:個展《存於之間或之外》、2024臺東藝穗節進駐計劃演出《惡地》、2023臺東藝穗節《逐:一場發生在自然生態景觀的沉浸式舞蹈體驗》。
LI Yun
LI Yun is a director, sound/music designer and scenographer. His works include forms such as theater, sound, text, video, body movement and installation. LI works on diverse genres covering both modern and traditional theaters. His theater narrative is based on an aesthetic philosophy of object, focusing on multiple meanings. Recently, he has continued his research on Taiwan's colonial history, viewing historical events as a method of reflecting on the present and future. Through this process, he raises questions about how contemporary society perceives the past events, reorganizing our understanding of historical occurrences.
姸青
姸青,原名劉馨檜,馬來西亞人。曾於2018年榮獲MOD微電影創作大賽最佳女演員獎,並於2021年再次入圍;劇場作品:台南人劇團《Reality No-show》、啟藝《華燈初上沉浸式劇場》、拾光號《如怨以償》等。
Genn LAU
Genn LAU, known professionally as Yan Qing, is a Malaysian actress. Yan Qing won Best Actress at the MOD Microfilm Creation Competition in 2018 and was nominated again in 2021.. Her notable theater performances include Reality No-Show with Tainaner Ensemble, Light the Night Immersive Theater with INCEPTION, and As You Wish with Light Traveling.
二律悖反協作體充滿流動性和多樣性的實驗團隊,以「多元形式、多元參與、多元關懷」為創作核心,形式涵蓋劇場、表演、聲音與裝置藝術。以文字、身體、聲光和空間等不同媒材,持續探索內在個體與外在環境的衝突,並嘗試「非職業表演者」和「特定場域」的呈現突破創作框架,創造更具包容性與多元性的藝術體驗。Antinomy Company
Incorporating the principles of "Multiple forms, multiple participation, multiple care," Antinomy Company is a mixed media art collective with members from diverse backgrounds. They explore the possibilities that exist across art forms through theater, performance art, sounds, and installations, especially the polysemic possibilities. The company continuously researches and explores the conflicts between individual internal states and collective external environments.
-
注意事項
演後座談 Post-talk|
6.15 (日) 15:45 演後5分鐘於表演廳觀眾席 5 mins after the performance at Recital Hall Auditorium
到場注意事項|
*演出全長約75分鐘,無中場休息。
*中文演出。
*建議7歲以上觀眾觀賞。
*遲到、中途離席觀眾請依循現場工作人員指示入場。
*主辦單位保留所有活動異動權與解釋權。
溫馨提醒※觀眾席座位視角請參考衛武營線上導覽連結
(每場演出因舞台設計視角略有不同,實際畫面以現場為準,敬請留意)