臺灣表演藝術櫥窗：《關於生之重力的間奏式》與《三生萬物》選粹

「臺灣表演藝術櫥窗計畫」（Showcase）首登場，23組精選節目一次看 

🎭 Showcase是什麼？ 🎭 

可以是： 

1️⃣ 在商店或博物館裡，用來展示商品或展品的玻璃櫃。 

2️⃣ 用來展示某種技能、產品或作品的活動，例如音樂會、展覽、技術展示會等。 

3️⃣ 通常在K-pop產業中指的是新專輯或新歌發布前向媒體和粉絲現場展示新歌和新舞蹈的特別表演活動。

🎭 表演藝術的showcase則是：

 讓藝術家和表演團隊展示作品給專業策展人，促進表演作品的銷售和巡演機會。

📌 Showcase的特色：

🌟精華片段展示：參加的團隊會準備他們節目的20-30分鐘精華片段，以展示節目的亮點和獨特之處。

🌟專業觀眾：主要觀眾是策展人、製作人、經紀人等專業人士，他們來此尋找適合的表演項目進行購買、推廣或合作。

🌟交流平臺：這些活動也提供了一個平臺，讓表演者和策展人之間能夠互相交流，建立聯繫，探討合作的可能性。

🌟市場推廣：通過這種集中展示，表演團隊可以提升他們在行業內的曝光率，並增加被邀請參加各大藝術節和巡演的機會。

🎨 成為策展人的第一步，挑好你要買的節目！ 🎨

《關於生之重力的間奏式》

三位主要演員形象所蘊含的社會意涵，牢牢附著在他們真實的身體上：姜聲國來自韓國，因腦性麻痺而肢體無法自主靜制；鄭志忠自小罹患小兒麻痺而雙腳萎縮；而李新寶於成年後步上全盲的生涯，且近幾年因交通事故導致右腳踝粉碎性骨折暨左小腿骨裂。由於身心的狀態，真實的生活中，他們擁有相對較短的夜眠。劇場，一處想像的公共空間，讓他們接觸，讓孤獨與孤獨的接觸。同時，不迴避劇場成了一處窺視的場域，讓演員們與觀眾之間去辯證孤獨的樣貌與概念──孤獨者的沉溺與抵抗。

《三生萬物》

「道生一，一生二，二生三，三生萬物。」這句話出自老子的《道德經》。宇宙初生時是一片渾沌，隨後有了「我」，而「我」又從自身分裂出了「你」，我們便成為了天與地、陰與陽。接著，我們的結合誕生出了「他」，這便是一切的開端，從此萬物誕生。事件從一位姊姊向弟弟借精子開始，討論如何將弟弟的精子與姊姊的同性伴侶的卵子結合，再放進姊姊的子宮。這樣的情節，從三人之間的關係延伸到對社會價值觀、道德的探討，再到社會與世界的思考。從技術角度來看，這是一件簡單的事情，但困難在於人。三人在場直面問題。直球對決，以最直接的方式處理最溫柔的問題。探討何謂家庭，何謂雙親，何謂姓氏，何謂愛。為了生下這個小孩，需要付出多少？這涉及合約討論、人工生殖法、金錢問題、未來的不確定性、社會的眼光、如何教育孩子、自我心理調適和家族關係。這樣的舉動是超越常規，超越家庭，甚至超越性別角色，成為自己的祖先，創造三人的神化起源。洪千涵、洪唯堯、曾睿琁，姊弟、妻妻、弟弟之間，達成了一種完美的平衡。如果人類的起源是伏羲和女媧，那我想說：「孩子,這世界本來自一場亂倫。」此作品為洪千涵、洪唯堯姊弟三部曲的第三部《三生萬物》，台北藝術中心的台北藝術節委託製作了2019《家庭浪漫》、2020《祖母悖論》到2022年的《三生萬物》,我們稱為姊弟三部曲。洪千涵X洪唯堯即將延續前兩部曲作品的「搞實驗」精，「藝術家姊弟搭擋」身份依舊放在第一線位子。此作品邀請了燈光設計同時也是千涵的太太曾睿琁成為共同創作，同台演出。  

團隊介紹

身體氣象館

台灣｜姚立群

1965年生於台灣。劇場製作人、導演。現任牯嶺街小劇場館長、身體氣象館負責人。長期以製作、國際藝術節與工作坊等推動台灣與亞洲、歐洲等地的表演藝術交流。此外，舉辦多屆「第六種官能表演藝術祭」與「暗中有戲工作坊」，發展視障者等身心障礙者表演藝術。另為「亞洲相遇匯演計畫」成員、「台灣國際實驗媒體藝術展」聯合發起人。另曾任澳門藝術節藝術顧問與ARTWAVE-台灣國際藝術網絡平台策展人。

明日和合製作所

台灣共同創作｜洪千涵

1988年出生於臺灣

畢業於倫敦皇家中央戲劇與演講學院 (Royal Central Schoolof Speech & Drama),為進階劇場實務碩士(MA Advanced Theatre Practice) ,國立臺北藝術大學戲劇學系主修導演畢業。現為自由創作者,「明日和合製作所」核心創作者;國立臺北藝術大學戲劇學系兼任講師。

