2026北藝嚴選：四把椅子劇團 X 劇團Takumi《恍恍》

往往，無心的話語比惡意的詛咒更靈驗

複製完美的虛擬回憶

是否等於擁有真實的過去？

如果一切能隨時重來

你敢不敢，相信我們的關係也可以重新設定

晚安，我所傷害過的人

早安，我即將傷害的人

沒關係，我們再重來一次

★ 四把椅子劇團 ✕ 劇團Takumi  臺日共製

★ 日本劇場最受注目編導加藤拓也 攜手 臺日實力派演員

★ 細緻捕捉當代人類內心最深處的焦慮不安

【故事大綱】

茉莉在為丈夫裕也整理舊物時，發現一個裝著腐爛果實、自己毫無印象的玻璃瓶。不久，她的小學舊友吳敬突然來訪，神情慌亂，深信自己「犯下殺人罪」。三人共度一夜，吳敬提起瓶子的往事——那是他們在台灣小學時期的夏令營時用來「占卜」的道具，卻逐漸被稱作「咒語」。吳敬相信自己如今的妄想正源於此，於是提議以 VR 與 AI 重現當年的夏令營，藉此解開詛咒。裕也與茉莉半信半疑地加入開發，卻在虛擬重現的童年記憶中逐漸迷失。現實與記憶、信念與幻覺交錯，咒語究竟存在於瓶中，還是他們自身的深處？

四把椅子劇團

四把椅子劇團以「集體編創」為創作宗旨、「原創文本」為美學主軸，並實驗「在地轉譯」的改寫詮釋，在發展及深化戲劇文本時、於集體共創的製作過程中，聚焦當地（Here）、連結當時（Now），映照人們所身處的當前生活、當代社會與當下生命經驗。自2007年成立至今，展演作品曾多次獲台新藝術獎提名，並於2025年入圍第一屆臺北戲劇獎多項大獎，以《太陽》榮獲最佳導演獎與最佳影像設計獎。受邀於國家兩廳院、臺中國家歌劇院、臺北表演藝術中心等場館製作演出，亦獲國家藝術文化基金會遴選為「TAIWAN TOP 演藝團隊」，已成為臺灣劇場中兼具穩定的製作水準、美學風格、票房基礎與觀眾口碑的重要團隊。

劇團Takumi

成立於2013年，由加藤拓也擔任編劇與導演。以細膩的語言與敘事推進，呈現出在平靜中緩緩滲透出的極端暴力與虛無，建構出濃烈而複雜的戲劇場景。2023年於台灣雲門劇場舉行了首次海外演出。

劇作家、導演｜加藤拓也（Takuya Kato）

1993 年生於大阪。

劇作家／導演。

橫跨戲劇與影像領域從事劇本創作與導演活動，並受邀與不同團隊合作擔任編導。兼具電影導演、電視編劇、劇場導演等身分。2022 年發表第一部影像導演作品《我們是大人》（わたし達はおとな）。曾獲得第 10 屆市川森一劇本獎、第 30 屆讀賣戲劇大賞優秀導演獎、第 67 屆岸田國士戲曲獎等日本國內重要獎項。

由加藤擔任編劇、導演的日法合製電影《Hotsureru》（ほつれる）獲得第 45 屆南特三大洲影展 DISTRIBUTION SUPPORT AWARD。入選 Forbes JAPAN 30 UNDER 30 2023。2024 年在英國與Off West End合作推出劇場作品。日本導演野田秀樹認為他的作品「人物描寫技巧精湛」，並且「觸及人性的普遍性」。

劇作家、導演｜加藤拓也

劇本翻譯｜新田幸生

舞台設計｜廖音喬

燈光設計｜陳冠霖

影像設計｜王正源

聲音設計｜洪伊俊

服裝設計｜范玉霖

藝術總監｜許哲彬

製作人｜陳汗青

執行製作｜清水翼、吳可雲

行政總監（四把椅子劇團）｜蘇志鵬

行政協力（四把椅子劇團）｜陳怡陵

導演助理｜盧琳

舞台監督｜許正蕾

舞台技術指導｜劉柏言

燈光技術指導｜井康羽

音響技術指導｜陳宇謙

行銷統籌｜燃點娛樂 BPE

主視覺設計｜顏伯駿

主視覺攝影｜登曼波

主辦｜臺北表演藝術中心

共同製作｜臺北表演藝術中心、日本國際交流基金會

演出製作｜四把椅子劇團、Wawon企劃、日本國際交流基金會

贊助｜東京藝術議會

特別感謝｜有限公司Quinada、合同会社妥当解釈

More often than not, careless words cast a stronger spell than intentional curses.

