臺灣表演藝術櫥窗：《THE 浮浪貢 OF 龍興46》與《而且或者...》選粹

「臺灣表演藝術櫥窗計畫」（Showcase）首登場，23組精選節目一次看 

🎭 Showcase是什麼？ 🎭 

可以是： 

1️⃣ 在商店或博物館裡，用來展示商品或展品的玻璃櫃。 

2️⃣ 用來展示某種技能、產品或作品的活動，例如音樂會、展覽、技術展示會等。 

3️⃣ 通常在K-pop產業中指的是新專輯或新歌發布前向媒體和粉絲現場展示新歌和新舞蹈的特別表演活動。

🎭 表演藝術的showcase則是：

 讓藝術家和表演團隊展示作品給專業策展人，促進表演作品的銷售和巡演機會。

📌 Showcase的特色：

🌟精華片段展示：參加的團隊會準備他們節目的20-30分鐘精華片段，以展示節目的亮點和獨特之處。

🌟專業觀眾：主要觀眾是策展人、製作人、經紀人等專業人士，他們來此尋找適合的表演項目進行購買、推廣或合作。

🌟交流平臺：這些活動也提供了一個平臺，讓表演者和策展人之間能夠互相交流，建立聯繫，探討合作的可能性。

🌟市場推廣：通過這種集中展示，表演團隊可以提升他們在行業內的曝光率，並增加被邀請參加各大藝術節和巡演的機會。

🎨 成為策展人的第一步，挑好你要買的節目！ 🎨 

《THE 浮浪貢 OF 龍興46》

—這次，讓我為你公親變事主—

演員洪健藏以表演與物件，替父親舉辦一場愛恨交織的債務協商會議。

我記得，在侯孝賢的電影《南國再見南國》，我彷彿瞥見了我老爸。

我記得，他從南方風塵僕僕北上，在工廠裡當起渾身鐵鏽味的黑手。

我記得，他老說有天要發達返鄉，那個他一直想逃的種田老家。

我記得，他開著高級房車，穿著上好的GUCCI襯衫，跳著最時行國標舞。

我記得，那個夜裡我們全家搭上小貨車，摸黑跑路。

我記得，他每每看著我時，眼裡有藏不住的失望。

二0二一年末，我老爸從這個世界斷線了。

我像一隻返家的鴿子，開始出發尋找他的故事。

尋找那張，通往我老爸的地圖。

 (本演出為片段呈現，非完整演出)

《而且或者...》

《而且或者...》是一支長約20分鐘的雙人舞，劉奕伶從「而且」、「或者」兩個詞延伸思考，編舞以雙人舞展現對於關係的對等性、權力消長、合作模式的辯證，探索關係建立需要的條件以及選擇。無音樂的舞作使舞者間讀取彼此身體的質地的互動與節奏感成為舞作裡自然發生的唯一聲響，也讓觀眾更專注於眼前舞者身體、呼吸和重心等變化，以及隨之而來的關係轉換。

劉奕伶以此作贏得2022年橫濱舞蹈大賽評審團大獎，評審表示「…細膩、犀利的動作搭配寧靜的編排與高超的技巧，作品散發超越語言的身體性戲劇張力」

團隊介紹

飛人集社劇團

飛人集社劇團成立於2004年5月，團長為石佩玉。「飛人」取其諧音「非人」,同時意指在劇場行走各處、自由飛行的藝術創作者集合之所。製作規格定位為「以多元複合的精神製作/創作、挑戰傳統觀賞距離的表演藝術作品」。飛人將偶的定義放到最大，希望能透過「操作」「運用」讓「沒有生命的物件(包括戲偶)」可以傳遞戲劇情感，以小寓大，以實踐「無物不成偶」之境界。

劉奕伶

劉奕伶，當代舞蹈藝術家。曾擔任美國 Bill T. Jones/Arnie Zane Company 專職舞者，累積豐厚的表演與教學經驗。雙人舞作品《而且或者...》於2022年獲得日本橫濱舞蹈大賽評審團獎。2021年獲「雲門創計畫」獎助創作獨舞《Normal Life》，發表於2022年新加坡 da:ns festival。2023年受桃園鐵玫瑰藝術節委託創作《Game On》，同年底於臺北表演藝術中心camping asia活動發表精簡版《Game On》(extract)。2024年獲國家表演藝術中心國家兩廳院支持，於新點子實驗場發表創作《Turn Out》。現為國立臺北藝術大學舞蹈系兼任助理教授。

演出暨製作人員名單

飛人集社劇團《THE 浮浪貢 OF 龍興46》

製作人│莊菀萍

戲劇顧問│周伶芝

創作陪伴│洪千涵

編劇：│詹傑

演員│洪健藏與物件們

執行導演暨舞台監督｜林頎姍

物件共創｜鄭烜勛

聲音設計│洪伊俊

劉奕伶《而且或者...》

編舞│劉奕伶

舞者│林俊毅、洪維婷

排練助理│周璦萱

燈光設計│盧胤沂

服裝設計│楊妤德

燈光執行│徐子涵

行政聯繫│王序平

Flying Group Theatre The Desperado of LongSing Street

Based on Chien-Tsang Hung's life experience, it's a play about disappearance and seeking.