近期導演作品:2023年戲曲藝術節《和合夢》、台北藝術節委託製作姊弟三部曲2022北藝中心開幕季《三生萬物》、2020《祖母悖論》、2019《家庭浪漫》、2022年台北藝術大學學期製作《千秋場》、2022台北藝術節北車寫作計畫《北棲》、台北兒童藝術節《小路決定要去遠方》、2019TIFA《半仙》、2018新點子劇展《請翻開次頁繼續作答》等。作品《曾經未曾》《死死免了米》曾入圍台新藝術獎十大表演藝術獎,其他作品獲多次提名。《曾經未曾》獲得2015烏鎮戲劇節青年競演首獎,此作品由文化部獲選為2017愛丁堡藝穗節臺灣季演出作品。曾與國家兩廳院、台北藝術節、衛武營、北美館、當代藝術館、空總clab、白晝之夜等單位合作演出或委託製作。關注重整調度觀演關係,期許透過作品,透過不同感官經驗、空間敘事,在「日常經驗」與「主動生產」間著力,實驗出更多可能。台灣共同創作｜洪唯堯畢業於國立臺北藝術大學戲劇系,現為劇場導演以及演員，2016 年創立劇團「進港浪製作所」為團長,在 2023 年創立專門研究「沉浸式劇場」的團隊,「風狗浪 RougeWave」。作品強調「現場性」,喜歡挑戰不同的表演場域以及觀演關係,視每次創作都在做一場實驗,一定要有新的觀點。曾與國家兩廳院共製作大型 5G 展演,秋天藝術節《Operation 1'71701'/ 彌》、《神不在的小鎮》,結合新媒體與科技應用。也與親姐姐共同創作演講式演出 Lecture Performance,台北藝術節姊弟三部曲《家庭浪漫》、《祖母悖論》、《三生萬物》,此計畫試圖探討/創造新的家庭關係。同時沉浸式劇場 Immersive Theatre 作品有《落日月台》、《微醺大飯店1980’s》、高雄電影節《微醺列車》、《明日俱樂部》、《微醺大飯店》,線上展演作品有《垃圾時間》,另外代表性作品有《人類派對》、《時差》、《夢遺》等。台灣共同創作｜曾睿琁台灣屏東人,現居於台灣台北擔任燈光設計及巡演技術統籌。在作品中,著重由概念性探討出發,將對光與材質之觀察、與時間之相對性,拼貼與再現。近期空間/燈光設計作品有 - 皮歇.克朗淳[ NO.60 ], 燈光設計作品- 古佳妮 [ 遷徙 ]、徐家輝 [ Yishun is Burning ]、驫舞劇場 [ 野台羅摩 ];於 2020 年獲 ACC 亞洲文化協會紐約獎助金。

演出暨製作人員名單

身體氣象館《關於生之重力的間奏式》

表演者｜舞者：鄭志忠、李新寶、姜聲國（韓國）

編舞｜導演：姚立群

作曲｜音樂總監：李婉菁

燈光設計｜賴科竹

服裝設計｜周君樸

排練指導｜彭珮瑄

技術統籌｜林家瑜

明日和合製作所《三生萬物》

共同創作暨表演｜洪千涵、洪唯堯、曾睿琁

行政協力｜鄭涵文

舞台監督暨技術執行｜鄭悠

空間設計｜陳嘉微

燈光設計｜曾睿琁

服裝設計｜陳玟良

音樂設計｜鄭兆恩

影像協力｜黃詠心

劇照攝影｜陳藝堂

動態攝影｜羅慕昕、高璽堯

主視覺設計｜Lunbochilla 貳步柒仔

Body Phase Studio Intermezzo

The social meaning conveyed through the three actors in Intermezzo is inherently manifested through their physical bodies. Sung-Kuk from South Korea cannot remain still and silent due to cerebral palsy. Chung's leg atrophied due to polio disease. A-Pao went entirely blind in adulthood, and due to a recent traffic accident, has suffered from comminuted fracture in his right ankle and fracture in his left calf bone. Most people in this world might not be able to relate to the actors’ everyday life fully. Because of their physical conditions and psychological states, their nights seem to be shorter in real life. For this reason, theatre becomes an imaginable open realm where they may reach out to one another from their solitude. It may seem incredibly challenging to reconcile their physical differences, but as the elements change and evolve, the "scenes" become different. Meanwhile, theatre serves as a voyeuristic site, in which the actors and audience explore the faces and concept of loneliness, or to put it in other words, the indulgence and resistance of those who are alone.

Body Phase Studio

TaiwanLee-Chun Yao Lee-Chun Yao is a theatre director, producer, festival director as well as film researcher and curator. Yao has been the Director of Body Phase Studio and Guling Street Avant-Garde Theatre since 2007-2008. Other than his theatrical creations, he has been a planner and a producer in performance art, computer music, experimental film, and performing art of/for the disabled for long. YAO is devoted to artist exchange between Taiwan and other Asian and European countries, and he was once an art consultant for the Macao Arts Festival. From 2018 to 2019, he has been a co-curator of ARTWAVE Taiwan International Arts Network.

