2025TIFA 河床劇團✕PHI工作室✕歐納西斯文化《之間》

跨國合製XR沉浸式劇場

倘若我們能戰勝死亡？

^{© Sheng-Yang Su蘇聖揚}

1993年《侏羅紀公園》上映時，恐龍復活似乎只存在於好萊塢電影中。30年後的今天，富人能夠透過複製技術，讓寵物起死回生，科幻小說成為了現實，我們生活在一個死亡不再意味著終點的年代。

《之間》是一場混合實境的劇場體驗，融合了現場表演者與虛擬實境打造出的數位奇觀。它將帶領10位觀眾同時沉浸在超現實的世界當中，探索生命與死亡、真實與虛構的模糊地帶。在這段旅程中，觀眾將穿越層層展開的景觀，親身體驗科學發展所帶來魔術般的奇蹟，以及令人不安的成果。未來已成現實，勇敢走入未知。

An XR immersive theater experience
What if we could defeat death?

^{© Chen-Chou Chang張震洲}

When Jurassic Park was released in 1993, resurrecting dinosaurs seemed like something only possible in Hollywood films. Now, three decades later, fiction has become reality, as the wealthy can clone their deceased pets and “bring them back to life.” We are living in an age in which death no longer means the end.

Blur is a mixed-reality theater experience that explores this liminal state between life and death, fact and fiction. The production immerses the ten audience members in a surreal world that integrates a live performer with the digital wonders of virtual reality. The audience journeys through an unfolding landscape, encountering firsthand the magical possibilities and terrifying consequences of these scientific advancements. The future is present. Step into the unknown.

🐑 團隊介紹

河床劇團有限公司︱
河床劇團於1998年成立，以意象為主的「總體劇場」模糊了視覺藝術與表演藝術間的界線。評論家讚賞其有機、雕塑般的「潛意識」劇場作品，可與山繆．貝克特及大衛．林區最精湛的作品相提並論。已搬演超過五十部原創作品，演出足跡遍及日、韓、新、法、德、美等國。2022年成立公司，致力於VR與XR作品。VR作品連續三年（2022-2024）入選威尼斯影展，並獲得盧森堡城市電影節最佳沉浸式體驗大獎、加拿大新影像影展最佳全景獎及高雄電影節最佳VR360獎。

Riverbed Theatre was founded in 1998 in Taipei, Taiwan. The company’s image-based, Total Theatre productions blur the boundaries between visual and performing arts. Critics have praised the organic, sculptural quality of Riverbed’s “subconscious” theatre, comparing the performances to the best works of Samuel Beckett and David Lynch. Riverbed has staged over fifty original productions, including works at the Taiwan National Theatre, National Taichung Theater, Asia Culture Center (Korea), Esplanade Studio Theatre (Singapore), Theatre de la Condition de Soies (France), Imaginale Figurentheater Festival (Germany), Kobe Arts Village Center (Japan), and Robert Wilson’s Watermill Center (USA). In 2022, the company established Riverbed Theatre Ltd. to focus on producing VR and XR productions. Riverbed’s virtual reality films have been selected for the Venice Film Festival for three consecutive years (2022-2024) and have won the Best Immersive Experience Award at the Luxembourg City Film Festival, the Panorama Award at the Festival du Nouveau Cinema, and the Best VR360 Award at the Kaohsiung Film Festival.

PHI工作室︱

位於加拿大蒙特婁，專精於以使用者體驗為導向的沉浸式場域體驗。其創新的製作方式、技術專業及在新型敘事形式的成就，讓PHI工作室在加拿大及國際上皆享有盛譽。工作室與全球主要產業合作夥伴及各大影展合作，參與了許多屢獲殊榮的計畫，致力於塑造沉浸式體驗的未來。PHI工作室被譽為人才孵化器，亦是推動多學科沉浸式專案概念與實現的催化劑。

PHI Studio, from Montreal, specialises in immersive location based experiences with a user experience-driven focus. Recognized locally and internationally for its innovative production approach, technical expertise, and achievements in new forms of storytelling, PHI Studio collaborates with major global industry players and festivals and has worked on many award-winning projects, shaping the future of the immersive experience. PHI Studio has developed a reputation as an incubator for talent, as a catalyst for the conception and implementation of immersive multi-disciplinary projects.

