2025TIFA 瑪琳．蒙泰羅．弗雷塔斯《酒神有沒有派對》

"透過怪誕展現了精緻的瞬間，並強有力地反映了我們混亂的世界" ★ ★ ★ ★ 英國評論雜誌 VoiceMag

"滑稽且黑暗，挑釁且有時帶著一絲溫情的愚蠢" ★ ★ ★ ★威爾士評論The Only Culture Vulture

"蛻變和變形，展現出令人震憾的強烈美學風格" ★ ★ ★ ★Chanel Next Prize

即便在你最瘋狂的想像裡，酒神都會不客氣的越線

取材自古希臘悲劇家歐里庇得斯的經典，號召5位小號手和8位舞者開啟這場邪典般的瘋狂慶典。他們縱舞狂歌，尖叫如屍，復刻酒神的狂悲驟喜，對這理性過盛的世界發出邀請的魅音。讓巴西放克引導靈魂出竅，滑稽的小丑妝容卸下偽裝，妄想與怪誕盡情發揚。

最肆無忌憚的編舞家暨舞者瑪琳，將動作、音樂、聲響、燈光，以及服裝與妝容視為火苗，連綿無盡地在觀眾的視覺、聽覺與心理激起震盪。表現主義讓舞蹈不再隱晦沉悶，肢體直白無懼，展露真實本我，又彷彿隨時瀕臨出格。洗刷偽裝與扞格，洗掉禮教與社會製造的束縛，最終洗出每一顆靈魂的赤裸與真實。

Based on the ancient Greek tragedy Euripides, this performance starts with an intense celebration featuring five trumpeters and eight dancers. They wildly dance, sing, and shout, recreating the joys and sorrows of Dionysus, the god of wine, and sending out enchanting invitations to this overly rational world. Let Brazilian funk guide you through this out-of-body experience in which comical clown makeup is removed and delusions and eccentricities flourish. 

Unbridled, choreographer and dancer Marlene Monteiro Freitas creates sparks with movement, music, sound, lighting, costumes, and makeup, stimulating the senses of sight and hearing, as well as the psyche. Expressionism leads to dances that are no longer obscure or dull. Straightforward and fearless physical movements expose the true self and are on the verge of shocking. By washing away all pretense and purposely crossing lines, the shackles of etiquette and society are broken. Finally, each soul emerges naked and authentic.

瑪琳．蒙泰羅．弗雷塔斯 Marlene Monteiro Freitas

「要達到蛻變，就必須有越界」

出生於維德角，現居里斯本，是一名舞者和編舞家，其舞蹈以誇張聞名，且深受家鄉島嶼狂歡節傳統所影響，展現出令人震憾的強烈美學風格。開放、離經叛道、風格強烈是她的作品主軸，善於呈現難以表達的姿態與文字，使觀眾以不同尋常的方式去看待事物。她透過作品探索蛻變和變形，讓觀眾正視多重自我的對立。她的文化成就得到國際上的廣泛認可，曾榮獲維德角政府授予的榮譽SPA獎（2017年）、威尼斯雙年展舞蹈銀獅獎（2018年）、 巴塞隆那藝術評論獎的最佳國際表演獎（2020年），以及香奈兒Next獎和伊文斯藝術獎（2022年）。自2020年以來，她共同策劃了(un)common ground項目，探討以色列和巴勒斯坦衝突的藝術和文化體現。

MARLENE MONTEIRO FREITAS studied dance at P.A.R.T.S. (Brussels), at ESD and Calouste Gulbenkian Foundation (Lisbon). She worked with choreographers such as Loïc Touzé, Emmanuelle Huynh, Tânia Carvalho and Boris Charmatz. Among others, her creations include Canine Jaunâtre 3 (2024, for Opéra National de Lyon), LULU (2023, with Theater and der Wien e WienerFestwochen), RI TE (2022; with Israel Galván), ÔSS (2022; for Dançando com a Diferença), the performance Idiota and the exibition X AND (2022; around the painting of Alex Silva), Pierrot Lunaire (2021; with Klangforum Wien and Ingo Metzmacher), Mal-Embriaguez Divina (2020). The common denominator of these works is openness, hybridism, impurity and intensity. In 2015, in Lisbon, she co-founded, P.OR.K, the structure that since then has been producing her work. In 2017, Jaguar was awarded the SPA prize for choreography and the Cape Verde government distinguished her cultural achievements. In 2018, she was awarded a Silver Lion by the Venice Biennale, in 2020, Bacchae was awarded the Prize for the Best International Performance by Les Prémis de la Critica d’Arts Escèniques of Barcelona, in 2022 she was awarded the Chanel Next Prize and the Evens Arts Prize. Since 2020, she co-curates the project (un)common ground, on the artistic and cultural inscription of the Israeli-Palestinian conflict.

