臺灣表演藝術櫥窗：《自由步－一盞燈的景身》與《地平線上的新笙景：雙城記》選粹

「臺灣表演藝術櫥窗計畫」（Showcase）首登場，23組精選節目一次看 

🎭 Showcase是什麼？ 🎭 

可以是： 

1️⃣ 在商店或博物館裡，用來展示商品或展品的玻璃櫃。 

2️⃣ 用來展示某種技能、產品或作品的活動，例如音樂會、展覽、技術展示會等。 

3️⃣ 通常在K-pop產業中指的是新專輯或新歌發布前向媒體和粉絲現場展示新歌和新舞蹈的特別表演活動。

🎭 表演藝術的showcase則是：

 讓藝術家和表演團隊展示作品給專業策展人，促進表演作品的銷售和巡演機會。

📌 Showcase的特色：

🌟精華片段展示：參加的團隊會準備他們節目的20-30分鐘精華片段，以展示節目的亮點和獨特之處。

🌟專業觀眾：主要觀眾是策展人、製作人、經紀人等專業人士，他們來此尋找適合的表演項目進行購買、推廣或合作。

🌟交流平臺：這些活動也提供了一個平臺，讓表演者和策展人之間能夠互相交流，建立聯繫，探討合作的可能性。

🌟市場推廣：通過這種集中展示，表演團隊可以提升他們在行業內的曝光率，並增加被邀請參加各大藝術節和巡演的機會。

🎨 成為策展人的第一步，挑好你要買的節目！ 🎨 

《自由步｜一盞燈的景身》

編舞者蘇威嘉於2013年發起以自由步為題的編舞系列，用如同雕塑的創作方式，細密刻畫每位舞者的形體，透過長時間性的凝結與蒸餾，讓一幅幅的當代身體風景畫顯影而立。《自由步｜一盞燈的景身》特別為傑出舞蹈家方妤婷量身定制，以精簡但不失細節的方式，讓舞台、舞者及當下的風景，都成為了舞作的每一部分，在日落時分時，一盞燈的存在隨著夕陽的落下而漸趨明朗、譬如台北城市的獨特風景與光影的變化，和表演者合而為一，使觀眾的感官擴增至最大，形成了一種空間的凝滯與靜默，帶給舞者和觀眾雙向的肢體對話與刺激，被紐約時報稱作最適合親臨觀賞的三維研究。

《地平線上的新笙景：雙城記》

近年備受國際當代表演藝術圈矚目的臺灣笙演奏家李俐錦，在此次櫥窗計畫(Showcase)將帶來新製作：《地平線上的新笙景：雙城記》中的其二篇章。《聲II》擷取自然的聲音，在間歇不止的環境聲場中，進行一場詩意的林間漫步。而《懷舊歌曲》則以七座小島展示虛與實之間，以笙詮釋賽博龐克風格，結合燈光的緊密互動，帶領觀眾進入《雙城記》那咫尺天涯卻「遙亦可觸」的中心概念。

＊由C-LAB委託製作發表於聲響藝術節  

團隊介紹

驫舞劇場

驫舞劇場成立於 2004 年，由陳武康、蘇威嘉等編舞者、表演者共同創立以不受拘束無限創意的集體創作、精準到位的舞蹈肢體表現，展現了獨樹一幟的舞蹈劇場風格，並獲得紐約時報「迷人、充滿想像力，來自台灣的舞團」的讚許。近年來，驫舞劇場的創作之路轉而深化內省，持續關注於創作形式及語彙的破界與回歸。藝術總監陳武康及團⻑蘇威嘉各自發展出創作路徑;陳武康以多變之風格在傳統與當代間練習與實踐，蘇威嘉則以《自由步》為題的十年編舞計畫，持續思考當代舞蹈與編舞形式的可能。驫舞劇場持續在台灣當代舞蹈中邁進第􏰃􏰄年的變種時期。除了創作之外，驫舞劇場也致力於跨國合作、舞蹈推廣及策劃系列活動，如舞蹈與音樂結合的即興創作平台《混沌身響》、邀請經典作品創作者和評論親臨現場舞蹈電影院的《重製場》、舞蹈推廣工作坊、共融藝術計畫《樂齡小學校》與《跳島舞蹈節》等。

李俐錦

李俐錦是臺灣笙獨奏家、作曲家、即興音樂家、表演者，近年在臺灣與歐洲之間工作。她擅長將笙應用於各種藝術形式，包括不同的音樂風格、身體動作、就地創作等，目前她積極拓展器樂演奏家表演的多元性及角色多樣化。曾任香港中樂團正職笙樂師、卡到音即興樂團成員，參與該團《慢》獲第25屆傳藝金曲獎「最佳跨界音樂專輯」。

她在2022年獲選法國龐畢度中心IRCAM - ManiFeste音樂節之即興工作坊暨演出，2021年獲選第22屆文化部人才駐村交流計畫-法國西帖藝術村之藝術家，以文化部扶植青年藝術發展計畫之作品《看得見的音樂表演-從合奏到合作》獲第20屆臺新藝術獎提名，並獲得ACC亞洲文化藝術基金會2023年紐約獎助計畫。2020年以「笙計畫」(巴黎現代音樂協會主辦)獲國家文化藝術基金會「海外藝遊專案」到法國參與笙國際研究案。