歐納西斯文化︱

以具指標性的場館—歐納西斯文化中心為核心，是希臘當代文化具領導地位的單位，透過多元的計畫與作品，連結雅典及其他地區。以各類講座與活動，促進對民主、社會正義、性別平等及 LGBTQIA+ 社群人權的討論。歐納西斯文化支持藝術發展、創作與實驗，製作表演、電影和跨領域作品，同時為新銳與資深藝術家提供獎助金及駐地計劃。它在數位平台上不斷推出符合時代脈動的內容，將在地與全球緊密交織，成為生活不可或缺的一部分。

Onassis Culture, centered around the iconic Onassis Stegi venue—the leading organization in contemporary culture in Greece—connects with Athens through a range of initiatives and works set across the city and beyond. It fosters dialogue on democracy, social justice, gender equality, and the human rights of the LGBTQIA+ community through a series of talks and events. Supporting artistic development, creation, and experimentation, Onassis Culture produces performances, films, and hybrid works while offering fellowships and residencies to both emerging and established artists. With a constant online presence, it creates content that speaks to the present moment. This is culture in sync with the here and now, embracing the local and the g0lobal as intertwined aspects of life.

編導 Writing and Direction / 郭文泰 Craig Quintero

身為河床劇團藝術總監，郭文泰編創並執導了超過五十部原創的意象劇場作品，包括在國家戲劇院、臺中國家歌劇院、韓國亞洲文化殿堂、新加坡濱海劇院、日本神戶藝術村和法國穆浮塔劇院等地的演出。他也是位雕塑家和裝置藝術家，其作品曾在台北當代藝術館、台北美術館、上海當代藝術館、台灣國立美術館以及威尼斯雙年展平行展中展出。他的虛擬實境作品分別於威尼斯影展及翠貝卡影展首映，並榮獲盧森堡城市電影節與加拿大新影像影展最佳全景獎，以及高雄電影節最佳VR360獎。郭文泰曾獲選為美國國務院傅爾布萊特計劃資深學者,現為美國格林奈爾學院劇場、舞蹈和表演研究系教授。

As the Artistic Director of the Taipei-based Riverbed Theatre Company, Craig has written and directed over fifty original image-based performances, including productions in Taiwan, Japan, Korea, Singapore, China, France, Germany, and the United States. He is also a sculptor and installation artist whose work has been shown at the Asian Biennial, Venice Biennale Collateral Events, Kobe Biennale, Taipei Biennale, Taipei Fine Arts Museum, Taipei MOCA, and the Shanghai Museum of Contemporary Art. His VR experience, All That Remains, premiered at the 79th Venice Film Festival (2022) and won the prize for Best Immersive Experience at the 2023 Luxembourg Film Festival and Best 360 VR Film at the Kaohsiung Film Festival. His second VR experience, Over the Rainbow, premiered at the 2023 Tribeca Film Festival and was selected for the "Best of" section for the 80th Venice Film Festival (2023). The project won the Panorama Prize at the Festival du Nouveau Cinéma. His most recent project, A Simple Silence,  premiered at the Venice FIlm Festival. Craig was selected by Filmmaker Magazine as one of the "25 New Faces of Independent Film" in 2023. A former Fulbright Senior Scholar, Craig received his Ph.D. in Performance Studies from Northwestern University and is a Professor in the Department of Theatre, Dance, and Performance Studies at Grinnell College.

編導 Writing and Direction / 菲比 • 格林伯格 Phoebe Greenberg

畢業於賈克樂寇默劇與戲劇國際學校，專注於探索動作技術與身體劇場，並於在歐洲各地進行戲劇表演和製作。回到蒙特婁後創立了跳水馬創作體 （Diving Horse Creations）工作室，專注於身體表演和舞台空間的探索。2007年，她成立了DHC/ART基金會，並於 2012 年成立了 加拿大新媒體藝術中心PHI Center，致力推動蒙特婁的藝術和文化。值得一提的是，她構思並製作了短片《下一層》（2007，由丹尼斯·維倫紐夫執導），並促成了現場動作和定格動畫電影《Cochemare》（2013，與 Clyde Henry Productions 合作）的獨特合作，展示了她在 PHI Films 中的藝術視野和積極角色。

Phoebe Greenberg, a L'École Internationale de Théâtre Jacques Lecoq graduate, has passionately explored movement techniques and corporeal theater. Before returning to Montreal in the '90s, she would perform and produce theater productions throughout Europe. Greenberg founded Diving Horse Creations, a Montreal-based studio emphasizing physical performance and stage space exploration. In 2007, she established the DHC/ART Foundation and the PHI Centre in 2012, championing art and culture in Old Montreal. Notably, she conceived and produced the short film Next Floor (2007, directed by Denis Villeneuve)  showcasing her artistic vision and active role in PHI Films.  As Phi’s founder and director, Greenberg has championed numerous projects at the crossroads of art, cinema, music, theater and extended reality.

