2025臺北藝術節：麥拉蒂．蘇若道默《斷片》

每場次演出序曲將在14:30於臺北表演藝術中心一樓戶外廣場（劍潭捷運站對面）進行，敬請留意觀賞。

「一場靜謐如詩，卻如雷鳴般震撼的旅程。」——澳洲《Dance Informa》

由印尼國寶級視覺及行為藝術家麥拉蒂．蘇若道默（Melati Suryodarmo）擔任導演及概念編舞，《斷片》（LAPSE）標誌著其創作生涯的一次重要演化。麥拉蒂從她廣為人知的個人極限耐力表演，首次完全轉向編排性的群體作品。此作由新加坡濱海藝術中心、澳洲墨爾本亞太表演藝術三年展（Asia TOPA）及臺灣臺北表演藝術中心國際重要場館委託創作，匯集印尼、臺灣、新加坡的頂尖藝術家共同呈現。

「我相信人類狀態不斷變化。我相信宇宙與自然法則。我們都生活在一種暫時性的狀態中。」

——麥拉蒂．蘇若道默（Melati Suryodarmo）

在瀰漫煙霧的光影中暫忘規律、擁抱混亂與失序

斷片，亦即暫時的失誤、時間的間隔，期滿失效。作品以此為起點，關注當前社會中秩序走向混亂、連結逐漸消失的狀態。面對體制崩壞、社會凝聚力減弱的現實，藝術家並非描繪末日，而是探索：在混亂之中，我們如何應對？是否可能在「失敗」中找到新的連結方式，甚至發現創造的契機？ 這也延續了她過往作品中對「耐力」與「抵抗」的思考，只是這次，焦點從個人轉向了群體如何在失序中尋找共存之道。

人類男女、錫人與毛怪，進行一場詩意的集體儀式

演出中，您將看到來自不同文化背景的舞者們，在瀰漫的煙霧與變換的光影中，展現從極簡近乎靜止到瞬間爆發的多元身體樣貌。由印尼舞者拉贊・維若桑佐佐約（Razan Wirjosandjojo）飾演白色毛怪、 梅克拉婷魯姆・哈普莎莉（Mekratingrum Hapsari）為人類女性的角色、 伊・科芒・特里・雷・德萬塔拉（I Komang Tri Ray Dewantara）則扮演錫人，而來自臺灣的舞者賴有豐（Yu-Fong Lai）則擔任人類男性的角色 。蘇若道默強調「創造一個空間，而非佔據一個空間」，她引導舞者深入挖掘內在記憶與時間感，舞臺上，舞者們時而獨立，時而相互模仿，甚至模仿動物的姿態 ，在人與自然、個體與群體間游移，彷彿在共同經歷一場從疏離到連結的儀式 。這些源自個人生命經驗與不同身體訓練，如舞踏、太極的動作，與爪哇舞蹈獨特的沉靜質地交織 。協同聲音設計袁志偉（Yuen Chee Wai）時而靜謐、時而如風暴般的現場聲響，共同構築出一個既荒謬又詩意、充滿感官衝擊的體驗空間。

給你一處暫時的避難所，將混亂與挫敗轉為能量

如果你也在追求秩序的道路上感到疲憊與挫敗，《斷片》是一個暫時的避所。在此，混亂與失敗被轉化為詩意的能量，而非等待修正的錯誤。讓感官引導您經驗一場深刻的擾動與釋放，您也許不會找到答案，但可能在當下的掙扎中，瞥見意想不到的連結，以及在不完美中前行的微光。

✪會員限定✪
臺北藝術節獨家體驗《斷片》身體工作坊　▶了解詳情　

印尼 國寶級行為藝術家

麥拉蒂．蘇若道默 Melati Suryodarmo

യ「行為藝術教母」瑪莉娜．阿布拉莫維奇學生യ

യ代表作品《奶油之舞》യ

尼國寶級行為藝術家麥拉蒂．蘇若道默，是享譽國際、極具代表性的當代藝術家與編舞家 。以強烈的視覺美學、挑戰身體極限的長時間耐力表演聞名 ，其創作成功搭建爪哇文化與西方前衛藝術的橋樑 ，深刻探討身份、記憶與社會等普世議題 。

早年師從日本舞踏大師古川杏子（Anzu Fuzukawa），後於德國布倫瑞克造型藝術學院（Braunschweig University of Art）深造，成為「行為藝術教母」瑪莉娜．阿布拉莫維奇（Marina Abramović）的學生，並取得藝術創作碩士學位。這段經歷助她提煉出獨特的藝術語彙，其作品以強烈的身體性、對時間的獨特運用及深邃哲思，為觀眾提供沉浸式的概念空間 。

代表性作品如2000年的《奶油之舞》（Exergie – Butter Dance），藝術家在高跟鞋與奶油磚上不斷滑倒與掙扎起身，探討文化衝擊中的失敗與抵抗 ；2012年的《我是我房屋中的鬼魂》（I am a Ghost in My Own House）則為長達12小時的耐力之作，透過持續研磨巨量炭塊，隱喻存在的重量、耗損與轉化 ，展現她驚人的身體投入與創作能量。

她的藝術足跡遍及全球頂尖藝術殿堂與雙年展，包括威尼斯雙年展等，並曾擔任2017年雅加達雙年展藝術總監 。憑藉卓越成就，她榮獲2022年荷蘭重要的「博尼範登當代藝術獎」（BACA）。

