2024臺北藝術節：《親愛的帕索里尼》

【0821公告】
演出團隊進場後，評估部分座位視線可讓觀眾保持觀賞體驗，故決議加開席次，將於8/22(四) 16:00啟售

★蒂妲・史雲頓Ｘ奧利維耶・薩亞Ｘ電影大師帕索里尼　

★時尚策展人攜手人間精靈　展現電影服裝的極致孤立

舞台上，蒂妲・史雲頓（Tilda Swinton）如一張白紙，從封好的紙箱中拿出電影服裝，循著服裝的主體、配件，一件件穿上。她行走，展示，不帶任何情緒，讓封存在膠卷中的電影服裝再次鮮活立體。

擅長改編文學作品的義大利傳奇電影導演帕索里尼（Pier Paolo Pasolini），長期與服裝設計師達尼洛‧杜納蒂（Danilo Donati）合作，以貧窮藝術（Arte Povera）的製作方式，取日常厚重的布料設計角色服裝，莊嚴低調，讓服裝在不喧賓奪主的前提下，在電影中有了自己的隱喻。從《馬太福音》（The Gospel According to St. Matthew）、《一千零一夜》（Arabian Nights）到備受爭議的《索多瑪的120天》（Salò, or the 120 Days of Sodom）表演回顧了這些因電影下檔而封箱的服裝檔案，展現它們被發現、整理，到再次被穿上的過程，讓這些生命短暫的藝術，有了再次面世的機會。

2021年，法國知名時尚策展人奧利維耶・薩亞攜手英國知名演員蒂妲・史雲頓發表了行為藝術表演《親愛的帕索里尼》，致敬2022年帕索里尼百年冥誕。流動的性別氣質是蒂妲・史雲頓的特質，當這些沉默的服裝展示在她的血肉之軀上，她沒有選擇再次扮演這些角色，而是讓自己如一張白紙般中立地展示，體現服裝與身體、演員與電影，彼此靈肉分離後的孤立；而觀眾現場感受的，還有織品與肉身之間，令人讚嘆的依存關係。  

團隊介紹

英國｜蒂妲・史雲頓

1960年出生於英國，1991年以《愛德華二世》獲威尼斯影后，1992年以《美麗佳人歐蘭朵》傳達她對性別流動角色的詮釋，展現一名演員的多樣性。她也嘗試不同類型的演出，深入實驗藝術和前衛時尚的世界，屢獲外界「時尚仙人」、「人間精靈」等美譽。《親愛的帕索里尼》為她與策展人好友奧利維耶・薩亞的第五度合作。

法國｜奧利維耶・薩亞

1967年出生於法國，2010年起擔任巴黎時尚博物館館長（Palais Galliera, Musée de la Mode de la Ville de Paris）至2018年初。8年間策劃多檔時尚主題展，與重要的設計大師回顧展，奠定其時尚主題策展人的重要地位。過去亦曾任職於馬賽時尚博物館（Musée de la Mode de Marseille）、巴黎裝飾藝術博物館（Musée des Arts Décoratifs）；也曾於布爾德博物館（Musée Bordelle）與倫敦 V&A 博物館（Victoria & Albert Museum）策畫過展覽。

演出暨製作人員名單

創作及演繹｜奧利維耶・薩亞、蒂妲・史雲頓

創作協力｜蓋爾・馬米納、卡斯帕・德馬瑟、佐伊・蓋達爾

服裝｜達尼羅・多納蒂（法拉尼服裝工作室，總監—路易吉・皮克羅）

木製帽架｜皮耶羅尼實驗室（總監—馬西莫‧皮耶羅尼）

製作人｜艾馬赫・克尼爾（奧利維耶薩亞工作室）

共同製作｜澤特瑪文化公司（羅馬）

特別感謝｜法拉尼服裝工作室

                  皮耶羅尼實驗室

                  克拉拉・托西・潘菲利

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視覺設計｜方序中 @究方社

▌2024臺北藝術節：電影特映

• 《伊底帕斯王》https://www.opentix.life/event/1811311703866556416
• 《索多瑪120天》https://www.opentix.life/event/1811322677797404673
• 《美麗佳人歐蘭朵》https://www.opentix.life/event/1811320761060941825

▌2024臺北藝術節：北藝人物講座

• 演員進入角色的儀式—談電影《索多瑪120天》的服裝造型設計 —— 黃文英 ⮕ 報名去
• 悖德與異端：帕索里尼的電影美學 —— 楊元鈴 ⮕ 報名去
• 從平行到交集，從影展到現在：蒂妲絲雲頓、帕索里尼與台灣 —— 聞天祥  ⮕ 報名去
• 神話及其挑釁──帕索里尼的劇場實踐 —— 鴻鴻  ⮕ 報名去

Swinton unpacked the raiment of films past like so many treasures salvaged from oblivion - VOGUE

Saillard once again delivers a perfect performance, which allows “this assembly of inert bodies” to live again, and better - TOUTE LA CULTURE

"Cinema artefacts have this one fantasy moment, and that’s it" - Tilda Swinton

An original performance created by French fashion and art historian Olivier Saillard and the iconic, multi-award-winning British actor, Tilda Swinton, Embodying Pasolini brings together a wide selection of costumes from the films of Italian director Pier Paolo Pasolini, live, for the very first time.