演出暨製作人員名單

《自由步－一盞燈的景身》驫舞劇場

表演｜方妤婷

編舞｜蘇威嘉

音樂｜Yannick Dauby

燈光暨舞台設計｜劉家明

《地平線上的新笙景：雙城記》李俐錦

笙演奏 | 李俐錦

作曲 | 陳珩、劉家麟

燈光設計暨舞台監督 | 林秉昕

電聲執行｜陳珩

音響工程｜何恭譱

FreeSteps NiNi HORSE

Launched in 2013, this choreographic series, titled FreeSteps, has demonstrated choreographer SU Wei-Chia’s mastery. He meticulously contours the body of every dancer in an almost sculptural manner. Condensed and distilled over extended performance durations, his FreeSteps episodes are refined into contemporary body landscapes. FreeSteps – NiNi is a choreographic piece tailor-made for an outstanding dancer like FANG Yu-Ting, who brilliantly captures the dance stage, herself and the changing surroundings as parts of her dance in a succinct yet detail-minded way. During sunset hours, the presence of a lamp grows as the sun heads for the horizon. Just like Taipei’s unique cityscape with elusive light and shadow, all the surroundings on site merges with the performer. As the audience’s senses are amplified to the greatest, a spatial freeze and serene silence is formed, creating a two-way bodily dialogue and stimulating process for the dancer and the audience – “a three-dimensional study best appreciated in person,” as described by the New York Times.

Landscape on the New Horizon of Sheng : A Tale of Two Cities Li-chin LI

In recent years, Taiwanese sheng player Li-chin Li, who has garnered significant attention in the international contemporary performing arts scene, will bring a new production to this Showcase: "Landscape on the New Horizon of Sheng : A Tale of Two Cities," featuring its second chapter. "Vox II" captures natural sounds, conducting a poetic forest stroll amidst the incessant environmental soundscape. Meanwhile, "Chants Pour Cyber Nostalgie" showcases seven fragments, exploring the interplay between the virtual and the real. Through the sheng, it interprets cyberpunk aesthetics, combined with tightly integrated lighting interactions, guiding the audience into the central concept of "A Tale of Two Cities" — a paradoxically distant yet "tangibly reachable" notion. ＊This performance is commissioned by C-LAB Sound Art Festival.

HORSE

The visual identity of HORSE is a Chinese character made of three horses, indicating the strong motivation and explosive energy. Founded in December 2004, HORSE has established a distinctive profile with delicate physical movements and unrestricted creativities. In 2008, Velocity has won the Taishin Arts Award Taiwan’s grand arts prize. In 2013, 2 Men has won the 1st prize and Audience Award in Kurt Jooss Preis, PACT Zollverein, Essen, Germany. In recent years, CHEN Wu-Kang, the artistic director, and SU Wei-Chia, the general director, have developed their unique art praxis. They continue to advance the company into the bright future, a period of metamorphism for them in the Taiwanese contemporary dance scene. HORSE is also endeavor on international collaboration, outreach program and curatorial projects.The practices include the platform Primal Chaos Dance x Sounds Improvisation, Back to the moment Dancing Talking Bar, a dance cinema in which creators and commentators have a live sharing, We Island Dance Festival and, Inclusive Arts Program. Note: The character 驫 is pronounced as “biao” , refers to horses galloping in herd.

Li-Chin Li

Born in Taichung, Taiwan, Li-Chin Li is a Sheng soloist, composer, and performer. Majored in Chinese Music at the Tainan National University of the Arts, Li-Chin received solid training in traditional music education. After graduation, she worked for the most selective and prestige Orchestra, Hong Kong Chinese Orchestra as a Sheng performer. Li-chin soon figured a nine-to-five job doesn't suit her for making her own music and performing. Li-chin is known for her ability to apply Sheng to various art forms and music genres. Through her work, she is committed to exploring musicians' subjectivity and diversity of roles in the performing arts. Recently, she strives to express her musical creativity beyond auditory stimuli. In her performance, she wants the audience to enter a world to experience the unknown. She regularly explores her instrument with young composers of contemporary music in France, the United States, Taiwan, etc. And plays with European ensembles and orchestras: Cairn in Paris, LINEA in Strasbourg, Lapland Chamber Orchestra in Finland, National Chinese Orchestra in Taiwan etc. She has been selected for dozens of artistic residencies in her experimental field, including Royaumont, Ircam, Cité des Arts - Paris, Centre National de la Danse in Pantin, Asian Cultural Council in New York, Avaloch, Farm Music Institute in the U.S. etc. Li-Chin is taking part in the research and creation project "sheng! l'orgue à bouche" (2019-2026) organised by the TPMC and supported by the DRAC Ile-de-France, IReMus (CNRS - Sorbonne Université - Ministère de la Culture - BnF), MMC etc.

FreeSteps NiNi HORSE

Dancer: FANG, Yu-Ting

Choreographer：SU, Wei-Chia

Sound: Yannick Dauby Light and Stage: LIU, Chai-Ming

costume: Ho, Kung-Shan 

Landscape on the New Horizon of Sheng : A Tale of Two Cities Li-chin LI

Musician | Li-chin Li

Composer | Heng Chen, Jialin Liu

Lighting Design and Stage Director｜Ping-Hsin Lin

Electronic Curator | Heng Chen

Sound Engineer | Hua-Yen Pan

演出全長：演出全長約90分鐘，含中場休息20分鐘

《自由步－一盞燈的景身》

◎演出全長約27分鐘，無中場休息。

◎無語言，無字幕。

◎遲到觀眾無法入場，亦無法退換票。

《地平線上的新笙景：雙城記》

◎演出全長約30分鐘，無中場休息。

◎無語言，無字幕。

◎遲到觀眾無法入場，亦無法退換票。

到場注意事項：
◎遲到及中途離席的觀眾，須依工作人員引導等候入場。本場演出最後遲進點後即無再入場機會，無法因此退換票，請您特別留意。