麥拉蒂不僅是當代行為藝術的先驅與領軍人物 ，在印尼與東南亞扮演關鍵角色，創辦的「Plesungan工作室」，積極培育新世代藝術家，建立重要的國際交流平台 。她亦接掌印尼文化部「2022／2024 印尼敘事（Indonesia Bertutur）雙年藝術節」的藝術總監 ，持續推動行為藝術、舞蹈和跨文化的對話 ，以「文化行動者」的身份 ，實踐藝術的社會參與 ，其貢獻已超越個人創作，對整體藝術生態產生深遠影響 。

【演出暨製作人員名單】

概念與編舞：Melati Suryodarmo
舞者：Mekratingrum Hapsari、Razan Wirjosandjojo、賴有豐 (Yu-Fong Lai)、I Komang Tri Ray Dewantara
現場聲響與音樂：Yuen Chee Wai
燈光設計：Zureine Novara
音效工程：Yong Rong Zhao
技術與舞台監督：Yasmina Zulkarnain

製作單位：Studio Plesungan
共同製作：新加坡濱海藝術中心 、Asia TOPA 、Arts Center Melbourne 、臺北表演藝術中心

共同主辦：臺北市政府、臺北表演藝術中心

【About the Performance】

The prelude performance begins at 14:30 at the outdoor in front of the Taipei Performing Arts Center (across from Jiantan Station).

Rooted in her Javanese heritage, Melati Suryodarmo explores ‘vital lapse’ as a concept of collective potential emerging from chaos. Rather than viewing chaos as disorder, she perceives it as a space of transition - a moment of instability where new meanings arise. LAPSE, her new stage work, delves into colonial histories, spiritual disconnections and contemporary societal shifts.

The natural landscape under colonial influence is Melati’s central focus. In specific, she critiques the Mooi Indie (a Dutch term meaning 'Beautiful Indies') style which is a colonial-era genre of painting that depicted Indonesia as an idyllic and passive paradise and reinforced a detached understanding of nature by erasing prevailing socio-political realities, thus rendering the landscape as an aestheticised commodity, rather than lived and sacred spaces. A sculptural set takes centre stage in LAPSE - a gigantic aluminum- wrapped mountain that embodies the colonization of landscape both physically and ideologically. Here, Western and Eastern perspectives are juxtaposed: while the West frames nature as something to be conquered and extracted, Javanese philosophy regards mountains as a territory for pilgrimage and transcendence. A sacred site, once central to cultural and spiritual life, is reframed here within a colonial-capitalist narrative.

LAPSE also explores the significance of human-animal hybridity in Javanese mythology, seen in figures such as the Garuda and Ganesha, that function as liminal symbols that bridge earthly and spiritual realms. Javanese tradition, which embraces ambiguity and alterity, has however lost its potency since colonialism disrupted cosmological beliefs and vernacular practices, fragmenting the ways that people interact with nature, and also how they perceive their own heritage.

Ambivalence sits at the heart of LAPSE, where disorientation creates new possibilities in our contemporary society that is undergoing rapid urbanization, digital acceleration and ecological crises that contribute to a growing sense of alienation. In creating the performance, Melati does not propose to resolve the fractures of the past but instead makes space for them - transforming ‘lapse’ from an absence into a presence, from chaos into a force of vitalism.

【Artist Profile】

Melati Suryodarmo

Born 1969 in Solo, Indonesia, Melati Suryodarmo resides in Surakarta. Her art, influenced by Butoh, dance, and history, stems from researching body movements and their connections to the self and the world. Photography, choreography, videos, and live performances encapsulate her work.

Suryodarmo delves into psychological and physical agitations, fostering lasting individual change from self or external influences. Her belief in growth through bodily action echoes her meditation practice. She regards the body as the home for memories and self, rather than the individual. Compiling, conceptualizing, and translating presence factors in her works, she blurs the body-environment boundary, akin to poets crafting verse.

Suryodarmo holds a fine art degree and MFA in performance art from Braunschweig University in Germany. Exhibiting globally, she has earned acclaim at renowned venues and secured the 2021 Bonnefanten Award. In 2012, she founded "Studio Plesungan," an experimental performance art hub. She directed the Jakarta Biennale 2017 and has been appointedas the Artistic Director of the Indonesia Bertutur, an Indonesia’s mega festival of Arts and Culture for 2022 and 2024 dance-making.

【Creative and Production Team】

Concept and Choreography: Melati Suryodarmo
Dancers: Mekratingrum Hapsari, Razan Wirjosandjojo, Yu-Fong Lai, I Komang Tri Ray Dewantara
Live Sound and Music: Yuen Chee Wai
Set and Costume Design : Melati Suryodarmo
Light Design: Zureine Novara 
Sound Engineering: Rong Zhao Yong
Technical and Stage Manager: Yasmina Zulkarnain
Production: Studio Plesungan
Co-production: Esplanade Theatre on the Bay Singapore, Asia TOPA Melbourne, Taipei Performing Arts Centre Taipei

Organizer: Taipei City Government and Taipei Performing Arts Center

◎節目全長約90分鐘，無中場休息。

◎建議6歲以上觀眾欣賞。

◎演出中有煙霧段落。

◎遲到及中途離席的觀眾無法入場，亦無法退換票，請您特別留意。

◎演前導聆：每場演出前30分鐘於臺北表演藝術中心太陽廳東南角。

◎演後座談：每場演出後進行。

◎每場次演出序曲將在14:30於臺北表演藝術中心一樓戶外廣場（劍潭捷運站對面）進行，敬請留意觀賞。

【Important Information】

◎ 90 mins, no intermission.

◎ Suggested Age 6+ years old.

◎ Contains smoke.

◎ No latercomers.

◎ Pre-performance talk: 30 minutes before each performance.

◎The post-show talk is held after each performance.

◎The prelude performance begins at 14:30 at the outdoor in front of the Taipei Performing Arts Center (across from Jiantan Station).