Designed by Danilo Donati and prepared by the Farani workshop, outfits from The Gospel According to St. Matthew, Oedipus Rex, A Thousand and One Nights and Salo, or the 120 Days of Sodom prove Pasolini and Donati's abundant and long-term collaboration. This performance retraces the process of how the pieces were discovered, identified, and assessed until they were brought onto the stage and worn again, which was originally prohibited.

As if being a silent mannequin captive to its memory, Swinton tries on nearly thirty costumes, dresses, coats, and hats. They make a brief appearance for a daring try-on session, with audience members as witnesses. Captured herself in fabrics, Swinton doesn’t represent the correspondent characters. Instead, her role is precisely the lack of a role. Her presence sheds light on how the now explicitly orphaned costumes are separated from the body, the actors and the films, situated in their soulful and truthful existence.

Olivier Saillard, FR

Olivier Saillard is a graduate in art history. In 1995, he was appointed director of the Marseille Fashion Museum; in 2000, he became responsible for the "Fashion" exhibition programming at the Musée des Arts Décoratifs in Paris, and in 2010, director of the Palais Galliera, the City of Paris Fashion Museum. Since 2017, he has been the director of the Alaïa Foundation and the artistic director for image and culture at J.M. Weston (since 2018). He has authored several works, including "An Ideal History of Contemporary Fashion" (Textuel, 2009), "The Fashion Book" at Robert Laffont (2019), and major exhibitions such as "Yohji Yamamoto: Just Clothes," "Christian Lacroix: A History of Clothes" at the Arts Décoratifs; "Azzedine Alaïa," "Jeanne Lanvin" at the Palais Galliera; "Madame Grès: Couture at Work," "Balenciaga: The Work in Black" at the Bourdelle Museum, and most recently, "The Ephemeral Fashion Museum" at the Palazzo Pitti in Florence. In 2005, Olivier Saillard was a recipient of the Villa Kujoyama in Kyoto. Since then, he has been conducting a poetic reflection presented in the form of performances. The Impossible Wardrobe, Eternity Dress, and Cloakroom, and recently Embodying Pasolini with Tilda Swinton at the Festival d'Automne in Paris; Sur-Exposition with Charlotte Rampling, Couture Essentielle…, nearly thirty performances have thus been initiated over 20 years... In 2018, he founded "Moda Povera," a project dedicated to poetic, performative, and pedagogical clothing creation, based on the transformation of ordinary and modest clothes magnified by haute couture knowledge and techniques.

Tilda Swinton, UK

Tilda Swinton, known for her collaborations with directors like Derek Jarman and Jim Jarmusch, gained acclaim for roles in Orlando and Michael Clayton, winning BAFTA and Academy Awards. She's worked with diverse filmmakers including Pedro Almodóvar, Wes Anderson, and Bong Joon Ho. In 2020, she received a BFI Fellowship and a Leon d’Oro at the Venice Film Festival. Her recent projects include Three Thousand Years Of Longing, Asteroid City, and The Eternal Daughter. Swinton, a mother of twins, resides in the Scottish Highlands.

Olivier Saillard and Tilda Swinton:

• The Impossible Wardrobe (2012)
• Eternity Dress (2023)
• Cloakroom – Mandatory Coatroom (2014)
• Sur-exposition (also with Charlotte Rampling, 2016)
• Embodying Pasolini (2022)

Credit List

Created and interpreted by Olivier Saillard and Tilda Swinton

Artistic collaboration: Gaël Mamine, Gaspard de Massé, Zoé Guedard

Costumes: Danilo Donati a Farani workshops, directed by Luigi Picolo

Wooden shapes: Pieroni workshops, directed by Massimo Pieroni

Produced by Aymar Crosnier - Studio Olivier Saillard

Co-produced by Zetema Progetto Cultura, Roma and Azienda.

With the support of the Ateliers Farani – Luigi Piccolo for the costumes and the Laboratorio Pieroni.

The Studio Olivier Saillard warmly thanks Clara Tosi Pamphili.

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Graphic Design: Joe Fang @JOEFANGSTUDIO

延伸閱讀——

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• 節目全長約為105分鐘，無中場休息。
• 遲到及演出中途離席之觀眾，請配合主辦單位安排進場 。
• 演出中請勿拍照錄影錄音。

• 105 minutes with no intermission.
• For latecomers and audience members who need to leave during the performance, please follow the instructions and arrangements made by the organizers for re-entry.
• Photography, recording and audio recording are not allowed during the performance.