🐑 演出團隊

編導 Writing and Direction︱郭文泰 Craig Quintero、菲比．格林伯格 Phoebe Greenberg

製作人 Executive Production︱科琳．德爾貝爾 Coline Delbaere、茱莉．特倫布萊 Julie Tremblay、葉素伶 Su-Ling Yeh、普羅德羅莫斯．齊亞沃斯 Prodromos Tsiavos

視覺體驗設計顧問 Visual Experience Supervision︱梅拉妮．庫爾蒂納 Mélanie Courtinat

現場演員 Casting （on site）︱張寗 Ning Chang／游育歆 Yu-Hsin Yu（飾同一角色）

VR 360演員 Casting （VR 360°）︱張寗 Ning Chang、林夏至Sia Jhih Lin、鄭筑勻 Vanessa Cheng、莊凱雯 Kai-Wen Chuang、李綾 Avery Lin、林向 Hsiang Lin、李博瑞 Alfonso Lee、王昶皓 Chang-Hao Wang、簡于宸 Yu-Chen Chien、沈秀玲 Shiou-Ling Sheng

動作補捉演員 Casting（MoCap）︱瑪克辛．丹尼斯 Maxine Denis、蓋辛．莫格 Gesine Moog、莊凱雯 Kai-Wen Chuang、李綾 Avery Lin、林向 Hsiang Lin、李博瑞 Alfonso Lee、相枚錞 Mei-Chun Hsiang、陳歆淇 Xinqi Chen、菲比．格林伯格 Phoebe Greenberg

編舞支持 Choreography Support︱愛德華洛克Edouard Lock

舞台設計 Stage Design ︱郭文泰 Craig Quintero、卡爾．強生 Carl Johnson

音樂 Music︱王榆鈞 Yu-Jun Wang

聲音設計 Sound Design︱高勤倫 Chin Lun Kao

互動開發 Interactive Development︱PHI工作室 PHI Studio

創意開發 Creative Development︱托馬斯．阿祖格Thomas Azoug、愛德華．蘭克托–貝諾瓦 Édouard Lanctôt-Benoît、奧雷爾．夏納爾 Aurèle Chanal

3D 物件、環境和視覺特效 3D assets, environments and VFX︱互動行為工作室 Behaviour Interactive

VR360製作 360° Filmmaking︱睿至股份有限公司 Funique VR

動態補捉 Motion Capture︱實驗室7、遊戲開始動畫工作室 LAB 7 & Game On

容積擷取 Volumetric Capture︱IP 內容實驗室 IP LAB(created with HOLOSYS by 4DViews, www. 4DViews.com)

🐑 合作/支持單位

共製單位︱加拿大PHI工作室、臺灣河床劇團有限公司、希臘歐納西斯文化

Co-produced by PHI Studio,Riverbed Theatre Ltd., Onassis Culture

製作支持單位︱加拿大媒體基金（加拿大）、文化內容策進院（台灣）、文化企業發展協會（加拿大）、歐納西斯文化（希臘）

Supported by FMC / CMF, TAICCA, SODEC, ONASSIS CULTURE

本計畫內容製作獲文策院未來內容國際合資或合製支持

This Project is supported by the TAICCA’s Innovative Content Grant for International Co-Funding or Co-Productions

Official Presentation Partners: National Theater & Concert Hall

臺灣演出執行單位︱河床劇團

Performances in Taiwan are executed by Riverbed Theatre

臺灣演出合製單位︱臺灣當代文化實驗場

Co-producer of Performances in Taiwan:Taiwan Contemporary Cultural Lab(C-LAB)

◎節目全長約45分鐘，無中場休息（含穿戴設備，實際體驗35分鐘）， 遲到觀眾無法入場。

◎頭顯內有中、英、法語或希臘語發音可供選擇，若有特殊需求可提供隱藏式字幕。

◎建議16歲以上觀眾欣賞。
◎本演出為遊走式沉浸體驗，需穿戴頭顯設備，請著舒適便鞋進場觀賞，不建議攜帶大件隨身物品。
◎演出中將配戴頭顯設備，少數人在使用頭顯設備時，可能會產生頭暈、噁心症狀，若您對自身的頭顯設備耐受性有疑慮，請務必徵詢醫師等專業建議，再決定是否參與體驗。
◎錄影場：3.26(WED.) 18:30、19:30、20:30

◎如為使用輪椅之觀眾，為確保您於廳內移動之便利性及安全性，請務必選購輪椅席。

◎本節目提供「藝童PLAY - 演出中孩童陪伴服務」，詳見申請辦法（採報名制，演出日7天前 15:00截止報名）。

◎國家兩廳院主辦節目之輪椅售票席及其陪同席，經參考過往平均售票率偏低，為服務更多觀眾及資源使用最大化，將於演出前一週視實際票房情形轉為一般席銷售，惟保留一組輪椅及陪同席提供購買。

◎持青年席位票券者，請憑證件（身分證或健保卡）入場，如無法出示相符證件之觀眾，節目當天現場不開放入場、亦不進行退/換票。

◎主辦單位保留節目異動權。