Plot

While sorting through her husband Yuya's old belongings, Mari discovers a glass jar containing a rotten piece of fruit, tied to no memory she possesses. Soon after, her childhood friend Wu-Ching appears at their door in a state of panic, convinced he has "committed murder."  

As the three spend the night together, Wu-Ching reveals the jar's origin: it was once a divination tool they used during an elementary-school summer camp back in Taiwan, later whispered about as a "curse."  Wu-Ching believes the delusion consuming him today stems from that moment. To break the curse, he proposes recreating the camp through VR and AI.

Yuya and Mari reluctantly join him in developing the simulation. Yet, as the virtual childhood memories take shape, they find themselves caught in between reality, memory, belief and delusion.

4 CHAIRS THEATRE

4 CHAIRS THEATRE is a Taiwan-based company driven by devising theatre pieces, original writing, and localized reinterpretation. Through collaborative processes that focus on the here and now, the company seeks to reflect the realities of everyday life, contemporary society, and lived human experiences. Since its founding in 2007, 4 CHAIRS has been a multiple-time Taishin Arts Award nominee and has presented works at major venues such as the National Theater and Concert Hall (NTCH), National Taichung Theatre, and Taipei Performing Arts Center. In 2025, the company's "The Sun" received multiple nominations at the inaugural Taipei Theater Awards, winning Best Director and Best Video Design. Selected by the National Culture and Arts Foundation as a "TAIWAN TOP Performing Arts Group," 4 CHAIRS has become one of Taiwan's leading theatre companies, known for its artistic quality, distinctive aesthetics, and strong audience connection.

gekidan takumi 

Founded in 2013, the company is led by playwright and director Takuya Kato. Through delicate language and narrative progression, it portrays extreme violence and nihilism that slowly seep through calmness, constructing an intense and intricately layered theatrical world. In 2023, the company held its first overseas performance at Cloud Gate Theater in Taiwan.

Takuya Kato, Japan （Playwright and Director）

Born in Osaka on 26th December 1993. Playwright, theatre director, film director. he has written and directed all of the company's productions. In2021, he won the 10th Shinichi Ichikawa Script Drama Award. In 2022,his play "DODO'S FREE FALL" won the prestigious 67th Kishida Kunio Drama Award.In 2022, he won the 30th Yomiuri Theater Awards Director Award with his play "MOHAYA SHIZUKA" and "The Welkin" written by Lcuy Kirkwood.

In 2022, his first film "Grown-ups". Takuya is represented by FOSTER.

Playwright and Director: Takuya Kato

Script Translation: Yukio Nitta

Set Design: Liao Yin-Chiao

Light Design: Chen Guan-Lin

Video Design: Wang Cheng-Yuan

Sound Design: Iggy Hung

Costume Design: Yulin Fann

Artistic Director: Tora Hsu

Producer: Yukio Nitta

Executive Producer: Shimizu Tsubasa, Ann Wu

Executive Director (4 CHAIRS THEATRE): Su Chih-Peng

Administrative Support (4 CHAIRS THEATRE): Chen Yi-Ling

Director Assistant: Lu Lin

Stage Manager: Hsu Cheng-Lei

Technical Director: Liou Bor-Yan

Master Electrician: Kenny Ching

Audio Technical Director: TP Chen

Marketing: BPE

Key Visual Design: Yen Po Chun

Key Visual Photography: Manbo Key

Commission | Taipei Performing Arts Center

Co-production | Taipei Performing Arts Center, The Japan Foundation

Production | 4 CHAIRS THEATRE, Wawon Kikaku LLC., and The Japan Foundation

Support | Arts Council Tokyo (Creation Grant)

Special Thanks | Quinada, nonunique solutions

◎節目全長約90分鐘，無中場休息。

◎中日文演出，中日文字幕。

◎演出及非演出期間 (包含進場與謝幕)，不開放觀眾攝錄影。

◎無遲進點。遲到及中途離席觀眾無法入場，亦無法退換票。

◎建議6歲以上觀眾欣賞。

◎主辦單位保留所有活動異動權與解釋權。

◎演前導聆：4.18（Sat.）14:30、4.22（Wed.）19:30，演出前40分鐘於2F太陽廳東南角舉行。

◎演後座談：4.19（Sun.）14:30、4.26（Sun.）14:30，演後於藍盒子觀眾席舉行。