CO-COISM

Co-Creator: Hung Chien-Han Born in 1988 Taiwan, Hung Chien-Han graduated from the Royal Central School of Speech & Drama in London with a Master's degree in Advanced Theatre Practice. She also studied at the Department of Drama, National Taipei University of Arts, majoring in directing. Hung is currently a freelance artist and the core creator of Co-coism; she is also working as adjunct lecturer in the Department of Drama, National Taipei University of Arts.

Recent works include: 2023 Queerish Dream, 2022 Eternity at Once, 2019-2022 Sibling Trilogy that was invited and commissioned by Taipei Arts Festival: Three Produces Everything(2022), Grandmother Paradox(2020), Family Romance(2019), Concrete Jungle won “Best Director” in Kanagawa Kamome Short Play Festival. Ever Never won The Best Play of the youth Competition 2015 WuZhen Theatre Festival, also a finalist for 2016 TaiShin Arts Awards. Also, it will be performed in Edinburgh Fringe Festival 2017. Her artworks were invited by the International Exhibition of Scenography and Theatre Architecture Prague Quadrennial, Bangkok International Performing Arts Meeting programme, Xi’an Drama Festival in China, Macau City Fringe Festival, Museum of Contemporary Art, Taipei. Emphasizing the reorganization of performer-viewer relationship, Hung Chien-Han focuses on “daily experience” and “proactive production”, in hopes to experiment more possibilities through different sensory experiences and spatial narratives of various works.

Co-Creator: Hung Wei-Yao

Hung Wei Yao graduated from the Department of Drama, National Taipei University of Arts. Hung Wei-Yao is a theater director, performer, and core member of “KINGKONG WAVE Production”. In 2023, he founded a team specializing in "immersive theater", called "Rogue Wave". He emphasizes“Live” in his productions, such as Immersive Theater,

Participatory Theater and Lecture Performance. He loves to challenge himself in different venues and various forms of relationships between audience and performers. He regards every creation as an experiment, and it must have new perspectives. He has co-produced large-scale 5G performances with National Theater & National Concert Hall in Autumn festival. Such as Operation 1 '71701'/ M and Lunatic Town. This work combines new media and technology applications. He also collaborated on many lecture performances with his sister, such as the Three Produced All Things , Grandmother Paradox and Family Romance in Taipei Arts Festival. This project attempts to explore / create new family relationships. Other directing works include: immersive theaters, such as MIND THE GAP , The Great Tipsy 1980 and CLUB Tomorrow both produced by Surprise Lab, online curating work, such as Garbage Time on Gather Town. Also, theater productions include: Time Diff é rence in National Taichung Theater 2018, Human Party in New Points on Stage- SongYan Creative LAB 2017, and Wet Dream Remix in 2016.

Co-Creator: Ray Tseng

Born in Pingtung, Taiwan.

Being fascinated in the relation between light, space and time. Ray focuses on processing theatre lighting design work with the concept of itself together, and then grafting / reproducing with the observation of light, the texture of material and relativity of time. Recent important lighting design work – Pichet Klunchun [NO.60 ] , Untitled Group [ Transition ] , Choy Ka Fai [ Yishun is Burning ].

Intermezzo-Body Phase Studio

Performer/Dancer：Chih-Chung Cheng, Hsin-Bao Lee, Sung-Kuk Kang (KR) Choreographer/Director：Lee-Chun Yao

Music Director：Sandra Tavali Wuan Chin Li

Light Designer：Ke-Chu Lai

Costume Designer：ZHOU Chun Pu Zhou

Rehearsal Director：Pei-Hsuan Peng

Stage Manager：Jia-yu Lin

Three Produces Everything-CO-COISM

Co-Creators：Hung Chien-Han, Hung Wei-Yao, Ray Tseng

Producer：Cheng Han-Wen

Stage Manager& Technical Executor：You Tee

Space Design：Jaivi Chen

Lighting Design：Ray Tsengand ProductionTeam

Costume Design：Chen Wen-Liang

Music Composer：Cheng Chao-En

Sound Design：TP Chen

Visual Collaboration：Huang Yong-Hsin

Still Photographer：Etang Chen

Video Photographer：Luo Mu-Xin, Gao Xi-Yao

Art Design：Lunbochilla

演出全長：演出全長約90分鐘，含中場休息20分鐘

《關於生之重力的間奏式》
演出全長約30分鐘，無中場休息
無語言，韓語旁白，無字慕。
建議7歲以上觀眾欣賞。

《三生萬物》

◎演出全長約30分鐘，無中場休息

◎中文發音，中英字幕。

◎建議18歲以上觀眾欣賞。

◎遲到觀眾無法入場，亦無法退換票。

◎演出部分含裸露請留意並斟酌入場。

字幕語言：

到場注意事項：

◎遲到及中途離席的觀眾，須依工作人員引導等候入場。本場演出最後遲進點後即無再入場機會，無法因此退換票，請您特別留意。