The desperado is Hung's father, who used to have a small factory manufacturing motor cases and then went bankrupt. LongSing Street is where Hung grew up and also where his father ran away due to his debts.

Under the pressure of facing the creditors, Hung needs to go out to find him. Through different objects, Hung reassembles the image of his missing father and rebuilds the era he belonged to 一 an era when Taiwan Economic Miracle started and ended.

In the end, the desperado dies, and Hung can never find him. What the son can retrieve are the objects his father leaves behind 一the debris of time.

LIU, I-Ling ‘… and, or…’

 ‘… and, or…’ is a 20-minute music-free duet dance piece. Choreographer LIU I-Ling extends the idea of conditions in logical proposition to other aspects in life. The work explores the conditions and choices necessary for establishing relationships. In different contexts, changes in conditions can have varying impacts on relationships, so as on dance. Texture and rhythm of movements, positions on stage and distances between dancers can also alter the dancers’ dynamic and the audience's perception of their relationship. This piece showcases the equality of relationships, the shifts of power, and the dialectics of cooperation. Music-free performance draws audiences more intently on the dancers' bodies, breathing, and center of gravity, brings them back to the authentic dance itself.

As the winner of the Jury Prize of 2022 Yokohama Dance Collection, LIU receives acclaim from the jury panel ‘…whose delicate, sharp movements supported by tranquil choreography and advanced technique exuded a physical drama (drama of the senses) that could not be verbalized’. ‘… and, or…’had more than 20 shows in Off Avignon Festival in 2023 and continues its tour now.

Flying Group Theatre

Flying Group Theatre was founded by Pei-Yu Shih in May of 2004 .In Chinese ,the name “flying group ”is the homonym for “non-human,”which represents puppetry,while also implies the place in which the artists who “fly” around freely in the theatre gather together. Flying Group Theatre aims to create artworks with the spirit of diversity and integration , and challenge the traditionally accepted distance between performer and audience.

Liu I-Ling

Liu I-Ling, a contemporary dance artist, educator, and a former member of Bill T. Jones/Arnie Zane Company (USA) for 11 years. Liu has been creating her works focusing on reminiscence, trauma, social observation and re-definition of body “technique”. In 2022, her duet work ‘... and, or... ‘ won the Jury Prize of the Yokohama Dance Collection Competition (Japan). With the support from the Art Makers Project by Cloud Gate Foundation in 2021, LIU created and premiered her solo work ‘Normal Life’ in da:ns festival 2022 at Esplanade Singapore. In 2023, commissioned by the Taoyuan Iron Rose Art Festival, she created "Game On," and later that year presented a shorter version, "Game On" (extract) at camping asia in the Taipei Performing Arts Center. In 2024, LIU presents ‘Turn Out’, her first stand-up-comedy dance piece at NTCH Ideas Lab . Liu has also been collaborating with visual artists, photographers, composers, directors and actors in theater and film. Since 2020 she has participated in Lee Ming-Wei’s work Our Labyrinth and performed in the Metropolitan Museum and the Tate Modern. Since 2019 she has been collaborating with the Taiwanese filmmaker Su Hui-Yu as the Choreographer / Performer / Movement Director in several productions such as The White Waters which has been toured internationally. In 2022 she performed Still (Life) in Taipei by Xavier Le Roy & Scarlet Yu. She is currently a parttime Assistant Professor at the Taipei University of the Arts.

The Desperado of LongSing Street -Flying Group Theatre

Producer: Weslee Chuang

Dramaturge: Chow Ling-Chih, Hung Chien-Han

Text: Zhan Jie

Performer: Hong Chien-Tsang, Obejects

Executive director: Lin Qi-Shan

Set Design: Cheng Hsuan-Hsun

Sound Design: Iggy Hung

 ‘… and, or…’-Liu, I-Ling

Choreographer: Liu I-Ling

Dancers: Lin Jyun-Yi, Hong Wei-Ting

Rehearsa: Assistant: Chou Ai-Hsuan

Light Design: Lo Yin-Yi

Costume Design: Yang Yu-De

Light Executor: Shyue Joanne

Promoter: Mina Wang Hsu-Ping

演出全長：演出全長約90分鐘，含中場休息20分鐘

《THE 浮浪貢 OF 龍興46》

◎演出全長約30分鐘，無中場休息。

◎中文發音，中英字幕。◎建議15歲以上觀眾欣賞。

◎遲到觀眾無法入場，亦無法退換票。

《而且或者...》

◎演出全長約20分鐘，無中場休息。

◎無語言，無字幕。◎建議6歲以上觀眾欣賞。

◎遲到觀眾無法入場，亦無法退換票。

到場注意事項：

◎遲到及中途離席的觀眾，須依工作人員引導等候入場。本場演出最後遲進點後即無再入場機會，無法因此退換票，請您特別留意。