©Ferreira Santos

製作團隊 Credits

編舞、服裝設計、道具設計、音樂設計Choreography, Costumes, Props & Music  | Marlene Monteiro Freitas

演出者With  | Cláudio Silva, Flora Détraz, Gonçalo Marques, Henri “Cookie” Lesguillier, Hsin- Yi Hsiang, Johannes Krieger, Kyle Scheurich, Lander Patrick, Marlene Monteiro Freitas, Micael Pereira, Miguel Filipe, Tomás Moital, Yaw Tembe

燈光暨空間設計Light & Space  | Yannick Fouassier

椅凳設計Stools  | João Francisco Figueira, Luís Miguel Figueira

聲音設計Sound  | Tiago Cerqueira

舞台監督Stage manager  | André Calado

研究人員Research  | MMF, João Francisco Figueira

製作Production  | P.OR.K (Lisbon, PT) Carol Goulart, Janine Lages

劇照Stills | Laurent Philippe

巡演Distribution  | Key Performance (Stockholm, SE), Koen Vanhove

共同製作Co-production  | TNDMII (Lisbon, PT); Kunstenfestivaldesarts (Brussels, BE), steirischer herbst festival (Graz, AT) & Alkantara (Lisbon, PT) with the support of the NXTSTP- Culture Programme of the European Union; NorrlandsOperan (Umeå, SE); Festival Montpellier Danse 2017 (Montpellier, FR); Bonlieu Scène nationale Annecy (Annecy, FR) & La Bâtie-Festival de Genève (Geneva, CH) in the framework of FEDER - programme Interreg France-Suisse 2014-2020; Teatro Municipal do Porto (Porto, PT); Le Cuvier – Centre de Développement Chorégraphique (Nouvelle-Aquitaine, FR); HAU Hebbel am Ufer (Berlin, DE); International Summer Festival Kampnagel (Hamburg, DE); Athens and Epidaurus Festival (Athens, GR); Münchner Kammerspiele (Munich, DE), Kurtheater Baden (Baden, CH); SPRING Performing Arts Festival (Utrecht, NL); Zürcher Theater Spektakel (Zurich, CH); Nouveau Théâtre de

Montreuil – centre dramatique national (Montreuil, FR); Les Spectacles Vivants / Centre Pompidou (Paris, FR)

駐村支持單位Residency support  | Polo Cultural Gaivotas | Boavista (Lisbon, PT) ; O Espaço do Tempo (Montemor-o-Novo, PT); Montpellier Danse à l´Agora, cité internationale de la danse ; ICI - centre chorégraphique national Montpellier - Occitanie / Pyrénées-Méditerranée / Direction Christian Rizzo - dans le cadre du programme de résidence Par/ICI (Montpellier, FR)

特別感謝 Acknowledgements | Cristina Neves; Alain Micas; Bruno Coelho; Christophe Jullian; Louis Le Risbé; Manu Protopopoff; ACCCA – Companhia Clara Andermatt (Lisbon, PT); ESMAE (Lisbon, PT); ESTC (Lisbon, PT) P.OR.K Associação Cultural is funded by Governo de Portugal – Ministério da Cultura / Direção-Geral das Artes.

◎演出全長約135分鐘，無中場休息。
◎建議12歲以上觀眾欣賞。
◎本演出部分含生產影像畫面、極大音量及閃光等特殊效果，請留意並斟酌入場。
◎演前導聆：每場演出前30分鐘於國家戲劇院大廳。
◎演後座談：3/9 (Sun.) 演出後於國家戲劇院大廳。

◎如為使用輪椅之觀眾，為確保您於廳內移動之便利性及安全性，請務必選購輪椅席。

◎本節目提供「藝童PLAY - 演出中孩童陪伴服務」，詳見申請辦法（採報名制，演出日7天前 15:00截止報名）。

◎國家兩廳院主辦節目之輪椅售票席及其陪同席，經參考過往平均售票率偏低，為服務更多觀眾及資源使用最大化，將於演出前一週視實際票房情形轉為一般席銷售，惟保留一組輪椅及陪同席提供購買。

◎持青年席位票券者，請憑證件（身分證或健保卡）入場，如無法出示相符證件之觀眾，節目當天現場不開放入場、亦不進行退/換票。

◎主辦單位保留節目異動權。